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When Donors Behave Badly: Guiding Principles for Jewish Institutions

In light of CCAR Press’s publishing of The Sacred Exchange: A Jewish Money Ethic, edited by Rabbi Mary L. Zamore, earlier this year, we invited Rabbi A. Brian Stoller to share an excerpt of the chapter that he wrote.

What should a synagogue or Jewish institution do when a donor is known to be involved in illegal or immoral activity? Imagine that after a synagogue dedicates a newly renovated sanctuary, the beloved community elder who gave more than a million dollars toward the project is indicted for embezzlement. Suppose that a prominent nursing-home proprietor, whose facilities have a reputation for unclean conditions and abusive treatment of residents, offers to provide scholarships for needy kids to go to summer camp. We seek to be guided in our response to these situations by the moral voice of our tradition. While there are few clear-cut answers, our texts provide certain principles that can inform our decision-making.

What happens when two moral obligations conflict with each other?

A CCAR responsum on the case of a synagogue contribution by a criminal points out that it is a mitzvah incumbent upon every Jew to support the synagogue financially.(1) The Reform Movement has said that communal organizations should not refuse a donation from a person of questionable character because we do not have the right to prevent someone from fulfilling his religious obligations.(2) Moreover, denying the would-be giver the opportunity to do a mitzvah would further alienate him from the righteous path. As Maimonides says, “We do not tell a wicked person: ‘Increase your wickedness by failing to perform mitzvot.’”(3)

At the same time, accepting the donation may violate a different mitzvah, namely the prohibition against placing a stumbling block before the blind. As Jewish business-ethicist Meir Tamari suggests, a person may be “blind, so to speak, to the moral consequences of his actions.”

(4) By accepting the gift, therefore, we might inadvertently encourage the donor to continue in these errant ways and cause the donor to stumble further.

These conflicting moral obligations cannot both be operative at the same time, but the sources suggest that there are circumstances in which one or the other should take precedence.

What causes money to become “dirty?”

According to Deuteronomy 23:19,(5) payment for prostitution (which is forbidden by the Torah) and the monetary value of dogs used by hunters and watchmen to intimidate the public (which are lawful but unseemly activities(6)) are unacceptable as donations to the Holy Temple.(7) Maimonides rules that “when one steals or obtains an object through robbery and offers it as a sacrifice, it is invalid and the Holy One hates it.”(8) That principle suggests that the Torah regards money and anything else acquired through illegal and immoral means as “dirty” and unfit as an offering. Therefore, should someone seek to make such a donation, the synagogue or communal entity should refuse to accept it, even though doing so would prevent the person from fulfilling his obligation.

But if money gained through illegal or immoral activity is “dirty,” what about money that is earned on the up-and-up by someone who behaves immorally in other areas of her life? Is there a difference between a donation from Bernie Madoff, who acquired his wealth through theft and fraud, and a donation from Harvey Weinstein, who earned his money legitimately but sexually harassed and manipulated countless women? In a relevant discussion, Maimonides holds that a kohein (priest) is not disqualified from performing his religious duty on account of immoral behavior in his non-priestly life unless he commits one of the three cardinal sins of Rabbinic Judaism: idolatry, illicit sex, or murder.(9) Following this reasoning, could modern institutions say that immoral behavior unrelated to how one’s money is gotten should not disqualify a donor from carrying out her religious duty unless she commits an act that the community regards as a cardinal sin? If so, what actions would rise to that level?

Should the Donor be Acknowledged Publicly?

The sources raise two key concerns about publicly honoring a donor of dubious character. One is that acknowledgment will draw constant, unwanted attention to this sinful behavior. The other is that people of ill-repute will “utilize a gift to the synagogue [or other Jewish institution] as a means of purchasing a good name”(10) and atoning for their sins.(11) In order to avoid these outcomes, the Reform Movement recommends that organizations accept the donation but not publicly acknowledge the donor unless and until he does t’shuvah and abandons the immoral behavior.

Organizations should not accept donations of items that are known to have been gotten illegally. Beyond this, the guiding principles outlined here leave room for leaders to exercise judgment based on communal values and the nuances of each situation. While decisions need to be made on a case-by-case basis, institutions benefit from intentional conversations about core values and principles that guide their approach when donors behave badly.


Rabbi A. Brian Stoller serves Temple Israel in Omaha, Nebraska.

NOTES

  1. CCAR Responsa Committee, “Synagogue Contribution from a Crimi- nal,” Central Conference of American Rabbis, accessed September 17, 2018, https://www.ccarnet.org/ccar-responsa/curr-52-55/. Readers should con- sult this responsum for a thorough analysis of the relevant halachic issues.
  2. See the CCAR responsum cited above, as well as Mark Washofsky, Jewish Living: A Guide to Contemporary Reform Practice (New York: UAHC Press, 2001), 45.
  3. Maimonides, Mishneh Torah, Hilchot N’siat Kapayim 15:6. Translation by Rabbi Eliyahu Touger, Mishneh Torah: Hilchot Tefilah II and Birkat Koha- nim (New York: Moznaim, 2007), 218.
  4. Meir Tamari, The Challenge of Wealth: A Jewish Perspective on Earning and Spending Money (Northvale, NJ: Jason Aronson, 1995), 32.
  5. Deut. 23:19 states: “You shall not bring the fee of a whore or the pay of a dog into the house of the Eternal your God in fulfillment of any vow,  for both are abhorrent to the Eternal your God.”
  6. In his comment to Deut. 23:19, Abraham ibn Ezra explains that “the pay of a dog” refers to activity that, although not forbidden, is “disgraceful” (derech bizayon).
  7. These explanations of the phrases “the fee of a whore” and “the pay of a dog” are given by Rashi and Nachmanides in their commentaries to the verse.
  8. Maimonides, Mishneh Torah, Hilchot Isurei Mizbei-ach 5:7. Translation by Rabbi Eliyahu Touger, Mishneh Torah: Sefer Ha’Avodah (New York: Moznaim, 2007), 334.
  9. Maimonides, Mishneh Torah, Hilchot N’siat Kapayim 15:1–6, esp. halachot 3 and 6.
  10. Washofsky, Jewish Living, 45.
  11. See Nachmanides’s comment to Deut. 23:19.
Categories
Books High Holy Days

“And who shall I say is calling?”: Leonard Cohen in a Conversation with the Divine

Leonard Cohen z”l, was a quintessentially Jewish artist. His themes and motifs tugged on the heartstrings of Jewish Thought, both contemporary and millennia-old. To those who would argue that his obvious references to other faith systems, both within his work and his personal life, discount his work’s designation as Jewish, I would point out Marc Chagall’s heavy utilization of the crucifix motif — should Chagall’s work be discounted for this as well? But there is a difference. Chagall’s corpus mainly focused on contemporary Jewish life, particularly in the shtetl; Cohen drew his influences from biblical, exegetical, and liturgical tradition. “The Binding of Isaac” is a pseudo-midrashic retelling of the Akeidah narrative; “Who By Fire” is a modern tongue-in-cheek take on Unetaneh Tokef; most famously, “Hallelujah” not only utilizes that familiar refrain found across Psalms, but calls upon several poignant moments throughout our Prophetic narratives.

In this way, I posit that Cohen was something of a modern-day (non-liturgical) Paytan. The classical Paytan was not only a poet, but a scholar. The piyutim were filled with both overt and obscure textual and exegetical references in an effort to elevate the fixed liturgical practice both through their aural and cerebral qualities. In Cohen’s contemporary take, he shifted this framework, often subverting the very liturgy or scripture he referenced. It should be noted that for the classical Paytan, it did not necessarily matter if the kahal understood the subtle textual references; the poetry, with all its hints to moments across Jewish text, was for God’s benefit. It is interesting to wonder, for whom did Cohen write his music?

Needless to say, I am a big fan. His music occupies a permanent place in my Spotify “Heavy Rotation” playlist. I find his melodies beautiful and his words profound. His lyrics and poetry are evocative and provocative, calling to mind the lowest depths of the human condition as well as the highest ethereal forms of divinity.

All of that said, my stomach turns to knots when his music is used in a liturgical context. I cringe whenever a shaliach tzibur sets Psalm 150 to Cohen’s “Hallelujah.” I have ranted to friends and classmates: “There is a time and a place for a cold and broken hallelujah; P’sukei D’zimra is never that time.” The whole point of Cohen’s song is to subvert the idea of the Psalm. The Psalm calls to mind the celebratory joy of worship — “Praise God for God’s exceeding greatness. Praise God with blasts of the horn; praise God with harp and lyre. Praise God with timbrel and dance; praise God with lute and pipe…” Meanwhile, Cohen’s text recalls King David’s voyeuristic lust for Bathsheba and Delilah’s betrayal of Samson the Nazirite. The Psalmist’s alacrity and jubilance are replaced by Cohen’s resigned, resentful, “broken” hallelujah. He does this not to belittle Jewish worship, but to complicate our understanding — blind, wholehearted, unquestioning praise simply does not represent our relationship with the Divine.

So, too, does Cohen’s “Who By Fire” function as a countertext of the Unetaneh Tokef liturgy; whereas the somber traditional text places us as submissive and subject to God’s judgement, Cohen introduces a sarcastic response to God’s call: “And who shall I say is calling?” Cohen challenges us to think beyond what God’s judgement is to focus on who is handing down the decrees. While I would argue that, like “Hallelujah,” the song is inappropriate in a liturgical context, it can serve as an excellent study question and prompt for personal thought (in fact, the text can be found as a “Study Text” before Unetaneh Tokef on page 207 of the Yom Kippur volume of Mishkan HaNefesh).

Throughout his work, Cohen does not place himself beneath God, in a submissive, prayerful manner, but instead, sitting across the table, in conversation with the Divine. At no place is this relationship more evident than in Cohen’s titular song of his final album, “You Want It Darker.” He speaks directly to God, “If You are the dealer, I’m out of the game. If You are the healer, that means I’m broken and lame. If Thine is the glory, then mine must be the shame. You want it darker, we kill the flame.” In case there was any doubt as to the identity of Cohen’s conversation partner, Cohen utilizes the opening line of Kaddish, “Magnified, sanctified, be Thy holy name.” He goes on to challenge God’s apparent inaction in the face of our prayers: “A million candles burning for the help that never came.” Cohen is simultaneously exalting and challenging God, all while repeating the familiar biblical response to God’s call: Hineini — “Here I am.”

Clearly, Cohen struggled with God — as our people, Am Yisrael, tend to do. But despite his struggle, his irreverence, his sardonic rhetoric, and his subversion of the liturgy, he still says hineini. To put it in his own words, “Even though it all went wrong, I will stand before the Lord of song, with nothing on my tongue but hallelujah.” This is, in my opinion, his most Jewish line. In the face of adversity and doubt, Jews across time and space have found a way to reaffirm our faith. Whether by the waters of Babylon in the face of exile, in the establishment of the Mourner’s Kaddish following the Crusades, or, recently, in the uptick in synagogue attendance in the wake of mass-shootings in American synagogues, we reaffirm our faith. This is what it means to be called Yisrael, to not only struggle with God, but to follow that struggle with affirmation. In this way, Leonard Cohen’s work essentially represents the embodiment of the Jewish experience.


Gabriel Snyder is a rising second-year cantorial student at the DFSSM, HUC-JIR. Growing up at Temple Beth Elohim of Wellesley, he earned his BA in Religious Studies from Skidmore College in 2018. He has spent this summer as a Press Intern at the CCAR, where he has worked on a variety of projects for several upcoming publications. He will spend the next year as the student cantor at Hevreh of Southern Berkshire in Great Barrington, MA.

Categories
Books Prayer

Sacred Practices with Psalm 27

These 50 days from the first of Elul to the end of Sukkot and the celebration of Simchat Torah can be overwhelming for clergy, with so many details and demands.  It’s easy to lose focus or be too focused; to help others and forget to open our own hearts.  The spiritual tradition of reading Psalm 27 every day is an antidote to these tendencies with its imagery of the season (temple, sukkah, shofar) and its words that evoke a range of emotions (loneliness and fear, joy and courage, the need for patience).  It coaches us in the sacred practices we need to do our work (professional and personal) throughout the season: sit still, stand tall, sing, cry, listen, walk in God’s paths, see Goodness, hope.  And it reminds us that little by little we make our way into the New Year, with Light.

This Reflection for Focus is one of fifty-two pieces (one for each day of Elul, plus a bonus for Simchat Torah and the day after) included in my book, Opening Your Heart with Psalm 27: A Spiritual Practice for the Jewish New Year (pages 82–83).  It invites focus on the phrase, ori b’yishi, in Psalm 27:1

Of David.
Adonai is my light and my victory—
From whom should I feel fright?
Adonai is the stronghold of my life—
From whom should I feel terror?

Really?! I ask myself,
read the same poem, Psalm 27, every day
for the entire month of Elul,
for the ten days from Rosh HaShanah through Yom Kippur,
for the four days until Sukkot begins and on every day of it as well
until the season concludes with joy at Simchat Torah?
Start each day with a relentless recitation of the same words?
My Light
My Salvation (a more common translation than “victory”)
My God . . . ?

Yes.

“You are my Light, on Rosh HaShanah,
and my Salvation, on Yom Kippur,
forgiving my sins, redeeming me from the narrow place of my life.”

Little by little, day by day, starting in Elul,
the Light starts to glow,
and I begin the work.
Little by little, day by day, on Rosh HaShanah
the rays peek above the horizon.

“Redemption doesn’t happen all at once.”
Like the sun that rises,
little by little,
until the dawn breaks
and Light floods the world with warmth and hope,
so, too, t’shuvah.
Little by little, day by day.
A tiny shift
a spark of awareness,
a single apology,
and then another.
No excuses,
no caveats,
no ifs.
And one response when asked for forgiveness: “Yes.”
With God as my Light I begin to see on Rosh HaShanah.
With God as my Salvation, and little by little, day by day,
I might experience at-One-ment on Yom Kippur.

Footnotes:

You are my Light, on Rosh HaShanah: William G. Braude, The Midrash on Psalms, vol. 1 (New Haven, CT: Yale University Press, 1959), p. 370 (Psalm 27:4).

Redemption doesn’t happen all at once: From Mishkan Hanefesh, vol. 1, Rosh HaShanah (New York: CCAR Press, 2015), p. 165, based on imagery from Jerusalem Talmud, B’rachot 1:1.


Rabbi Debra J. Robbins has served Temple Emanu-El in Dallas since 1991 and currently works closely with the Social Justice and Adult Jewish Learning Councils, the Pastoral Care department, a variety of Worship initiatives, and teaches classes for adults. She is the author of Opening Your Heart with Psalm 27: A Spiritual Practice for the Jewish New Year, published by CCAR Press.

Categories
Books Healing Prayer

Psalm 27:4 In God’s (Not Yet Perfect) House

I wrote the draft of what would come to be a Reflection for Focus in my book, Opening Your Heart with Psalm 27, “In God’s [Not Yet Perfect] House” on October 4, 2017, a few mornings after country music fans were murdered at the Route 91 Harvest Festival.  The reality of what seemed unbelievable was becoming incomprehensibly comprehensible and I reflected on the Psalmist’s affirmation, and deepest desire, to live in God’s house.  It was hard that morning to feel like we were living in God’s house—where such hatred was possible. 

It was chol hamo’ed sukkot and the fragility of the world felt all too real.  In the weeks that followed, as I edited this piece, my goal was to capture that moment in time, and allow it to reflect the timelessness of the psalm, to help us see hope and find courage, to make God’s house a holy place.  What I never imagined is that what I wrote would be relevant, over and over again, in just two years, not because it brought illumination to Psalm 27:4 in a new way, but because we would bear witness, again and again, to mass shootings, in public places—in synagogues and mosques, in school and shopping malls, and now in the mid-western city of Dayton and the Texas border city of El Paso.  The scenes of bloodshed are horrifically similar, the calls for political action and the lack of it are also despairingly alike, and our urgent questions of faith remain too.   

Psalm 27:4 In God’s [Not Yet Perfect] House

One thing have I sought from Adonai—how I long for it:
That I may live in the House of Adonai all the days of my life;
That I may look upon the sweetness of Adonai,
And spend time in the Palace;

The boots scoot, the hats ride high, the beer flows,
guitars twang, harmony rings loud.
Here in God’s country house
the story is always bittersweet:
love then loss, pain then healing,
doubt then faith, then doubt again.

This is God’s house, but is God home?
Some say, no.
Thousands plan to party while one has other plans.
Ten minutes of sheer terror.
Shots. Bullets. Blood. Final breath.
Fear. Horror. The dread of death.

This is God’s house, but is God home?
Some say, maybe.
He uses his body as a human shield.
She grasps a stranger’s hand
while the life force ceases.
They hold each other and move silently toward the exit.

This is God’s house, but is God home?
I say, yes.
This house of God, where we live,
where we gamble
with our money, with our values,
with our own lives and the lives of others,
is not yet perfect.

But God is always home.
Rescuers. First responders.
Kind people with holy instincts
doing God’s work,
singing melodies of courage,
in God’s not yet perfect house


In honor of those who survived and in memory of those who were murdered at the Route 91 Harvest Festival, Las Vegas, October 1, 2017, between Yom Kippur and Sukkot 5778.

Rabbi Debra J. Robbins has served Temple Emanu-El in Dallas since 1991 and currently works closely with the Social Justice and Adult Jewish Learning Councils, the Pastoral Care department, a variety of Worship initiatives, and teaches classes for adults. She is the author of Opening Your Heart with Psalm 27: A Spiritual Practice for the Jewish New Year, published by CCAR Press.

Categories
Books Gun Control Healing Prayer spirituality

Esa Einai: I Lift My Eyes

We must carry the pain of this world, feel its weight, its sadness, and its burden.

We live as one humanity, in one world, one community, and our neighbors are kind and beautiful and they are callous and indifferent and they are hateful and evil. 

So, choose, what kind of neighbor do you want to be? And we choose to wake up the apathetic soul. And we choose not to look away from the glare of cruelty. 

Who are we, for God’s sake? Who have we become? 

Today, August 6, is my brother’s birthday. After his sudden and tragic death, I wrote this prayer. I offer it to all who are suffering: 

Esa Einai: I Lift My Eyes
For Neil Dion Schwartz 1958-2002

I am searching for words
For the words that describe,
Make sense, or at least comfort.
Words that summon me from the depths
Of my solitude. 

In the night, there is darkness.
Restless attempts to sleep,
Twisting, turning into the shadows.
As I seek a comfortable pose
I bring my knees to my chest
Folding my dreams in half;
Will the crease ever come out? 

And in the day there are
Silent attempts to find hope.
Twisting, turning toward the light
As I look for direction, a path, a way. 

It is not easy to find the way.
And so,
I lift my eyes to the mountains
Heaven lays her head upon the mountaintop
And I begin to climb. 

What is the source of my help?
I climb and gaze upon the vistas.
More mountains, more horizons
Never-ending moments where heaven meets earth,
Never-ending possibilities to meet the Divine. 

Lift me, carry me, offer me courage.
Help me understand life’s sharpest paradox:
That to live is tragic and wonderful,
Painful and awesome, dark and filled with light. 

I lift my eyes to the summit
And as I climb I find my help
In the turning and twisting it takes toAscend.
I have found a path and it is worn and charted
By all those who are summoned from solitude.
I take their lead.
And I know that in the most essential way
I am being carried up the mountain.
And even now,
Dear God, even now
I am not alone. 

From The Bridge to Forgiveness: Stories and Prayers for Finding God and Restoring Wholeness. Republished in Amen: Seeking Presence with Prayer, Poetry, and Mindfulness Practice, CCAR Press, Coming in December 2019.


Rabbi Karyn Kedar, Senior Rabbi of Congregation B’nai Jehoshua Beth Elohim in Deerfield, IL, is widely recognized as an inspiring leader who guides people in their spiritual and personal growth. She is the author of many books, including Omer: A Counting from CCAR Press, and Amen: Seeking Presence with Prayer, Poetry, and Mindfulness Practice, coming in December 2019.

Categories
Books Prayer

Opening My Heart with Psalm 27

Some say there is a distinction for some between being an author and being a writer–authors write books and writers, write.  Many of us, who serve as clergy in congregational and communal settings, especially at this season of the year, strive to resist being authors of sermons, articles or blogs and focus instead on being writers rabbis and teachers and leaders writing from our experiences about the issues and topics that touch us and trouble us, hoping to find the words that will open our own hearts and those who we serve, to do the sacred work of teshuvah.

For several years I  used my writing practice at this season to explore the words of Psalm 27, verse by verse and phrase by phrase and my reflections were recently published as a book, technically makes me an author, but in my soul and practice I remain a writer.  But as Elul approaches I find myself in need of a reminder, of what to do, how to begin writing that will open my heart on each of these 50 sacred days that will lead from Elul to Rosh Hashanah, Yom Kippur, Sukkot and finally to the joy of Simchat Torah. 

This excerpt from the introduction and invitation of my book, Opening Your Heart with Psalm 27 is as much about the daily practice it encourages as the work of writing that the season demands of clergy.  It serves as a reminder to me of how to get started and I hope will encourage you as well.

Following the practice of my writing coach from nearly twenty years ago, with a more recent endorsement from John Grisham, I try to write in the same place, at the same time, every day. This builds muscle memory. “Ah yes,” my body says, “I sat in this chair, at this table, facing

this window, this wall, in this room, and I know what to do here.” The light is different, the temperature is different, the material, the fragment for focus is different. I am different today, but this time and this place are the same, and I know what to do here: I write.

I also need a clear uncluttered space in which to write, to limit my distractions (which I highly recommend even if you think all the stuff doesn’t bother you). Billy Collins says it perfectly in his poem “Advice to Writers”:

Clean the space as if the Pope were on his way.

Spotlessness is the niece of inspiration.

I’m not expecting the Pope, but am hopeful that I might encounter something holy—maybe God’s presence will alight on the desk or wrap itself around me or inspire me for just an instant in these five minutes.  And so I prepare to experience Collins’s words:

You will behold in the light of dawn
the immaculate altar of your desk,
a clean surface in the middle of a clean world.
What better way to welcome God’s presence,
to encourage it to join me for even an instant of inspiration.

I know it seems almost counter-intuitive to train oneself to write by writing, but as Mary Daly teaches, just as “we learn courage by couraging” we learn to write by writing.  And so the practices of Opening the Heart with Psalm 27 are not only for lay people to use 50 days a year, they are for us, rabbis who are writers, at this season and in our souls, people who write not only to motivate others but to open our own hearts.  And so this last bit of advice for myself, and perhaps for you my colleagues as well, also from the introduction and invitation (page xviii):

Writers, like athletes and musicians, have rituals that help them succeed at their work. While these rituals may seem to be quirky or repetitive, the routine is often transformed into a spiritual practice. Just as we can train the muscles of the hand to write, we can train the muscles of the heart to reflect, to create, and to connect with emotions, experiences, memories, hope, ourselves, and yes, God. Opening Your Heart with Psalm 27 is a way to begin the training.


Rabbi Debra J. Robbins has served Temple Emanu-El in Dallas since 1991 and currently works closely with the Social Justice and Adult Jewish Learning Councils, the Pastoral Care department, a variety of Worship initiatives, and teaches classes for adults. She is the author of Opening Your Heart with Psalm 27: A Spiritual Practice for the Jewish New Year, published by CCAR Press.

Categories
Books

Psalm 27: Music and Spirituality

In anticipation of the release of CCAR Presss forthcoming publication, Opening Your Heart with Psalm 27 by Rabbi Debra Robbins, we invited Cantor Richard Cohn to share an excerpt of the chapter that he wrote.

Music offers us a powerful connection to spiritual practice. Melodies are both fluid—moving through time with flexibility and intention—and grounded—anchored in structures of rhythm, scale, and key. They embody aliveness within a defined structure, mirroring the flow of life itself.

In combination with the harmonies that support them, melodies can convey beauty, form, and emotion. They can touch on areas of comfort, hopefulness, serenity, warmth, and joy (among many others!), even suggesting more than one feeling at the same time. They are received and interpreted differently by each of us, and their resonance can vary from day to day, or even from one repetition to the next. In addition to emotion, form, and beauty, music miraculously transmits something from the formless dimension of spirit into the physical realm of song.

Rabbi Robbins has chosen the last verse of Psalm 27 to be a musical thread in our encounter with the complete text. Why anticipate the conclusion when we’re only starting out? One possible answer is to reflect on the closing words in their relationship to each stage of the journey: How do we move step-by-step toward a strengthening of the heart that lifts us in hope toward an awareness of the holy? Singing (or listening to) a melody corresponds exactly to that process, as we travel from note to note in search of a destination that exists in potential from the very beginning, but that can only be reached by tracing the entire path. As with the psalm itself, repeating the melody again and again can deepen and expand our understanding of the journey.

There are many ways to utilize the recording that accompanies this book. You may wish to begin with mindful listening, perhaps closing your eyes and bringing attention to the sound itself, to the shaping of individual syllables and words, or simply to the unfolding stream of music. You may find yourself starting to hum along, and you can add the words whenever you like. With each repetition, or from day to day, notice what’s new (or old!) in your encounter with the music. If you’d like to sing it on your own, rather than with the recording, see what happens when you try a different tempo or if you sing it more softly or loudly, more contemplatively or emphatically. Before long, you may know the music by heart. It may become an increasingly internal experience, becoming fully integral to your daily practice. If the melody begins to seem a bit less interesting, scale back to singing it only once a day, or sing it an extra time to see if you can bring something fresh to your interpretation.

May this singing practice be heart opening and soul lifting, as you explore the inspiring textures of Psalm 27.


Cantor Richard Cohn serves as Director of the Debbie Friedman School of Sacred Music at the Hebrew Union College-Jewish Institute of Religion in New York. He’s also served as president of the American Conference of Cantors, and he has been a featured conductor at the North American Jewish Choral Festival.

Categories
Books interfaith Social Justice

Learning to Speak the Language of Faith Again

In 2017, a newly elected conservative Congress introduced legislation that would have stripped 40 million Americans of health insurance. Within days, hundreds of clergy from all over the country gathered at the U.S. Capitol to oppose the bill, calling it a Death Bill. In this first of many actions to come, we packed the hallway outside Speaker of the House Paul Ryan’s office. One by one, Jews, Christians and Muslims read from our sacred texts and told the stories of those who would suffer and die from these cuts. At the end of the protest, a lay leader looked at me with the eyes of one standing on holy ground and said, “I feel like I am learning how to speak the language of faith again.”

Moral Resistance and Spiritual Authority: Our Jewish Obligation to Social Justice, edited by Rabbi Seth Limmer and Rabbi Jonah Dov Pesner, empowers religious leaders and activists to boldly speak the language of faith in this challenging moment in our nation’s history. In part one, leading Jewish scholars lay a scriptural foundation to wrestle with the critical issues of our time. Part two shares organizing strategies from cutting-edge Jewish advocacy leaders.

As we advocate for justice, we must recognize that powerful people in our midst seek to implement policies motivated by greed, Social Darwinism, and the ties of “blood and soil” rather than love of neighbor. Our voices, grounded in scriptures that instruct us honor the image of the divine in every person, welcome the stranger, and proclaim the year of Jubilee provide a powerful antidote. God calls us to resist tyranny — to never forget our own vulnerability and oppression because we too were once slaves in Egypt. To preserve these teachings and values, we must be well-organized and courageous, and loudly speak the language of faith.

As a Presbyterian pastor who leads an interfaith network of clergy, I see firsthand the richness and power of this nation’s diverse faith and moral traditions. Each one brings unique wisdom to bear on how we live together. Even as we speak the unique language of our own faith, our unity is powerful. We don’t need to have the same talking points and theology to march under the same banner for the same cause.

Our moral vision is critical for the survival of our communities and our nation. We must be articulate and bold in communicating these to the public. And we must be strategic as we organize resistance to rising white nationalism, growing inequality and the oppression of religious, sexual and racial minorities. I keep this book close at hand as I seek to meet the challenges of the present moment. I urge you to read it, and I look forward to seeing you lifting up your voices on the streets, and in the halls of power.


Reverend Jennifer Butler serves as the CEO of Faith in Public Life. She was also Chair of the White House Council on Faith and Neighborhood Partnerships during the Obama administration.

Categories
Books spirituality

Psalm 27: My ‘Go To’ Spiritual Walkabout Song

Author’s Note: This essay is dedicated to the memory of Angela Gold, z”l, whose neshama and harmonies blessed everyone she met.

I sing to myself. Not the “singing-in-the-shower” variety. Not the “sing-along-with-my-playlist-while-I-clean-the-apartment” variety. It’s the moment of “this-is-the-song-in-my-heart.” A song too big to hold in.

The song is always the same. Over and over. Usually under my breath, but if I think I’m alone in a staircase – which almost exclusively happens as I head to classes at the Pardes Institute of Jewish Studies – I might belt it out, just to hear the echo. I sing:

Here in Israel, especially in Jerusalem, I suspect that anyone who overhears knows what I’m singing: “One thing have I asked of Adonai, how I long for it, that I may dwell in the house of the Adonai all the days of my life, to behold the graciousness of Adonai, and to dwell in the palace.” It’s the fourth verse of Psalm 27, the essence of the Psalm. I sing the Paul Schoenfield rendition.

This spontaneous a cappella vibrates with my faith, a paradoxical faith, at that. On one hand, I believe with a perfect faith that – at any moment, perhaps the very next one – the glory of God’s presence might just appear. Perhaps right there in the stairway, on the next landing. On the other hand, regardless of whether I see it or feel it in the moment, God is right here, right now. Yes, God is here, and I’m still seeking God’s house, knocking at the gates of mercy, seeking the throne of holiness.

This contradiction is the essence of my yearning as I sing the line: knowing that I’m already in God’s presence, and yet knowing that I only can remain there by continually seeking God.

In her forthcoming book from CCAR Press, Opening Your Heart with Psalm 27, Rabbi Debra J. Robbins writes: “Sit in the house of God. It’s the one thing that I really want. But now that I’m here, what do I do?”

Opening Your Heart with Psalm 27 is a guide to using Psalm 27 to prepare for the high holidays. Every day from the second day of Elul, through Shemini Atzeret – including Rosh Hashanah, Yom Kippur and Sukkot – traditional Ashkenazi prayer includes the recitation of this psalm.

With this book, Rabbi Robbins has created a guide to prepare spiritually for the Days of Awe by examining phrases from each line of the psalm each of the 50-plus-day period. Nine of the phrases she uses in this intentional spiritual practice, nearly one of every five days, come from 27:4, my walking tune.

Of the words “achat sha’alti” – “one thing I’ve asked” of God – she wonders: “If I can ask only one thing of God, what would it be?” Of the word “u’le’vaker” – “and to dwell” – she notices the connection to the word “boker,” or morning. Am I ready, aware and eager, each morning, to witness God’s presence? About the words “b’veit Adonai” – the house of God – she asks: “This is God’s house. But is God home?” We are invited to explore each phrase with a series of steps, including prayer, meditation, journaling and blessing.

Fifty days of reciting Psalm 27 as part of the High Holiday season is a practice that’s relatively new in the history of Jewish liturgy, beginning about 200 to 300 years ago. Rabbi Robbins has turned that daily recitation into an opportunity for spiritual growth before, during and just after the Days of Awe, the entire holy season from Elul to Shemi Atzeret.

For me, Rabbi Robbins has added new ways to think about – and to sing – my ‘go to’ spiritual walkabout song.

Click here for a guitar rendition of the Schoenfield setting for this verse. Here are settings by Chava Mirel, and Beth Hamon.

Alden Solovy is a liturgist, author, journalist and teacher. His work has appeared in Mishkan R’Fuah: Where Healing Resides (CCAR Press, 2012),L’chol Z’man v’Eit: For Sacred Moments(CCAR Press, 2015), Mishkan HaNefesh: Machzor for the Days of Awe (CCAR Press, 2015), and Gates of Shabbat, Revised Edition (CCAR Press, 2016). He is the author of This Grateful Heart: Psalms and Prayers for a New Day, published by CCAR Press in 2017, and This Joyous Soul: A New Voice for Ancient Yearnings, now available!

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Books

Employment, Partnership and Mutual Respect

In celebration of the release of CCAR Press’s newest publication, The Sacred Exchange: Creating a Jewish Money Ethic, we share an excerpt of the chapter that Rabbi Jill Jacobs wrote.

Six days you shall labor and do all your work, but the seventh day is a Sabbath of the Eternal your God.

Exodus 20:9–10

The commandment to observe Shabbat simultaneously asserts the sanctity and value of work. Just as God worked for six days of Creation and rested on the seventh, human beings spend six days contributing to the world and one day enjoying the fruits of our labor. Pirkei Avot even demands that we “love work” (1:10). An early commentary on this text explains, “A person should love work and not hate work. Just as the Torah was given through the covenant, so too work was given through the covenant, as it says, “For six days you shall labor” (Avot D’Rabbi Natan 1, chapter 11).

While the Rabbis of the Talmud idealized a life immersed in Torah study, without the need to work, they also recognized both the necessity of work and its inherent dignity: “Skin carcasses in the marketplace and collect your wages, and do not say, ‘I am a kohein and a great man, and this is below my dignity’” (BT P’sachim 113a). Even the most important leader should not consider skinning animals—considered one of the most unpleasant types of work—to be below one’s dignity, if economic need demands.

From the Rabbinic fantasy of a life devoted only to Torah study, and from Adam’s punishment, “by the sweat of your brow shall you eat bread” (Gen. 3:19), we might conclude that Judaism views work as a necessary evil. But this is not the only or even the majority view. God purposely leaves the world unfinished and tasks human beings with completing this world. That’s why we are commanded to work for six days, yet only to rest for one. As Rabbi Chaim David HaLevy, the Sephardic chief rabbi of Tel Aviv from 1973 to 1998, puts it, “In the Jewish worldview, work is sacred—it is building and creating and is a partnership with God in the work of Creation.”

If work is sacred, then the workplace must be treated as a holy place, in which everyone strives to make divinity manifest. According to one midrash, “Everyone who does business honestly, such that people feel good about them, is considered as though they have fulfilled the entire Torah” (M’chilta D’Rabbi Yishmael 15:26). Whereas we might be inclined to think of synagogues and other sacred spaces as being the sites of religious practice, our tradition asserts that workplaces, too, belong in this category. Therefore, employers must take measures to ensure that workers are paid fairly, are respected, and are ensured a workplace worthy of being called sacred.

This approach to the relationship between workers and employers emerges in a t’shuvah (legal opinion) of Rabbi Ben-Zion Meir Chai Uzziel, the Sephardic chief rabbi of Mandate Palestine/Israel from 1939 to 1953, and HaLevy’s primary teacher. Uzziel writes:

Employers are obligated to behave toward workers with love and honor, and with goodwill and generosity. And the workers, for their part, act faithfully and give themselves fully to the work that they were hired to do. . . . The relationship between the employer and the worker needs to be a relationship of fellowship, as with an equal, and not a relationship in which one person is of inferior status, as such a relationship can lead to acts that are insulting or that induce shame.

These ideals sound beautiful, but how do we put them into practice? As always, the Jewish legal corpus translates these ideals into specific laws regarding workplace practices.

Jewish law and narrative text offer a series of specifics regarding the relationship between employers and workers, including requirements regarding fair and timely pay, expectations of mutual respect, and encouragement for workers to form unions and even initiate strikes when necessary. Ultimately, all of these details aim to create a workplace that lives up to the ideal, articulated by HaLevy, that our labor should feel like a “partnership with God in the work of Creation.”

Rabbi Jill Jacobs is the Executive Director of T’ruah:The Rabbinic Call for Human Rights.