Category: Pesach

Categories
News Passover Pesach

Dayenu: Enough is Enough

If the Passover seder had an anthem, my vote would be for Dayenu– the jubilant, infectious melody responsible for resuscitating seders everywhere, year in and year out.  Dayenu wakes us out of our seder stupors and inexplicably inspires all to join their voices in song: “Dai-dai-yenu, Dai-dai-yenu, Dai-dai-yenu, Dayenu, Dayenu!!!”

Dayenu—it would have been enough had God only delivered us from slavery, but God did more.  Dayenu—it would have been enough had God only given us Shabbat, but God gave more.  Dayenu—it would have been enough had God only bestowed upon us Torah, but God bestowed more.

When I reflect on Dayenu today, I struggle, because I see not enough emphasis on “enough” and too much emphasis on “more.”  What does “Dayenu” mean in a world where bigger is (usually) better and more is (often) what we are looking for?  How do we understand Dayenu in a society that prizes conspicuous consumption and fetishizes acquisition in every medium imaginable?  When we are conditioned to believe that more stuff and more riches and more power will lead to a happier life, how do we even begin to set limits and embrace moderation? How do we adopt the idea of “Dayenu,” or “just enough” in a society that can never seem to get enough (accolades, money, power, status, etc.)?

And what does “enough” mean in a world where our children are asked to be everything to everyone–studious, sporty, intellectually curious, musical, artistic, socially conscious, tech savvy, and how about entrepreneurial?  We want them to master a sport (or two or three), a language (or two or three), an instrument (or two or three) and a hobby (or two or three).  But we also want them to be well mannered, concerned for others, deeply connected to their friends and community, and passionate (and if that passion can be parlayed into a career, even better).  We cannot bear to waste the potential we see in them; we cannot bear to have them miss out on any opportunities availed to them.  We desperately want the best for them and we want them to be their best.

But when and where in this scenario do we say “Dayenu”—he is doing enough or Dayenu, she has enough on her plate?  When do we say “Dayenu,” this schedule is woefully too busy for a young adult and much too hectic for a child?  At what point do we say, “Dayenu” too much of a good thing is not good?  On the other hand, what would it mean to accept that “enough” is enough?  To be smart enough, athletic enough, pretty enough, strong enough, quick enough, funny enough, popular enough, or good enough—what would it mean to say, that is perfect?  What would it mean to teach our children, when you look in the mirror and see the person reflected back at you, that person is “enough”- to succeed in life, to excel in friendships, to create a solid foundation, to be a happy person.  You are enough, period.

And what about ourselves? The expectations we have for ourselves and our families and our congregations often have very little grounding in reality.  What is good enough for others is simply not good enough for us.  “Enough” is not a standard bearer; “enough” is not worthy of praise.  “Enough” is not gasp-inducing or eye popping. Enough is just adequate.  It is merely satisfactory.  It meets the criteria but it does not surpass.  We don’t want enough; we want extraordinary.  And yet, Dayenu…

There is nothing wrong with reaching for the stars.  There is nothing wrong with pushing oneself to succeed and surpassing expectations. There is nothing wrong with perseverance and determination and high-octane drive.  We need that passion to accomplish all we set out to do.  We require that motivation to ignite the spark within our souls.  But we meet a breaking point when the pursuit surpasses the prize, when we find ourselves on a relentless path towards the next best thing-at all costs.

When do we stop and say, Dayenu?  This rung is high enough, this place is good enough and this pace is quick enough?  When do we acknowledge ourselves and our families and our careers and say, we are enough—enough to appreciate and to accept and to cherish and to love?  When do we say, enough is enough with always wanting more, with never being satisfied, with never giving ourselves the opportunity to savor the moment?  When do we say, with true conviction, Dayenu?

We can look back to our Torah for a little help in the matter, and a little inspiration.  When Moses called upon the Israelites to bring gifts towards the erecting of the Mishkan, the holy Tabernacle, they responded with unbridled enthusiasm.  They brought and they brought and they brought some more.  Ultimately, Moses had to stop the flow of gifts; the people had brought too much; “their efforts had been more than enough for all the work to be done.”  (Exodus 36:7)  In this case, God only wanted enough, no more, no less, just enough.

God got it right with the Mishkan.  Passover gives us an opportunity to get it right with Dayenu.  This Passover, may we all go from strength to strength to…Dayenu.

—

Rabbi Sara Y. Sapadin resides in New York City.  She most recently served Temple Israel of the City of New York.  Sara now volunteers as the CCAR RavBlog Member Volunteer.  Interested in writing something for RavBlog?  Learn more. 

Categories
Passover Pesach

Seder on the Dining Room Floor

Years ago, unplanned repair work on our house in early spring devastated our kitchen and dining room, ripped up our living room carpet, and threatened to destroy our plans for a comfortable, traditional Passover Seder. Add to it that more than half the guests were under 6 years old and could barely sit still long enough to dip the karpas in the salt water and we quickly realized that our Passover celebration needed to be creatively re-imagined.

We wondered: how were we going to make a Seder experience that taught our multi-generational gathering about the holiday’s central messages? That we journeyed from slavery to freedom, and that we must help others do the same. Sitting around a traditionally set table was just not in the cards.

We discovered that with creative and open minds, a willingness to merge tradition and innovation, and an accessible flexible Haggadah, an engaging Passover Seder can be had.

We threw borrowed gym mats over the living room concrete, placed Seder symbol-laden coffee tables around the room, and let the kids roll around while we told stories, read interesting tidbits from the Haggadah, and experienced the tactile sensations of the rituals. We realized that like for any other meaningful celebration – a birthday party, for example – the key to memorable success was to intermix food, family, songs and stories, ritual and readings in a meaningful way. We discovered that tradition and innovation needed to go hand and hand.

STJCoverWe also realized that our Seder needed a Haggadah that was filled rich and varied readings, colorful interpretations, easily accessible instructions, and enticing visualization from which we could sample. We have become enamored with Sharing the Journey: The Haggadah for the Contemporary Family (written by Alan S. Yoffie, illustrations by Mark Podwal) published by the CCAR Press. This rabbi-approved Haggadah is as accessible and creative as our personally cut-and-pasted booklets of our younger years with a few fantastic differences: Adults and children alike always seem to discover age appropriate material that uplifts and inspires. Teens and college students appreciate its ability to challenge contemporary understandings, while the grandparents like that it has enough traditionalism to recall their Seders of old. We like the fact that we can use it both at one night’s creative and another evening’s more traditional sit down Seder.

Over the years our Seders have changed. Our guests still enjoy the unique touches that invite contemplation: the football on the Seder plate, (suggesting that just as the Angel passed over the Israelites, perhaps we need to ensure that we hit our intended moral target), and history books strewn around the room (sparking a great discussion of whether the Exodus is historical or not and whether that matters). We just schepp nachas (are bursting the pride) that to this day our kids, relatives and friends enjoy these longer and deeper annual opportunities to explore the abiding lessons of Passover.

—

Rabbi Paul Kipnes is Vice President of the Central Conference of American Rabbis, and serves Congregation Or Ami in Calabasas, California. Paul also co-wrote Jewish Spiritual Parenting: Wisdom, Activities, Rituals and Prayers for Raising Children with Spiritual Balance and Emotional Wholeness.

Categories
News Passover Pesach Reform Judaism

Making Each Day Count: Getting Ready for Omer

How does this happen? That busyness reigns supreme, that ambition drives the day, that exhaustion connects moment with moment, that, well, we simply forget to pay attention to what is noble and grand and really important. That we ignore what is truly beautiful and possible.

How does this happen? Days pass by and we are mostly oblivious. We simply pay little or no attention to our potential power, to the passage of time, to wonder, to the incredible beauty that emerges when shadow dances with light. We tend to be deeply uninvolved and forget how we have emerged from the days that we were afraid to be ourselves, the days when we were hesitant beings.

product_image-1.aspRemember those days when we blinked and twitched as we tried to find our place in society, to discover our way through family craziness? Do you remember when we desperately searched for a strong sense of self that would withstand the push and pull of life? I remember. And if I were to be completely honest, I don’t have to reach back into memory. I still blink and twitch and I am still discovering my way. Maybe that’s why we choose to be so busy, so distracted by nothing much, because to be aware is, can be, complicated.

But we are invited every so often by the rhythms of the Jewish calendar to transcend our very human tendency towards oblivion. We are invited to gain a sense of footing, to lift our eyes beyond the mundane and think and learn, consider and see, really see what is possible and interesting and fantastic in our lives. Now, with the ever-slow emergence of spring and sun and warmth and the undeniable regrowth of color we have our chance.

Seven weeks, forty-nine days, separate Passover and Shavuot. And for those forty-nine days our tradition gives us a simple command – to count. Count each day, for forty-nine days, one at a time, and pay attention. Take time back from oblivion and to notice.

Though the counting of the omer is an ancient tradition connected with the harvest in the Israel, today it has become a spiritual practice. Like all spiritual practices there are tools, which help us stay focused on the journey. For years, during the counting of the Omer, I have sent daily emails, short passages, some from Jewish tradition, some from the wisdom of great thinkers, some original writing. Every passage ends with the short blessing, which counts the sequence of days from the first to the forty-ninth. These passages are like a bit of sweetness delivered to your mind and heart; a daily invitation to breathe, to pause, to reflect.

Reflection. It is the nectar of a considered life. And our lives are worthy of our consideration. Each day. One day at a time. Making our days count for something grand.

Rabbi Karyn Kedar is the senior rabbi of Congregation BJBE in Deerfield Illinois. She is the author of several books including Omer: A Counting, published by CCAR Press in both paper and as an ebook. This book includes passages for counting the Omer as well as seven spiritual principles to consider each week. You can also sign up for her blog at karynkedar.com.

Categories
Books General CCAR Passover Pesach Technology

Post-Pesach Blog: Zero-Based Seder Leading with Sharing the Journey Haggadah

Passover might be over, but it’s not too late (or too early…) to look back and start to bank ideas for next year.  Rabbi Eddie Goldberg shares thoughts from his seder experience. 

Recently a stressed-out father asked me what haggadah would be best for a family with youngish children.  I was happy to recommend Sharing the Journey (CCAR Press), by Alan S. Yoffie and illustrated by Mark Podwal. But I reminded the dad that the haggadah does not a good seder make, by itself.  The more important question is not which haggadah but what is one trying to accomplish.  Indeed, a case in Chicago could be made for taking the children to Lake Shore Drive and asking them to imagine reaching a large body of water with a hostile army in pursuit.  What would they do?

Nevertheless, due to Chicago weather (it was snowing during the seder) and inconvenient rules involving religious rituals on state beaches, the seder we conducted last night was a close second to being the most authentic Pesach moment for the eleven of us, mostly cousins, who shared a seder for the first time ever or, if not, then in about thirty-five years.

In preparing for the seder I knew that the new haggadah would serve us well with its respect for tradition, beautiful appearance, transliteration (mostly) and contemporary spin.  I also spend a lot of time on a Power Point (or Keynote) component.  (I even have a version of the new haggadah on my iPad.)  Although I found the Visual Tefilah Haggadah supplement well done, I chose after considerable thought to use instead my own, which does not follow the new haggadah so much as provide a midrashic complement to it.  In general I see electronic tefilah (or seders) as an enrichment and not mirroring of the worship or ritual experience.

I am glad to report that, due in some measure to my efforts and the invaluable help of my 23-year old USC computer science grad, the seder came off without a hitch.  The incredible culinary talents and warmth of my wife did not hurt either.  It was great presenting a seder experience to contemporaries who thought that Maxwell House equaled the tip-top of haggadah offerings.  We also had a nine-year old cousin who had never attended a seder before.  She entered visibly scared and annoyed and left the star of the seder and having asked all the right questions and more!

Tonight the seder will be presented at our congregation with the new haggadot.  I know the food and atmosphere will not be able to  match last night’s efforts but I am delighted that, if we succeed, the haggadah will have proven its worth once again as a sacred component of an evergreen evening.

RabbiGoldbergSeder-2014

Edwin Goldberg, D.H.L., is the senior rabbi of Temple Sholom of Chicago and is one of the editors of Mishkan HaNefesh, the new CCAR machzor.

Categories
Books Passover Pesach Rabbis Reform Judaism Technology

Pesach Blog: Why is this Haggadah different from all other Haggadot?

VT1Purim is over so Pesach is not far away.  My congregation has the new CCAR Haggadah (Sharing the Journey) set and ready to go for a second night congregational seder.  Choosing a haggadah was the easy part in that the new Yoffie/Podwal is beautifully done and user friendly.  The challenge is creating an experience at a community seder that feels authentic and participatory.  I am planning to use Visual T’filah and group singing to help create community as well as engage participants.  I can also plan some shtick.

Fortunately there is much more that this new haggadah offers.  For instance, one can choose to buy on iTunes an electronic version of Sharing the Journey.  Why bother?  I decided to try it myself.  This is what I discovered:

STJ3First, it is very cool that I can tap on a song in the e-book and the melody is sung.  Think how nervous or musically challenged seder leaders now have support at their very fingers.  There are even choices between different melodies, say, for the four questions.  In addition, there are interactive things to do with the e-book that will make the seder more fun for a child.  If that were not enough, there are also notes for leaders that are accessed by tapping on a leader’s guide icon.  I am sure there is more to discover as I explore the interactive book.  (Btw, I foresee a revamped MT iPad tool that offers instructive tips and spiritual iyonim with a timely click.)

I will definitely use my iPad edition to lead my seder, and model it for others.  I don’t suppose the CCAR will have a Haggadah iPad Case by April so I will most likely go with my official Mishkan T’filah case.  But one can dream!

Edwin Goldberg, D.H.L., is the senior rabbi of Temple Sholom of Chicago.

Categories
Books News Passover Pesach Rabbis Reform Judaism

Four Questions about the New Union Haggadah, Revised Edition

In anticipation of the forthcoming publication of The New Union Haggadah, Revised Edition, CCAR rabbinic intern Liz Piper-Goldberg interviewed editor Rabbi Howard Berman.

1. In true Passover fashion, why is this haggadah different from all other haggadot? Can you tell us what makes it unique?  Why is this haggadah a good fit for the Jews of 2014?

NUH art sample 1A broad variety of historic minhagim, local traditions and ideologies are reflected in the hundreds of Haggadah versions available today. In the midst of this rich tapestry, the distinctive liturgical and spiritual heritage of American Reform Judaism stands in its own integrity and enduring significance.  Our Movement has always created liturgies to give expression to the special understandings of Jewish belief and life embodied in our liberal spiritual commitment. Characteristically, Reform Judaism – and particularly the Classical Reform understanding – has interpreted the Passover Story from a broad, universalistic perspective- as a paradigm of redemption and liberation for all humanity… to use Rabbi Herbert Bronstein’s wonderful imagery- retained in this new version – “living our story that is told for all people…whose shining conclusion is yet to unfold!”  The traditional Haggadah is far narrower and more particularistic in its vision, and other versions focus on particular ideological themes. Our Reform versions, all of which have built upon the foundation of the original Union Haggadah, embraces a far more inclusive approach, recognizing the enduring inspiration of the Exodus as a model for so many others, while celebrating its unique meaning for us as those who came out of Egypt.

2. What is the history of the original 1923 Union Haggadah? What was unique about that Haggadah at the time?

The 1923 version of the Union Haggadah was in turn a revision of the first edition of 1907. At that point, the pioneer Reformers had shifted the locus of religious life and worship from the home to the synagogue, where the principles of a new, modern, liberal Judaism were proclaimed in the liturgy and expounded from the pulpit. Passover was celebrated in Reform temples with well-attended services on the first and seventh Festival days, highlighted by the majestic liturgy of the Union Prayer Book’s texts expressing the vision of the “universal Passover” of future redemption and liberation of all humanity. However, in the early years of the 20th century, the home Seder had indeed declined in popular observance. The leaders of our Movement were confident that a new version of the Haggadah, which, like the Union Prayer Book itself, would be “at once modern in spirit and rich in traditional elements” would renew the compelling meanings of the Seder and inspire a revival of its celebration.  This goal was indeed fulfilled, and what had been an “anxious” hope was rewarded with the eventual reality today, that the Passover Seder remains the most observed religious tradition among American Reform Jews.

3. What new traditions have been added to this edition?  What did you want to keep the same, and what did you want to change, and why?

NUH art sample 2In the New Union Haggadah, we have attempted to preserve the literary beauty, the direct and accessible text, and the broad, universalistic spirit embodied in the 1923 version. We have rendered the majority of the English text in contemporary, inclusive, gender-neutral language, following the egalitarian values that have guided all of the CCAR’s liturgical developments over the past forty years. In the spirit of Classical Reform, this haggadah is conceived to be used as a forthrightly and primarily English language experience- with all of the major Hebrew texts included in transliteration, and accompanied by versions of the most popular holiday songs and hymns that may be sung in both languages.

We have introduced new elements in the text as well. These include traditional parts of the Haggadah that were consciously eliminated by the editors of the earlier versions. Our predecessors sought to remain true to the vigorously rational spirit of a liberal faith that rejected superstition and parochialism. The original Union Haggadah consequently omitted such well-known dimensions of the ritual as the triumphant enumeration of the Ten Plagues – considered a “vindictive act unworthy of enlightened minds and hearts.” While they provided for the tradition of welcoming of the Prophet Elijah, there was no particular ceremony attached to it – reflecting the ambivalence toward what may have been considered a remnant of ancient myth and fantasy.  We have reinstated the recollection of the plagues, retaining the beautiful and moving interpretation originated by Rabbi Herbert Bronstein in the 1974 A Passover Haggadah. This brilliant and creative rendition links the recitation of the plagues to the symbolism of the ten drops of wine- the diminishing of our joy at our own redemption as we recall the sufferings of our oppressors. We have also been inspired by the concept of echoing the ancient plagues with those of our own time – also a feature of the Bronstein version –offered here in a new form that weaves the two together. Despite the rationalist objections, Elijah remained stubbornly ensconced in the hearts of most Reform Jews. For the ceremony of Opening of the Door for the Prophet, we have reclaimed a little-known supplement created by the Joint Committee on Ceremonies of the CCAR and the Union of American Hebrew Congregations in 1942 – which brilliantly recasts this beloved tradition in the universalistic spirit of Reform Judaism, as an authentic question and answer dialogue between parent and child. In addition, we have incorporated more recent innovations that have broadened the embrace and symbolism of the Seder – the Cup of Miriam and the Orange on the Plate – with explanations that express the heightened awareness and contemporary sensibilities of these popular rituals, in a way that compliments the rest of the text.

4. Which aspects or traditions of the Passover seder are most meaningful to you? How are they expressed in the Union Haggadah?

NUH Page Sample 3Like so many of us, having grown up with the old Union Haggadah, its cadences and distinctive literary style echo in my consciousness as the quintessential sounds and images of Pesach.  The unique phrases of its Magid narrative continue to express the Festival’s timeless, transforming message. Preserving and creatively renewing this tradition for a new generation is the essence of my work with the Society for Classical Reform Judaism, and has guided my efforts in this project.  The Seder’s symbolic progression from remembrance to hope, from oppression to liberation to future redemption, all find profoundly clear and compelling expression for me in the Union Haggadah’s simplicity and flow.

Ultimately, what we “tell our children on this day” encompasses a rich and distinctive heritage that weaves together our identities and experiences as Jews, as Reform Jews, and as American Jews.  The seamless integration of each of these strands of our tradition and faith remain the unique genius of Classical Reform Judaism and the guiding principle of The New Union Haggadah.

Rabbi Howard Berman A. Berman is Founding Rabbi of Central Reform Temple of Boston. He is also Rabbi Emeritus of Chicago Sinai Congregation, and the Executive Director of the Society for Classical Reform Judaism.  

Categories
Books Passover Pesach Prayer Technology

Passover Blog: Using Visual T’filah at Your Seder

Mah Nishtana halaila hazeh?  What makes this seder different from all others? 

For many families and synagogues this year, it will be seeing the haggadah in a new light.  This year, the CCAR Press is excited to offer a Visual T’filah companion to Sharing the Journey: The  Hagaddah for the Contemporary Family. 

Dan1Visual T’filah, grounded in historical Jewish practices and built on modern technologies, mingles text and images on the large screen for all to enjoy. The images help give deeper meaning and connection to the ancient words, and the words up on the screen allow us to lift our eyes, our voices, and our hands. Visual T’filah has become a popular way to enhance prayer services, and now it can enhance our Pesach seders, as well.

One of my favorite things on Pesach is to open the (printed) haggadah and see wine stains and crumbs from seders past.  It reminds me that in this ever-changing world, some things stay comfortably the same.  It’s the same story we retell year after year.  The same rituals.  And yet, I’m always excited to see what new materials, readings, and activities the seder leader will bring to the table.  While the story of redemption and freedom never changes, we are always changing, and finding new ways of reconnecting to the same story is essential to keeping the messages relevant and engaging.  The haggadah, after all, at its core, is meant to inspire us to ask questions.

Dan2A few years ago, a number of colleagues and friends participated in Tweet the Exodus.  Not only was it amazing to see the story told in 140 character segments, but some of the tweets contained links to exciting multi-media resources to tell the story.  A particular favorite of mine was a Youtube video of a family caught in their car surrounded by a massive locust swarm. (http://youtu.be/wxHOxCmbs-8). It was terrifying and awe-inspiring, and helped me understand better than anything else what it might have been like to witness this plague.  Can you imagine being able to share some of the other plagues this way? Or what about showing a short clip discussing what scientists have said most recently about the splitting of the Red Sea? You could even show a map tracking the 40 year journey of the Israelites stop by stop. Unfortunately, you can’t embed Youtube videos in a printed haggadah.  But you can put them up on a screen.

Dan3And that’s what I love about using Visual T’filah at a seder: you can add new readings, videos, and more to enhance the experience and enrich the story (without creating a handout and adding yet another item to juggle on the table).  You could insert a PollEverywhere (polleverywhere.com) into the Visual T’filah to ask your participants to vote on their favorite plague or even to pick the closing song.  You could ask participants to record a short skit ahead of time to be shown during the seder.  As long as you have the screen set up, you might even want to Skype in Bubbie who couldn’t join you at the seder this year.  In fact, the screen becomes a blank slate for including almost anything you can think of, and the Sharing the Journey Visual T’filah gives you the framework from which to unleash your creativity.

The nice thing about VT is that it doesn’t negate the use of your printed haggadot.  No matter your inclination or comfort level, everyone can be included. Many folks are accustomed to using print haggadot and will be resistant to giving them up.  And anyway, who can deny the fun of being able to flip ahead to count how many pages are left, or even the benefit of being able to linger on a reading or an idea on your own?

Sharing the Journey VT is designed for both large communal seders, as well as smaller in-home seders.  If you don’t have your own large built-in screens and projectors, smaller portable ones or even flat screen TVs will work perfectly.  In fact, an iPad and an AppleTV can be the perfect way for the seder leader to lead from her seat.

Sharing the Journey is also available as an ebook for iPads. (ccar.co/journey). One can follow along with the seder, just as in the book, but also find interactive features and embedded audio.  (Please note: we discourage disDan4playing the ebook on a large screen.  It is not designed for this and will be too difficult for seder participants to read.  Conversely, the VT is specifically designed to be projected and read from a distance.)

So while you’d never want to spill wine on your iPad, nor get crumbs up on the screen, we hope Visual T’filah becomes another tradition at your seder table, and a way to help all of us actually return to the table to finish the seder after the meal is served.  Chag same’ach!

 
Rabbi Dan Medwin is the Publishing Technology Manager, CCAR Press.

p.s.: A Seder Leader’s Guide, complete with two CD’s of music, is also available for Sharing the Journey.  In addition, the music can be downloaded from iTunes.  

Categories
Books Passover Pesach

Pesach Blog: How I Learned to Stop Worrying and Buy a New Haggadah

My history with haggadot is probably typical but certainly multi-layered.  I grew up with the venerable Union Haggadah.  In rabbinical school I was exposed to its successor, the “Baskin” Haggadah.  I then worked for an HUC administrator in researching various haggadot.  Even in the mid-eighties there were countless varieties, including one for vegans: The Haggadah for the Liberated Lamb.  Around this time David Moss was previewing his soon-to-be famous haggadah, Song of David.  I joked to my fiancée that she could have that instead of an engagement ring.  She took me seriously and we use the haggadah (alas, only one copy) every year.

For my family, after many years of experimenting we settled on the Shalom Hartman haggadah, Seder for a Different Night, and its successor.  They are wonderful resources but quite complicated.  For second night seders at the congregation I have used for many years the Eli Gindi Berhman House Family Haggadah.

Art from Sharing the Journey, by Mark Podwal
Art from Sharing the Journey, by Mark Podwal

In my new congregation – Temple Sholom of Chicago – I have decided to use the new CCAR haggadah, Sharing the Journey by Alan Yoffie, with art by Mark Podwal.  We will also try it out with our family on the first night.  The haggadah appeals to me because of its mix of being user-friendly and having some depth.  I am also excited about incorporating the visual t’filah element, having made my own power points for the seder in the past few years.

In the coming weeks I look forward to reporting how my preparation and execution goes.  Like a prayer book, I know that a haggadah does not a seder make.  But it is a sacred and useful tool, if it meets that elusive balance between being complex but not complicated.

Edwin Goldberg, D.H.L., is the senior rabbi of Temple Sholom of Chicago.

Categories
Books Passover Pesach Reform Judaism

CCAR Haggadot: A Feast of Haggadah Choices

By Mark Podwal

I know, I know, Purim hasn’t even arrived yet, but Passover isn’t too far away and it’s never too early to begin to think about preparations.  One of the first questions that always comes up is which haggadah to use.  Here at the CCAR, we have a long history of publishing haggadot, and today we offer many different options.  Each one offers something a little bit different to meet the needs of your family or community.

It all began in 1892, which marks the beginning of Reform haggadot in North America. That was when the CCAR attempted to publish the first Union Prayer Book, in which a new haggadah was meant to be incorporated. That prayer book was ultimately and infamously rejected by the CCAR, and the haggadah was later published as a stand-alone volume (the subsequent UPB 2, which did pass the approval process, did not include the haggadah).

This early haggadah was an adaptation by Rabbi Isaac Moses of an even earlier Reform haggadah published in Bavaria in German by Rabbi Leopold Stein in 1841.  This original haggadah, as well as its subsequent adaptations and translations, was a contemporary rethinking of Passover for the Jews of the time.  As Dr. Richard Sarason writes, “While a strong affective connection to the seder ritual remains, there is a clear cognitive distancing from its premodern form and some of its content, which is either eliminated entirely or reshaped to conform to contemporary sensibilities. The passages of classical Rabbinic discourse are deleted, as are any angry or vengeful references to the gentiles” (Sarason, “The Haggadah and Reform Judaism” in The New Union Haggadah, CCAR Press, 2014).  Redemption is framed not as something far off in the future to which to yearn, but rather taking place in its audience’s own time as Jews gained political, social, and professional rights.  A revision, with slightly more Hebrew, was published in 1907/08.

Union HaggadahThe beloved gray hardcover known as the Union Haggadah, published in 1923, was a revision of this early 19th century haggadah (the image here is of the paperback facsimile version). This edition contains more Hebrew than the earlier versions, had a fuller version of the Exodus story, and also restored the traditional divisions of the seder.  But it still shared the original sensibility, looking not toward a future time of redemption but celebrating the freedom and liberty available to Jews in North America.  Generations of Reform Jews were raised on this version of the haggadah, as well as the revised version published following World War II. It was also appreciated for its gorgeous black and white artwork and elegant design, as well as the musical notation provided.  The CCAR Press has made a paperback version of this haggadah available.

PASSHAGG COVIn 1974 CCAR published A Passsover Haggadah, known familiarly as “the Baskin” though it should be known as the Bronstein-Baskin, created as it was under the editorial leadership of Rabbi Herbert Bronstein. This was the first full color haggadah from the Reform Movement, incorporating the striking art of Leonard Baskin.  A Passover Haggadah became an instant bestseller, as ubiquitous in Reform homes as The Union Haggadah once was.  This haggadah incorporates many supplementary readings and songs, drawing on the post-Holocaust Jewish experience as well as acknowledging the existence of and relationship with Israel.  It uses a much fuller Hebrew text than the  previous haggadot, a beautiful poetic style of English, adds back in much of the rabbinic commentary edited out in various editions of The Union Haggadah, and draws on many contemporary sources including Hebrew poetry.  This is an excellent haggadah for those who want a rich seder experience, with a tremendous amount of material to build upon.

Open Door-COVER-NEWThe Open Door, edited by Rabbi Sue Levi Elwell and published in 2002, reflects further changes in the North American Jewish community.  This haggadah, with beautiful art by Ruth Weisberg, incorporates voices of those previously marginalized or left out, including women’s voice, GLBT voices, and those from non-Ashkenazi Jewish communities.  This haggadah is a great addition to any collection, offering new perspectives on familiar texts and opening the door for all those who want to enter.

STJCoverIn 2012 CCAR Press added another haggadah to our offerings.  Sharing the Journey: The Haggadah for the Contemporary Family, edited by Alan Yoffie with gorgeous full color artwork by Mark Podwal, offers a welcoming and accessible approach to Passover.  This haggadah is especially a good fit for those who don’t know a lot about Passover rituals or practices but wants to get started, or those with non-Jewish family members and friends around the table.  All are warmly welcomed and included in the shared experience of moving from slavery to redemption, with Sharing the Journey follows the traditional steps of the seder in a joyous, streamlined, non-intimidating way.  All Hebrew is fully transliterated and gender inclusive. There are discussion questions and explanations throughout. This Haggadah is also a great choice for congregational seders, which could be accompanied by the forthcoming Visual T’filah version. A separate Leader’s Guide is available, including a 2 CD set, and the album is also available on iTunes, both with words and without, for singing along too.  There is also an iPad version of Sharing the Journey, and it will shortly be available as Visual T’filah, a terrific resource for congregational seders.  In addition, a selection of Podwal’s signed giclee prints of images from the book are available and make special very special gifts.

CCAR-UnionOur latest haggadah is a completely revised edition of the 1923 Union Haggadah.  This edition, The New Union Haggadah, is being created in consultation with the Society for Classical Reform Judaism, with Rabbi Howard Berman as consulting editor and Rabbi Ben Zeidman as development editor.  This revision features beautiful updates of the original artwork, as well as some new full color art based on Passover images from stained glasses windows found in Reform synagogues across North America.  For those who still feel connected to the 1923 edition but want something slightly more contemporary, this is a perfect choice.  This edition preserves the beauty and elegance of the original, with its focus on the shared Jewish and American moral values and emphasis on liberty for all, while now offering full transliteration, gender inclusive language, and updates to the original such as Miriam’s cup and the option of an orange on the seder plate.  In addition, we are also offering a large print edition.

CHLDHAGG COVAnd then there’s A Children’s Haggadah,  by Howard Bogot and Robert Orkand, with illustrations by Devis Grebu.  This child-friendly haggadah features a vibrant fold-out section of the whole seder plate.   Designed especially for young people, this haggadah is a great choice for home seders with lots of young children, as well as for schools or community family seders.

There are many haggadot to choose from.  We’re proud to be able to offer a range of different options.  And of course there’s always the tradition of collecting many different haggadot, all the better to pick and choose the parts you like from each. Have fun making your choice, and chag sameach!

Rabbi Hara Person is the Publisher and Director of CCAR Press. 

 

Categories
CCAR on the Road General CCAR Pesach Statements

Rabbi-Hacking IV: Hacking Our Teaching

One of our colleagues wrote a humorous and thoughtful “rabbi’s” version of the ahl cheyt. One of them was “for the sins we have committed by relying on ‘Rabbi Google’ rather than the sacred texts in our study.” I can relate. The extent of Jewish teaching resources available online is extraordinary. Websites for texts, commentaries, and community continue to grow. A contemporary Kohelet could say, “Of the making of websites there is no end.”

How do we separate the wheat from the chaff? Personal preferences play a role. So denomination and ideology, along with usability and relevance. We all know of the excellent URJ site. What follows are some of my favorites. Please leave some of your favorite resources in the comments section so we can all benefit.

1. rabbisacks.org: Jonathan Sacks recently retired as Chief Rabbi of Great Britain. Yet, he has maintained a website filled with Torah commentaries, essays and lectures, and it is filled with wonderful ideas and chomer l’drush.

2. sefaria.org: A lay leader brought this to my attention. It gathers texts from the Tanach to Maimonides to Midrash Rabbah in Hebrew and English, in a format where one is able to create a teaching source sheet. The site is still developing, and the available texts are a bit haphazard. Yet, this site is beginning to prove eminently useful.

3. on1foot.com: Maintained by the American Jewish World Service, this site has a similar concept as Sefariah, but is more developed and focused on social justice. It also has the benefit of providing users with access to source sheets put together by others.

4. jta.org: JTA is a great source for Jewish news, opinion and blogs.

5. huffingtonpost.com/religion: I am biased, as I blog regularly for the Huffington Post, but the range of writers and topics is phenomenal. I’ve found many good ideas for lunch and learn and other adult education classes on the site.

6. mosaicmagazine.com: Mosaic is the successor the Jewish Ideas Daily. Though its selection has a clear conservative bent, Mosaic offers articles on topics in Jewish thought and history difficult to find elsewhere. Its articles lend themselves to good discussion.

7. tabletmag.com: Tablet is a bit more pop-culture orientated than Mosaic, but it also offers excellent essays on Jewish life and thought, and it is frequently updated.

8. michaelhyatt.com: This site has nothing to do with Judaism or Jewish life. In fact, its author is a devout Christian and former head of a major Christian-orientated publisher. But the insights on leadership and productivity are better than can be found anywhere else. He gives insights into blogging, organizational leadership, and how to get more done in less time. That’ Unknownsomething we can all use.

 Rabbi Evan Moffic is the rabbi of Congregation Solel in Highland Park, IL.