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High Holy Days News

Growing Deep

How to find and offer wisdom in a polarized world?

We live in an uncompromising age, a time of hard edges and bristling polemic.  Our current culture too often confuses strength with bombast, conviction with absolutism, passion with intolerance.   Deliberation and compromise are portrayed as weakness, and unyielding rigidity as power.  Beit Hillel is AWOL.  Rage is all the rage.

The Pulitzer Prize-winning poet Louise Gluck wrote:  “And the mind/wants to shine, plainly, as/machines shine, and not/grow deep, as for example, roots.”  In Gluck’s terms, we live in a machine age:  too readily and too lazily, our minds prefer shine to roots.

And then along come the High Holidays, and urge us to be the klei kodesh of a completely counter-cultural message to our people and to ourselves:  slow down and stop shining.  Look within before you shout without.  Stop.  Reflect.  Struggle.  Consider your responsibilities to others.   Create the space for questions that do not have easy answers.   Permit uncertainties that shake you off center.  Allow for regret and change.  Open your heart to new possibilities.  Grow deep.

Consider the sound of the shofar:  ragged, varied, piercing precisely because it’s not pretty.  It is the sound of roots, not shine.

The Mishnah teaches (RH 3:7) that if the shofar is sounded in a pit or a cistern, if one hears the sound of the shofar, one has fulfilled the mitzvah of listening to the shofar on Rosh Hashanah.  But if one hears only the sound of the echo, then one has not fulfilled the mitzvah.  The Gemara (BT RH 27b) goes on to comment that if the listener is in the pit when the shofar is sounded, then surely the listener hears the sound itself, and has fulfilled the obligation.  But if the listener is standing only on the edge of the pit, then the listener has only heard the echo, and has not fulfilled the obligation.

An interpretation about the opportunity and purpose of these days:  if you stay only on the surface of things, if you do not grow deep, then in fact you have not fulfilled the obligation of these Days of Awe.

None of this is easy.  The sermons weigh on us, the logistics burden us, we apply all sorts of pressure to ourselves, and we get stuck thinking in terms of shine rather than roots.  Unwittingly, we allow the space of self to crowd out the presence of the sacred:  what will they think of me?  Will I be good at this?  How will they react?  We want to get it right and do it well, but it can be hard to distinguish the commitment to calling from the seductions of ego.

Like many of you, I have certain touchstones at this time of year:  passages, poems, teachers on the page who help me stay centered.  For me, the best of these anchoring teachings comes from my grandfather, Rabbi Jacob Philip Rudin z”l.  Because he wrote these words for a series of homiletics lectures at HUC-JIR (in 1959), they refer specifically to preaching.  But they are surely about more than that.  They are about what it means to be a rabbi, and what it means to be human.  They are about speaking and living with integrity and heart, at any season but especially this one.  They are about going and growing deep, despite all the temptations to shine.  They are a gift to me each year, and this year I hope, to you:

If you do not love those to whom you preach, you will not preach successfully.  If, secretly, you do not respect those who listen to you, then you will not touch them deeply.  Preaching must be purged of condescension, of a sense of superiority.  If it isn’t, then you will not talk so that people will care about what you are saying.  By the same token, if you have no deep concern, you may be engaged in a homiletical exercise, but not in preaching a sermon.  If you do not care passionately, you will not convince your hearers that they should.  If you preach from outside your subject, you will leave your hearers outside.  If you preach from within, you will take your hearers into that same inner place. 

May these days be eye-opening, soul-opening.  May the call from the heart of the tradition enter our own.  May we hear it and offer it with courage and strength, and the depth of God’s blessing.  Shana Tova!

Rabbi David Stern serves Temple Emanu-El, Dallas, and is President-Elect of The Central Conference of American Rabbis

Categories
High Holy Days

Blank Pages

At this moment of writing I sit in my study at Temple Emanu-El, the early morning quiet contoured by impending rain clouds that promise a wet Atlanta morning.

The clock on the wall, set above my ordination degree bearing signatures of my teachers before me, softly ticks and tocks with each second.  The sound both soothes and beckons me with potential and with challenge.

And in front of me, a blank page stares back, demanding words to share that are ripe with inspiration, aspiration, and meaning.

Perhaps in the space between the ticking seconds, and through the glaring white page, the metaphor calls out to us, “Yes, it is right here. Open your eyes and be awake!”

The High Holy Days are around the corner.  Each year the weeks leading up to them are heavy with a certain weighted intensity that our Jewish tradition fosters as a positive and necessary experience.  The backdrop of the harvest (yesteryear), the new semester, and a return to the fast- paced workplace after the summer lull is part of the atmosphere. But the real pressure that Judaism prescribes is the proverbial tick of the clock and glaring white pages of our lives still to be lived.  There is a spiritual urgency that stirs in us.

What will we do with our time to make the very most of the days that we have left? (tick… tock)

In the Book of Life (Sefer HaChayim) where we implore God to inscribe us each new year, what will we choose to write on that glaring blank page?  For the pen is in our hands, as are the stories, words and deeds…

These questions form the backbone not only of our High Holy Days, but of our collective lives.

The stakes presented in these existential questions are far from hypothetical, but rather are intensely personal.

For this reason, The High Holy Days are often referred to as the Yomim Noraim, the Days of Awe, for it is with ‘awe’ that we are cautioned to approach the honest assessment we are asked to make of ourselves and our lives.  Our liturgy calls this a Heshbone HaNefesh, an Accounting of the Soul.

Rabbi Abraham Joshua Heschel helps us understand the concept of ‘awe’, and our approach to it, by asking us how we might approach the Grand Canyon. Perhaps you have been there.  Imagine standing right on the edge, looking out and down.  It is vast.  It is truly incredible.  It makes us simultaneously feel insignificant and luminous.  With our toes on the edge of the precipice, we gaze into the abyss, all the while knowing that our feet rest on firm and unshakable ground.  That is ‘awe’, a mixture of elation and fear.

Elation for what we could yet achieve with our lives, our relationships, and our ability to appreciate the invaluable worth of each moment.

Fear of falling far short of our potential, squandering our relationships, and closing our eyes to the beauty and meaning that permeates our precious days.

On Rosh HaShanah when we pray to be inscribed in the book of life, we are not just praying for more time on earth, but we are jolting ourselves awake to really, truly live!

אב’נו מלכנו כתבנו בספר ח”ם טוב’ם

Avinu Maleinu, kotveinu b’sefer chayim tovim.

Our benevolent God, inscribe us (and may we have the courage to inscribe ourselves) in the Book of Lives Well Lived.

May our congregations everywhere, and our congregants be blessed; and in turn bless one another.

And may this year be a sweet year for us all.

Rabbi Spike Anderson serves Temple Emanu-El in Atlanta, Georgia.

Categories
High Holy Days spirituality

High Holy Day Self-Care: A Rabbinic Primer

My ex-boyfriend used to joke: I love you every week of the year, except for the week between Rosh HaShanah and Yom Kippur. Oh, and the day before Rosh HaShanah. I find it challenging to love you then too.

I get it, and I bet you (and your significant other, or kids, or cantor, or assistant, or all of the above) do too. As a Rabbi’s kid, who’s herself worked for some very anxious senior Rabbis, I can attest: the high holy days often make us crazy. And not just crazy but angry, unpleasant, overtired and sometimes even nasty. My mom (who, strictly speaking, as a pediatric surgeon had a far more stressful job than my father) used to say, “I just try to stay out of your dad’s way during the month before the holy days.”

The irony is, of course, this: ‘tis the season of cheshbon hanefesh, of checking ourselves, apologizing to others, and guarding, a bit more closely, our words and actions. It’s what we preach from the bima, but far, far too often fail to practice in the lead up to the days of awe.

So, in the summers leading up to Elul, I’ve gone above and beyond to set aside some time to prepare myself – not just with cues and sermons and music – but spiritually, emotionally, and physically, for the chagim.

A few suggestions, based on trial and error:

1) The next time you’re agonizing over a sermon, or impressing your biggest donors with your Yom Kippur appeal, or figuring out the perfect balance between the political and the pastoral, stop. Literally. Stop it. Get out of your office. Step away from your computer. Put down the David Wolpe or Jonathan Sacks sermon you wish you’d written, and go for a walk. Get a massage. Hug your kids. Pick up Annie Dillard, or Wendell Berry, or Brene Brown, or Mary Oliver’s new book of poetry, or Yehuda Amichai, or whatever, whoever, inspires you. And then forgive yourself for not being able to produce utter brilliance in one sitting. If you have a creative hobby outside of the rabbinate, do it. Paint. Go to a yoga class. Go for a hike. Walk the dog. Give back to yourself so you have something to give to others.

2) Take your own preaching to heart, and forgive. Forgive the temple president who drives you crazy, the assistant who forgot to mail out the yahrtzeit notices, and yourself, for everyone you’ve failed – knowingly, and unknowingly this year. Be like God: balance your judgment of yourself – and everyone else – with mercy, compassion and gentleness. And then, once you’ve forgiven, apologize to those you need to apologize too. And don’t yell at anyone during the ten days, or you’ll have to do it again. (Yes, even you, Rabbi.)

3) Daven, just a little, just a bissel, every day of Elul. For me, this means mindfulness meditation. For others, it means selichot – prayers of forgiveness. For still others, it’s a niggun that connects us to our hearts. Because if you can’t give to yourself spiritually, or connect with what brought you to the Rabbinate in the first place, you can’t give to your congregants, or your students, or your patients.

4) The morning of Erev Rosh HaShanah, if you can, take an hour, or maybe even two, for yourself. Do something that gets you out of your head, out of your neuroses, and into your body. Last year, I woke up early and went surfing for two hours, which put me (very small person) in perspective (a very, very big ocean). (How important could my own mishegas about everything going off without a hitch be in a world so big?) This year, I’ll go for a trail run. Whatever it is that nurtures you (maybe even watching your favorite comedian for an hour), get out of your anxieties and fears and into a place of joy, and contentment, so that when you’re on the bima, welcoming the new year with all the joy, and excitement that a new year deserves, you mean it. The Jews in the pews can tell when you mean it.

5) Once the moment comes, try to enjoy it. Try to pray while you’re leading services. Try to set aside all of the madness that led up to the moment when tefilot begin and simply be present to the birthday of the world. It’s the climax of our spiritual year, the peak of the arc of our Jewish yearly lives and too often we’re too busy looking for our next cue or trying to make eye contact with the cantor to take it all in. So take an extra breath when you’re facing the ark, or pause for just a heartbeat, and remember what a tremendous privilege it is to lead hundreds, perhaps even thousands of Jews in letting go, starting over and beginning again. Even when it makes us crazy, it’s still the best work in the world.

Oh, and finally: Shanah tovah u’metukah – may it be a sweet, happy, healthy and meaningful new year for all of us.

Rabbi Jordie Gerson serves Adventure Rabbi in Boulder, Colorado.

 

Categories
Books High Holy Days spirituality

What is God’s Relationship to Suffering and Evil?

As we ask big questions during the High Holy Days, Lights in the Forest: Rabbis Respond to Twelve Essential Jewish Questions, presents a range of Jewish responses to both theological and philosophical questions pertaining to God, humanity, and the Jewish people. In the spirit of the High Holy Days, we would like to share some of the inspirational responses included in the book, for a thoughtful and meaningful New Year.

I imagine that God weeps at the sufferings of the whole disharmonious natural world. If God does weep with us, it is with a heart that we wrote into the story. We invented God’s heart, our greatest contribution to God’s tale.

I cannot know why suffering and evil exist. No work of fiction is free of it. It is the stuff of timeless story. However, our greatest spiritual resistance to suffering is metaphor and interpretation. To interpret is divine. God breathed that ability into us.

LITFXXX_Page_1A traditional Jewish ritual response to nightmares is called “the Amelioration of a Dream” (Babylonian Talmud, B’rachot 55b). The ritual requires three friends to declare that the dream be interpreted for good. The text explains that all dreams have a hint of prophecy; however, all dreams can be interpreted positively. In fact, the prophecy of the dream lies partially in its interpretation. The dreamer says three times, Adonai shamati v’yareiti—God, I heard what You made me hear and I was frightened. Three friends respond with the prescribed words, “Choose life, for God has already approved your deeds. Repentance, prayer, and charity remove the evil of the decree.”

We dream, but we are also dreamt. We are written, and within that story, we write. It is said in Torah and our liturgy: U’vayom hash’vi-i shavat vayinafash, “On the seventh day God ‘rested.’” Translators struggle in translating vayinafash, suggesting, “On the seventh day God rested and was refreshed.” Vayinafash, however, literally means God “ensouled.” On the seventh day God rested and created spirits. Out of God’s dark, void chamber before Creation, God suddenly dreamed a dream/nightmare and based on that dream/nightmare, the world was sketched and animated in full color. We are the dream/ nightmare. We have little control over the outcome except to interpret it for the good.

A congregant had a double mastectomy and did not know how to love herself afterwards. She would stand before a mirror naked, seeing herself as grotesque. We sought a metaphor that would help her to see herself in a new light. We imagined her body as a sacred altar and that her breasts were the sacrifices that redeemed her life. Years later she told me that now when she stands before the mirror, she thinks “sacred altar” and has found a love for herself inside that she thought had disappeared. She reinterpreted her nightmare through metaphor.

Rabbi Zoe Klein serves Temple Isaiah in Los Angeles, CA.

Excerpted from Lights in the Forest: Rabbis Respond to Twelve Essential Jewish Questions, edited by Rabbi Paul Citrin and published in 2015 by CCAR Press.

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Books High Holy Days Machzor Mishkan haNefesh Reform Judaism

One Is Silver and the Other’s Gold: Precious Gifts of Mishkan HaNefesh

“Make new friends, and keep the old. One is silver and the other’s gold.” We all heard and likely sang that ditty as children. We were not thinking of prayer books, but about friends.

For many people, though, a prayer book is an old friend. I recall an older Temple member, who was ill and unable to attend services here on the High Holy Days. When I visited, she showed me the prayer books that she and her family had used for a private service on Rosh Hashanah eve, and planned to use again on Yom Kippur: Union Prayer Book, of course.

I suspect that those High Holy Days were the most meaningful of that family’s life, as their matriarch neared the end of her life, but still able to celebrate and enjoy her family. Only immediate relatives were present, with one friend: that prayer book, which had been a part of their lives for generations, linking them to all who had come before, and to their memories of Rosh Hashanah in the Temple that has been their family’s synagogue home for a century and a half.

For many, Union Prayer Book was and remains a friend. Though a generation or more has passed since that book was used for regular High Holy Day services here, many return to its special place in our homes, to seek comfort and guidance.

Gates of Repentance was a hip, contemporary friend for its era. That decade, the 1970s, was characterized by low regard for anyone over 30; and Union Prayer Book was far older than that. Radical change was in the air in the years immediately following the moon landing and Vietnam War protests, the Civil Rights Movement and the dawn of Women’s Liberation. While young adults of that era embraced the change, throwing off archaic language – you know, all those thee’s and thou’s – offering more accessible English for a new generation, others mourned the loss of an old friend.MhN Standard - RESIZED FINAL

The 21st Century is sometimes called post-modern, meaning in part that we embrace advances without throwing away the gems of the past. Mishkan HaNefesh preserves more of Jewish tradition than any previous Reform prayer book, while also embracing more of our Reform heritage than Gates of Repentance.

On the one hand, Mishkan HaNefesh includes more traditional Hebrew than its predecessors. On the other hand, the Hebrew is all transliterated on each page as it appears, making it more accessible, as we have become accustomed with Mishkan T’filah.

Another example of embracing both traditional and Reform practice is in the scriptural readings. Those of us who’ve been Reform for as long as we’ve been alive, or at least for as long as we’ve been Jewish, may imagine that the Binding of Isaac is the traditional Torah reading for Rosh Hashanah morning. That’s only partially true. In traditional synagogues, that section is read on the second day of Rosh Hashanah. Mishkan HaNefesh offers choices. This year, for example, we will read the traditional selection for the first – and in our case, the only – day of Rosh Hashanah, which is about the birth of Isaac. Then, we will immediately turn to a Haftarah designated by our Reform forbears, a selection from the Book of Nehemiah about an ancient Rosh Hashanah.

The evocative English of Mishkan HaNefesh is its greatest strength, whether in translations of traditional prayers or in the more interpretive sections on the left side of the page. We may find inspiration in prayer and poetry that is mostly new to us, and then turn to a reading that has brought meaning to Reform Jews since the first edition of Union Prayer Book.

The editors of Mishkan HaNefesh solved some nettlesome problems with grace. For some years, we have been awkwardly changing the words when Gates of Repentance refers to God as “He.” As with Mishkan T’filah, that problem has been solved in ways that are never noticeable.

The most important words on the High Holy Days are Avinu Malkeinu, previously translated, “Our Father, our King.” The solution in Mishkan HaNefesh is a thing of beauty: “Avinu Malkeinu, Sh’ma Koleinu, Avinu Malkeinu – Almighty and Merciful – hear our voice.” “Almighty and Merciful” is evocative alliteration, reflecting the opening “a” and “m” sounds of Avinu Malkeinu. More significant, the meaning is conveyed, even if not literally. We call upon Malkeinu, our Sovereign, to acknowledge God’s power to judge us when we have sinned. We call upon Avinu, our loving heavenly Parent, asking the Holy One to be merciful when we have gone astray.

Most creative is the placement of the shofar ritual. In Orthodox synagogues, the shofar is sounded during the mussaf service. Mussaf means “additional,” and it refers to a repetition of prayers, duplication eliminated by our Reform founders. Reform prayer books placed the shofar after the Haftarah reading, since traditional mussaf follows the Torah service. The shofar ritual has three parts – the first, emphasizing God’s sovereignty; the second, asking God to forgive us by recalling the merit of our ancestors; and the third, pointing toward amessianic, future. When the entire shofar ritual is compressed into one part of the service, whether in mussaf or after the Haftarah, each part loses its significance. Mishkan HaNefesh liberates us both from a tradition that is no longer meaningful to us and a decision of our 19th century Reform founders. We now separate the three sections, giving each its own special place in the service.

One is silver and the other’s gold. Mishkan HaNefesh enables us to make a new friend while keeping the old. It preserves our birthright, the old friends that are our Jewish tradition and our Reform heritage, with prayers from the ancient and medieval High Holy Day machzor and words from Union Prayer Book. It provides new poetry, a new friend, inviting our spirits to soar. Mishkan HaNefesh is art in our hands. The look and the feel of these gold and silver volumes are classic wonders, worthy to be cherished for generations, even in a future when these are the beloved old books on the shelf from a previous era.

We have received a magnificent gift, from our editors and from our Conference. Let our hearts, full of gratitude, find precious gems in the silver and in the gold.

Rabbi Barry Block serves Congregation B’nai Israel in Little Rock, Arkansas.  Rabbi Block chairs the CCAR Resolutions Committee.

Learn more about Mishkan HaNefesh.

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Books High Holy Days Machzor Mishkan haNefesh

Meet the Editors of Mishkan HaNefesh: Rabbi Sheldon Marder

When Rabbi Sheldon Marder talks about finding the essential meaning in the traditional service and then innovating to make it relevant to the 21st century, he talks from years of expert experience. As one of the editors of Mishkan HaNefesh: Machzor for the Days of Awe, Rabbi Marder played various roles, including taking on a lead role in the masterful translations. We asked him to tell us about his journey in becoming an editor of the new machzor, the process of working on the prayerbooks, and his favorite parts of the liturgical texts.

 

Q: Tell us about yourself and your background in Jewish liturgy.

A: My background in Jewish liturgy begins with the Union Prayer Book, my siddur from 1955 – 1975 (from first grade through my third year at HUC). In the late 1960s, my mother co-wrote a pamphlet for rabbis: a guide to degenderizing the prayers in the UPB, which was distributed to Reform rabbis by the UAHC. Her passion for the prayerbook made an impression on me. But, to my disappointment, the premise of the pamphlet—that the exclusive use of male language for God erected a false barrier to the already-difficult task of praying—was rejected by the liturgy committee that created Gates of Prayer in 1975. Nonetheless, I considered Gates of Prayer a great achievement for the Reform movement and enjoyed using it for thirty years.MhN Standard - RESIZED FINAL

In 1973 I began studying with Rabbi Lawrence Hoffman, who exposed his students simultaneously to the primary liturgical sources (Mishnaic, Talmudic, Geonic, etc.) and to scholarship in the social sciences to enhance our understanding of ritual, culture, and belief systems (Mary Douglas, Edward Hall, and Gregory Bateson come immediately to mind); and at the same time I was exposed to contemporary trends in Jewish liturgy and spirituality (e.g., the 1972 feminist issue of the journal Response). By far, my most important—indeed, formative—experience in rabbinic school was the thesis I wrote under the mentorship of Rabbi Hoffman. It was a project that involved research into many dimensions of the medieval world of Jewish liturgy; it focused on primary sources: liturgical manuscripts from the Mediterranean region, where Ashkenazic and Sephardic Jews met, mingled, and interacted. The main manuscript’s instructions were in Arabic, which added to my appreciation and understanding of the culture in which the document was created.

My liturgical skills and concerns have been deepened by reading, studying, reflecting, and teaching about two areas of great interest and meaning to me: Biblical poetry—the book of Psalms in particular; and modern Hebrew poetry. These interests go back more than forty years, but have increased in intensity and depth over time.

Every setting in which I have worked as a rabbi has had a liturgical/worship component.  Early in my career, I had a job in which I recruited, trained, and supervised Jewish volunteers to lead services in sixty nursing homes in the Los Angeles area. This was a profound learning experience. On a human and practical level, nothing has been more important.

 

Q: Working on Mishkan HaNefesh was a seven-year process. What made you want to take part in this project?

A:  The work seemed to bring together and draw on many things that I enjoy: prayer, poetry, Jewish study, and creative writing. I felt that I had not studied the liturgy of the High Holy Days Mishkan HaNefeshdeeply enough; this would be an opportunity to do some serious work in that area.  At the same time, as I thought about all of the other prayer books I’ve used and seen (probably hundreds of them), I was humbled by the overwhelming feeling that this was beyond me….  In any case, I decided to do it because I would be part of a team and, especially because the team of four editors would include my wife, Janet.  My mother – mentioned above – talked me into it!  And my participation in the CCAR’s machzor Think Tank in late 2008 whetted my appetite for the work.

 

Q: What was your role in the creation of Mishkan HaNefesh?  

A: There was no aspect of the machzor that did not interest me. I wrote faithful translations for the traditional liturgy, the Torah and Haftarah portions, medieval piyutim, and some of the modern Hebrew poems. Through my work on the machzor, I experienced translation on intellectual, emotional, and spiritual levels. It became, for me, a form of prayer. The machzor gave me the gift of developing a personal philosophy and method of translation.  I wrote “sublinear” commentaries—and especially enjoyed blending historical, linguistic, and literary approaches into comments that ultimately have a spiritual message and purpose. I wrote original prayers, creative readings, interpretations of prayers and midrashim, and essays that introduce services, liturgical rubrics, and the Torah and Haftarah portions. I enjoyed the creative work of conceptualizing several services for Yom Kippur afternoon. It was an incredibly meaningful experience to bring to life, in a new way, traditional services like Avodah, Eileh Ezk’rah, and Yizkor; it was very gratifying to bring new meaning to them.

 

Q: What is your favorite part of the books, and what would you like readers/worshipers to take away from the experience of using Mishkan HaNefesh this High Holy Days?   

A: I think the afternoon—from Minchah to N’ilah—is my favorite part of the two volumes because in those services – in addition to everything else – there was the aspect of finding the essence – the essential meaning – in the traditional service and then innovating to make it relevant to the 21st century.  Avodah, the theme of which is “discovering the holy,” is a good example; or Eileh Ezk’rah which is thematically a counterpart to Minchah: the first focuses on tikkun olam (repair of the world) and the second focuses on tikkun midot hanefesh (character development and self-improvement).  I also really enjoy looking at the pictures!  (Joel Shapiro’s art). I enjoyed weaving contemporary themes and ideas throughout the books – for example, our relationship to Israel; the urgency of saving our environment.

I would like Mishkan HaNefesh to provide people with significant, serious religious experiences and, perhaps, inspire them to study and pray more often and more regularly. And I hope it will lead people to the most important tasks of the Days of Awe: Cheshbon HaNefesh (self-reckoning and self-examination) and T’shuvah (repentance and return to the right path).

Rabbi Sheldon Marder is the co-editor, translator, writer, and commentator of Mishkan HaNefesh: Machzor for the Days of Awe, published by CCAR Press in 2015. He is also the contributor to other publications, such as Divrei Mishkan HaNefesh: A Guide to the CCAR Machzor, published by CCAR Press in 2016; and CCAR Journal: The Reform Jewish Quarterly, Summer 2013 issue. He is currently the Rabbi and Department Head of Jewish Life at the Jewish Home of San Francisco.

Categories
Books High Holy Days Machzor Mishkan haNefesh

Meet the Editors of Mishkan HaNefesh: Rabbi Janet Marder

From the girl who used to read novels during High Holy Day services to an editor of the new, groundbreaking, machzor, Rabbi Janet Marder is now one of the leading names in Jewish liturgy. Mishkan HaNefesh: Machzor for the Days of Awe will be used by over 400 congregations this upcoming High Holy Days. It is time to get to know the editors better. Rabbi Janet Marder shares with us what inspired her in her work on the machzor and what she hopes inspires readers and worshipers.

 

Q: Tell us about yourself and your background in Jewish liturgy.

A: I didn’t grow up in a Reform congregation – we belonged to a Conservative synagogue until I was a junior in high school – and we were not regulars at Shabbat services.  We did go to services every year on the High Holy Days – and I spent quite a number of those services reading a novel, rather than the machzor, feeling quite uninvolved in what was going on. I know what it’s like to be in a congregation, but not really feel like you’re part of it.

Moving to a Reform synagogue was a huge transition – lots of English prayers, quasi-Chasidic tunes, and “creative services.” I really didn’t get to know the Reform siddurim until I was a student at HUC-JIR, and had the chance to study the Union Prayerbook and Gates of Prayer as sociological texts with Dr. Larry Hoffman. I was fascinated by the idea that one could analyze a prayerbook – including features such as typography, page design, relative size and placement of Hebrew and English, choreographic instructions for worshipers, and linguistic choices made by translators – and gain insight into the community for which the prayerbook was developed. I also began to understand the siddur as a document that both expresses and forms Jewish identity, an effort to articulate the values and self-perception of the worshipers.  Ever since then, I’ve been interested in how all the elements of worship – words, music, chanting, silence, room design, seating arrangement, lighting, choreography, style of the worship leader – contribute to the experience of prayer.

My primary focus at HUC-JIR was modern Hebrew literature, and after ordination I went to graduate school in comparative literature, specializing in modern Hebrew, Yiddish, and English. I’m fascinated by words and I love a good sentence. I read constantly (poetry, fiction, and non-fiction); I have a deep love for Hebrew, and I care a lot about cadence, rhythm, tone, and word choice in English prayers.MhN Standard - RESIZED FINAL

One formative experience for me was serving a gay/lesbian congregation in the 1980s, during the first terrible years of the AIDS epidemic, when many young people were dying and there was as yet no treatment for those who were sick. I experienced profound theological challenges as I tried to respond to my congregants’ questions and to help them find strength to endure suffering. My comfortable philosophy of “live as if there is a God” no longer felt adequate to me. Since then I’ve done a lot of reading and soul-searching, and have actually come closer to faith than I was in recent years. But I’ve also been a congregational rabbi for 26 years, and I have a lot of empathy for agnostics, skeptics, and those who don’t feel addressed by the traditional prayers.

 

Q: Mishkan HaNefesh is a result of seven years of team work of an ensemble of editors. What was your role in creating the new machzor?

A: I was deeply involved in choosing poetry and readings, and took special pleasure in finding some beautiful poetry that expresses profound religious yearning, doubt, amazement, and anger.  I especially enjoyed incorporating the words of contemporary scientists into the machzor, because I’m fascinated by science and love to read about it. I’m also quite interested in modern Jewish thought, so it was great to have the opportunity to draw on the writings of important 20th century thinkers and figure out how to make their work accessible in a liturgical setting. I hope that some of their most significant ideas and most eloquent phrases will come to be familiar to our community in the years to come.

It was fun to create many readings based on traditional midrashim – I love the idea of making this material more accessible and relevant to worshipers.  I also wrote quite a number of original pieces for the left-side – including some of the more theologically controversial ones and some that explore the relationship between science and Jewish mysticism. I translated some prayers and wrote many of the sublinear commentaries, seeking to make them not only informative, but also inspiring. I hope people will take time to explore them!

When I was invited to work on Mishkan HaNefesh, I was initially quite apprehensive, because my congregational responsibilities keep me very busy. I agreed when I realized that my husband, Shelly, and I could work very closely as a team. I have enormous respect for his learning, taste, and judgment, so his involvement was very reassuring.

 

Q: What would you like people to take away from the experience of using Mishkan HaNefesh at High Holy Day services?

A: I really wanted Mishkan HaNefesh to be a teaching book – one that would enrich the worshipers’ understanding of, and connection with, Judaism’s “big ideas.” I wanted it to provoke deep thought and questions, rather than rote recitation. I wanted it to open people up to the possibility of faith, and also to help worshipers understand that doubt and anger are time-honored Jewish modes of theological engagement. Most of all, I wanted people to feel personally addressed by the language of the prayerbook – I hoped it would speak directly to the minds and hearts of worshipers. The challenge is to offer this material in a way that is inviting and conducive to personal reflection. That’s why I hope that worship leaders will be selective when they design worship services, rather than choosing too much material and having to rush through it.  I like Heschel’s counsel: “To pray is to know how to stand still and to dwell upon a word.”

Rabbi Janet R. Marder serves Congregation Beth Am in Los Altos Hills, CA. She is one of the editors of Mishkan HaNefesh: Machzor for the Days of Awe, and a contributor to Divrei Mishkan HaNefesh: A Guide to the CCAR Machzor.

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Books High Holy Days Machzor Mishkan haNefesh

A Summer Journey with Divrei Mishkan HaNefesh

It was another blazing July afternoon in New York City. Wearing khaki shorts, sandals, and a white linen shirt, I stepped into the sun-drenched West Side of Central Park. I diverged from the path momentarily, stopping near a park bench to check the hours for the Metropolitan Museum of Art on my phone, before trekking across the park to see their Egyptology exhibits. A man seated there in a checkered shirt, jeans, and sunglasses called out to me from behind his newspaper, “That’s a great book! Have you finished it yet?” Nearly dropping my phone, I gazed at him quizzically. He smiled at me. I blinked. He couldn’t have possibly meant the copy of Divrei Mishkan HaNefesh that I had in my hand, could he? “You see, I’m a Native American, but I’m also Jewish. On my dad’s side…” I squinted my eyes in confused disbelief, trying to understand how he could know this book. His appearance, ethnicity, and religious background had no bearing for me whatsoever, but somehow he now seemed perturbed that I would doubt him. “How could you have read this book? It hasn’t been released yet,” I asked. With a slight air of indignation he said, “I’m an author. I received an advance copy from Simon & Schuster. Four months ago…” I stared him square in the eyes and slowly shook my head with an audible “Hmph.” He doesn’t know the book or the publisher and he is clearly lying to me. But why? “Hmph.” he retorted, imitating me, continuing his charade. “I am writing a blog article about the book,” I said, “This one advance copy was given to me by the CCAR, the publisher of the book. So…if you really read it, then tell me, what is it about?” The man coolly responded while returning to his newspaper, “It’s about a journey. Life’s a journey.” With that, I said, “Okay, thanks. Have a great day…” and continued down the path to the East Side.

I passed a potpourri of musicians who were busking in the shaded parts of the park. A diversity of divertissements. There was the accordion player, the classical guitarist, the jazz guitarist, the violinist, the singer-songwriter. I needed a diversion to get the strange encounter I just had out of my head, but I couldn’t figure out why he had lied about the book. As I drifted past Sheep Meadow, the Bethesda Terrace and Fountain, the Loeb Boathouse, and the Conservatory Pond, eventually winding my way up to the Met, my thoughts evaporated in the hot sun. The only thing left of the conversation in my mind were his last words. “Life’s a journey.” I pondered the collective journeys of everyone who visited or worked in the park, who built the park, and who paid to preserve the monuments and buildings. And then I meandered through the Egyptian exhibits at the Met. There were so many things to see, I couldn’t possibly process it all in one day, and I left wishing I had a guide – a Divrei Mitzrayim.DivreiMhN - no crop marks

So I took a break after visiting the museum and sat in a cafe to finish reading through Divrei Mishkan HaNefesh. I finished the commentaries, the essays, and then took a look at the indexes and tables. It struck me that there was a lot of incredibly useful and even entertaining information in the book. At times I imagined it was an episode from VH1: Behind the Machzor, only with more rabbinical commentary than music. I couldn’t help but chuckle a little to myself as obscure facts about sources and rationales behind decisions became apparent. The phrases like “The God of Max Janowski is a Zealous God,” as well as naming the sources for many of the traditional prayers the  “Goldschmidt Variations,” made this cantor and Bach aficionado laugh out loud. I looked up from the book slightly embarrassed, as I wasn’t sure if I was supposed to have been laughing or not. After all, this is a clergy commentary on a High Holy Day machzor. It could have been a very dry book of useful information, but instead it revealed a very human quality.

The book made me feel as though I was in the room with the committee, deliberating over something as seemingly inconsequential as one letter, like whether we should say “HaMelech HaYosheiv” or “HaMelech yosheiv,” which in actuality can be a profound difference once it is explained. Reading the commentary and essays helped me to appreciate the incredible amount of scholarship, time, and collaboration that went into producing the High Holiday machzor, as well as the weight and intensity with which they must have deliberated over its details. I was greatly appreciative of my colleague, Cantor Evan Kent, who must have reminded the committee of the impact that changes in the liturgy have on the music and congregational participation for the High Holidays. The voice of the cantor and the importance of the music on the High Holidays was felt throughout the decision-making process. And reading the resonant words of Rabbi Leon Morris and Rabbi Hara Person brought me back to our time working together at my first High Holiday pulpit as a cantorial student in the Hamptons and at Brooklyn Heights Synagogue, evoking fond memories of my personal journey.

Reading Divrei Mishkan HaNefesh also made me look forward to the High Holy Days this year. We at Stephen Wise Free Synagogue are rolling out our new Mishkan HaNefesh machzors for the first time this fall. While I was initially impatient and disappointed not to have gotten the machzor when it was published last year, in retrospect I am glad that we waited so we would have the opportunity to read Divrei Mishkan HaNefesh and be able to put more thought into our decisions, just as this machzor committee did. Like the ancient ruins of Egypt that had old blocks of granite that were reused to create the cornerstones of newer structures, the committee gave deference and respect to the old volume of Gates of Repentance while charting a new course. They recognized that the process was a human endeavor and that in the end there will likely be mistakes that are spotted and later corrected. In their long journey to create the commentaries and essays they recognized the humanity within themselves as well as the diversity of the Reform movement, and teach us lessons not only on why they did what they did, but how we too may collaborate as clergy and lay people to create meaningful new experiences that build upon the best of our past.

I never asked the man in the park why he was lying. He may have hoped to impress me. Perhaps he was lonely. Or trying to divert my attention from my phone. Or eager to connect with someone. I will never know why. But I know that the strange little journey I took that day, as if back in time to our days of captivity in Egypt, made me contemplate the journeys we all take and how the people who we encounter along the way have the capacity to alter our perspective and enrich experiences with as little as one book, one word, or even one letter.

Cantor Daniel A. Singer serves Stephen Wise Free Synagogue in Manhattan. He has served on the Executive Board of the American Conference of Cantors for two years. 

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Books High Holy Days Machzor Mishkan haNefesh

5 Things That I Seek at The High Holy Days, and How Mishkan HaNefesh Helps Me to Find Them

Following several months of service sampling in a program that engaged over 60 of our members, our congregation adopted Mishkan HaNefesh and introduced it to the whole congregation last year. The feedback was universally positive. Here I highlight five things that I seek at the High Holy Days and, with reference to the new accompanying guide, Divrei Mishkan HaNefesh, illustrate how our new machzor intentionally goes about addressing those needs.

1) I want to fully engage in the liturgical flow of the High Holy Days in ways that are spiritually meaningful to me.

I want to emerge from the Yamim Noraim feeling like I’ve been helped to engage in a process of introspective teshuvah and, when necessary, to feel spiritually driven to verbalize that teshuvah to others. As Rabbi Eddie Goldberg explains in Divrei Miskhan HaNefesh (p.61), this is what the editors of Mishkan HaNefesh consciously hoped the machzor could support, by ‘designing the best “map” possible.’ That map saw the services as building up ‘… to a climax where painful truths are realized, change is considered and adopted, and the individual leaves with a plan for self-improvement.’ (ibid).  Rabbi Janet Marder points to some translation choices, such as ‘The ways we have wronged You… and harm we have caused in Your world’ instead of ‘The sin we have sinned before You’ as just one way that the language of the liturgy could better draw us in and help us ‘to arrive at a more honest assessment of human misbehavior’ (p.70).  The use of Mussar-inspired character traits in the Yom Kippur Mincha service is another way of engaging me in authentic spiritual work. As Rabbi Marder explains, ‘The goal of cheshbon hanefesh (moral inventory), after all, is not self-condemnation but an honest, realistic assessment of both our weaknesses and our strengths, our right and wrong actions.”CORRECT-MACHZOR-NEW

2) I want a machzor where reading in English still feels like prayer.

Over the past few years, I’ve found myself whittling away more and more of the English in Gates of Repentance, replacing it with alternative readings, kavvanot, and meditations. Part of my personal challenge with the text was a sense of a universal ‘we’ in the language used that often conveyed theological or other sentiments that did not resonate with me. Instead of drawing me to a deeper place, it pushed me away.

I know my experience is not unique, because the editors of Mishkan HaNefesh intentionally created a multi-vocal text in which many more people can find themselves and their inner thoughts and conceptions of the holy mirrored back to them. There are readings that use the language of science to invoke awe or moral conviction. There are poems that convey struggle, theological ambivalence, and a search for truth (p.81).  In particular, the well-selected poetry that echoes the themes of traditional prayers on facing pages open up the prayer experience. As Rabbi Sheldon Marder explains in Divrei Mishkan HaNefesh, ‘Poems do not preach or dictate to us – they are not dogmatic; rather, they are suggestive, evocative, and open-ended. A poem can turn a statement of belief into a question for our consideration’ (p.107).  His approach to translation of the traditional liturgy was ‘faithful’ in that it aimed to present the ideas, feelings and values in the expression of prayer more than a word for word correspondence (p.87). This is one of the great successes of the new machzor.

3) My personal theology is not one that upholds the notion of a personal, judging God, in any literal way, and I want a prayer book that enables me to find a spiritually honest way to make prayer real while remaining true to my sense of God.DivreiMhN - no crop marks

Rabbi Elaine Zecher explains the way that the machzor presents an ‘integrated theology’ that ‘allows for dissonant and harmonious ideas to work together, to open up broader possibilities of what it might even mean to express a belief in a greater Power in the universe’ (p.113).   This approach enables many people to find a way to pray authentically with the new machzor.  This integrated approach does more than just reflect back the God of my imagination to me. By juxtaposing so many different theological expressions with the choice of readings, poems, prayers, and commentaries, I am able to see the partial truths in these other expressions of theology as they open up new possibilities for me.

4) I am seeking greater variety in the ways that the Torah service can more deeply enhance my High Holy Day experience.

Like many of my congregants, I find the Akeidah a troubling text, but I’ve always been particularly drawn to Genesis 21 (the sending away of Hagar and Ishmael) for the High Holy Days. Now, along with several other traditional and alternative selections, I can reintroduce it to my congregation without handouts. Exploring the emotional landscape of the characters (Abraham, Sarah, Hagar, Ishmael) especially lends itself to important behavioral insights that we can really use in our lives. Watching fear, jealousy, anxiety and more play out in the narrative, and searching for hope at a life moment that seems bleak… these are themes that our people can relate to much more deeply. Last year, in our family service, we even created a modern midrashic play, with the help of some of my sixth graders, watching the story play out with the commentary of the emotional characters of  ‘Inside Out.’  But there are so many ways to read this powerful text. Divrei Mishkan HaNefesh (p.35-37) offers yet another narrative that looks at the themes of loneliness, and compassion for those who live on the margins.

5) I want to more deeply understand and be engaged by the richness of our tradition.

My congregation, geographically placed as a hub in Central Massachusetts that draws members from nearly 30 towns, consists of those who come from Orthodox and Conservative backgrounds, as well as Reform and non-Jewish backgrounds. We offer multiple services, allowing us to vary styles considerably. One morning service on Rosh Hashanah and Yom Kippur is intentionally grounded in more traditional liturgy, and more Hebrew. The new machzor enables us to conduct this service with even more integrity than we could with Gates of Repentance.  Rabbi Leon Morris describes this as a ‘hermeneutic of embrace’ that ‘… urges us to see the classic siddur and machzor as the poetry of the Jewish people.’  It is ‘… rooted in the idea that the classic text has a great deal to teach us – and that our primary task is to realize how it might be reframed, explained, or translated in such a way as to allow it to live again in our Reform synagogues’ (p. 95). By re-instating parts of the liturgy that had been removed, but doing so in ways that juxtapose those texts with new insights and alternative multi-vocal texts, we can find ways to reconnect with these traditional liturgies.

The new machzor has addressed so much of what I was seeking and yearning for as a guide to navigate my way through the High Holy Days. Divrei Mishkan HaNefesh is filled with essays and commentaries that help to articulate why it has achieved its goals so successfully.

Rabbi Rachel Gurevitz serves Congregation B’nai Shalom in Westborough, MA.

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Books High Holy Days Machzor Mishkan haNefesh

Theological Dialectics: Balancing Competing Values in Mishkan HaNefesh Pt. II

In my previous entry I discussed Divrei Mishkan HaNefesh, a new commentary on the CCAR machzor. I also described some of the dialectical issues facing its editors — those tensions that arose as they navigated competing values throughout the seven-year editorial process. This time, I will focus on God.

Judaism yearns for God in endless shades of metaphor, and Mishkan HaNefesh honors that theological breadth. Rooted in sources from antiquity to modernity, the many depictions invite us into a nuanced theological conversation at a time when God can seem especially harsh and distant.

Liturgy is where the rubber hits the road for most Jews, theologically speaking. The editorial team seized the opportunity to offer new access points to worshipers. The sources they included expand notions of God and the human-divine relationship far beyond traditional prayer language. Some of these most powerful dialectics include: Faith and doubt; din and rachamim (judgment and compassion); and divine power and human agency.

Faith and DoubtIMG_0555

See Divrei Mishkan HaNefesh Index of Themes, “Theological doubt and struggle, or outright unbelief,” p. 133; “Science and scientists,” p. 132; and “Scientific language in poetry,” pp. 132-133. 

Doubt can be an act of reverence; proof that we spiritual seekers are taking our search seriously. Alongside the many pronouncements of faith, Mishkan HaNefesh makes room for serious questions about divine power and the nature of evil — questions based in Jewish tradition. Editor Rabbi Janet Marder cites the reading “Who is like you among the silent?”[1] which presents a powerful counter-text for Mi Chamocha, in which the addition of a single Hebrew letter turns eilim (gods) to il’mim (the silent [literally, mute] ones) — transforming a prayer in praise of God’s redemptive power to a cry of anguish, denouncing God’s silence in the face of human suffering.[2]

The phrase comes directly from the M’khilta, and the tone of enraged protest was inspired by medieval Jewish poetry from the crusader period. While certainly subversive, this reading is also authentically Jewish: it voices the sorrow, doubt, and sense of abandonment of generations of oppressed Jews.

Notably, the new machzor reaches out to those who struggle with faith. Some readings express skeptical curiosity; others, outright doubt. Rabbi Marder writes:

Some readings are drawn from the writings of scientists who express their own spiritual longing, sense of wonder, or moral convictions. These words… are placed in dialogue with the liturgy — a juxtaposition that conveys the clear message that science and religion may fruitfully co-exist. This machzor also includes contemporary poetry that celebrates the grandeur of creation in quasi-scientific language…Finally, many readings and poems directly articulate theological ambivalence, difficulty with prayer, anger, struggle, and the search for truth.[3]

Din and Rachamim

See Divrei Mishkan HaNefesh Index of Themes,”’Recognizing the good’ and self-forgiveness,” p. 132.

Mishkan HaNefesh urges us to consider the attributes of judgement and mercy in new ways. In particular, readings concerning hakarat hatov (recognizing the good) direct us toward the laudable deeds of the past year in addition to the regrettable ones. (See YK pp. 93, 312, 313, 424, 425, 659, and 667). These good deeds “Serve as a counterweight to the liturgy’s intense focus on scrutiny of one’s own wrongdoing. They also highlight a damaging moral failing — quite pervasive but usually not acknowledged in the prayer book: the inability to regard one’s own behavior with the same gentleness and forgiveness we are expected to offer others.”[4]

When worshipers consider the full range of their actions and emotions as part of heshbon hanefesh (spiritual self-audit), they affirm a point of connection between humanity and divinity. Like God, we have infinite potential for good, but we make mistakes. Like God, we have the ability to forgive. And for many of us, forgiving ourselves is the most difficult forgiveness of all.

Divine Power and Human Agency

See Divrei Mishkan HaNefesh Index of Themes, “Theology of human empowerment”, pp. 133-134

Many familiar liturgical metaphors of the Yamim Nora’im are quite grim: humans as sheep passing under God’s rod and staff; or as guilty children subject to the discipline of a strict parent. Mishkan HaNefesh retains these images, but supplements them with a variety of rabbinic, medieval and modern sources that reframe the power differential.

Take the iconic and terrifying Unetaneh Tokef. This piyyut (liturgical poem) envisions God as judge and arbiter of all creation, deciding (in gory detail!) the fates of every soul. Mishkan HaNefesh retains the piyyut, but includes a “counter-text” immediately opposite:

Left Side (“counter-text”) Right Side (translation)
Let us embrace the day and its holiness,

For this day is a throne of goodness and power.

When the people of Israel do God’s will,

They strengthen God’s power on high.

But when the people of Israel fail to do God’s will,

They weaken — if one might say it —

God’s great power on high.

So let this day recall Your power — and ours.

Let us proclaim the power of this day —

A day whose holiness awakens deepest awe

(…)

In truth,

You are judge and plaintiff, counselor and witness.

The right side affirms the familiar hierarchical theology of the Yamim; the left side challenges it. The covenant is still hierarchical, but humans have some agency; some role to play in the relationship and in the world. The editors of Mishkan HaNefesh deem this the “theology of human adequacy.”

It is a theology thoroughly grounded in rabbinic literature. One of my favorite examples — also from the machzor — comes from the Midrash:[5]

Said the Roman Procurator Turnus Rufus to Rabbi Akiva: “Whose Acts are greater, those of human beings or those of God?”

Rabbi Akiva answered: “The deeds of human beings are greater.”

(…)

Akiva then brought to Turnus Rufus wheat stalks and cakes, raw flax and fine linen. “The wheat and the flax are the work of God,” said Akiva, “but the cakes and the linen were made by human beings. Are they not superior?”

So our Sages taught: “All created things require refining and improvement. The mustard seed needs to be sweetened; the lupine needs to be soaked; the wheat needs to be ground, and the human being still needs to be repaired. The world that is given into our hands is still incomplete. Go forth, then, and work to make it better.[6]

In Mishkan HaNefesh, this midrash appears on the left side of the spread in nisim b’chol yom  as if to suggest that just as we thank God for the wonders of our world, we also acknowledge our roles as partners in the work of creation.

Danny Moss is a CCAR rabbinical intern and a rising fifth-year rabbinical student at HUC-JIR.

 

[1] YK p. 197

[2] DMhN, p. 72

[3] DMhN, p. 81

[4]  DMhN, p. 71

[5] Tanhuma, Tazria 5; Genesis Rabbah, 11.6

[6] YK p. 163