Category: Books

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Books CCAR Press Inclusion

Ushpizot—Don’t Forget the Female Sukkah Guests!

Rabbi Dalia Marx, PhD, is the author of From Time to Time: Journeys in the Jewish Calendar, now available from CCAR Press. In this excerpt, she discusses the tradition of inviting guests to the sukkah and how many families are renewing it today.

A few years ago, we bought a nice new sukkah, on the cloth walls of which are inscribed the names of the ushpizin, the seven historical guests we invite to our sukkah—Abraham, Isaac, Jacob, Joseph, Moses, Aaron, and David. I was industrious; I bought a set of permanent markers and added to those seven names the names of women I wanted to greet as ushpizot in my sukkah.

In recent years, an increasing number of women have sought to take a more active part in the Jewish religious experience, and indeed almost all streams of Judaism are now involved with the inclusion of women. As part of those efforts, many people have brought to the fore female role models from the Jewish tradition. We are learning that it is not enough to be engaged only with the figures of our three Patriarchs; we also need to take a deep dive into the figures of the four Matriarchs. When the liturgy includes the Song at the Sea, sung by Moses and the Israelites as they passed through the sea on dry land, some now add the Song of Miriam (Exodus 15:20–21). The purpose of including women is to present female role models (even if they are not always perfect, since the mothers of the nation—like the fathers—were human, with all that entails). In this context, suggestions have been made to add seven female guests to the seven ushpizin invited into the sukkah on Sukkot.

Since this suggestion was first made, it has attracted many supporters; little by little, in many parts of the Jewish world, people have begun to include seven female guests alongside their male counterparts. As opposed to the traditionally established list of the male ushpizin, active choices must be made for the seven ushpizot.

Who are the seven female guests we would like to bring inside the sukkah with us? The need to choose seven ancient female role models has resulted in some interesting answers.

One suggestion was to add the female partner of each of the male ushpizin. Abraham, then, would be joined by Sarah, Isaac by Rebekah, and Jacob by Leah, while Rachel would join her son Joseph; Zipporah would join Moses, Miriam would join her brother Aaron, and with David would come one of his wives (Bathsheba, Michal, or Abigail—with no illusion about that being a fraught decision) or with his great-grandmother, that paragon of faith, Ruth.

Dr. Anat Yisraeli has suggested including the seven female prophets that arose among the people Israel: “‘Seven female prophets [prophesied for Israel].’ Who were these? Sarah, Miriam, Deborah, Hannah, Abigail, Huldah, and Esther” (Babylonian Talmud, M’gillah 14a). Yisraeli ascribes to each of the seven female prophets a beneficent quality and suggests embracing that quality during that day: Sarah had endurance and an ability to protect and shield others. Miriam had vitality and exuberance. Deborah modeled leadership and bravery; Hannah—faith and willpower; Abigail—resourcefulness and mercy; Huldah—powers of prophecy and rebuke; and Esther—self-sacrifice and courage.

Other interesting suggestions have been offered for including the ushpizot, such as that of the Dov Abramson Studio, a Jerusalem graphic design firm, which produced a series of twenty-six posters (and little flags and magnets) of ushpizot from the Bible through today. In this case, it is precisely the absence of women from an ancient tradition that makes it possible to exercise some measure of contemporary creativity. And when we seek to bring our ancient female forebears into traditions we are creating, we are invited to answer some fascinating questions.

Rabbi Dalia Marx, PhD, is the Rabbi Aaron D. Panken Professor of Liturgy at Hebrew Union College–Jewish Institute of Religion (HUC-JIR) in Jerusalem. She is the chief editor of T’filat HaAdam, the Israeli Reform prayer book (MaRaM, 2020). From Time to Time: Journeys in the Jewish Calendar was first published in Israel in 2018 as Bazman and has been translated into German, Spanish, and now English.

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Books CCAR Press Poetry

Looking Forward, Looking Backward: Meditation on the Eve of a New Year

Alden Solovy is the author of Enter These Gates: Meditations for the Days of Awe, now available from CCAR Press. As Rosh HaShanah approaches, we share one of Alden’s poems from the book for the new year.

Meditation on the Eve of a New Year

God,
We stand at the cusp of a new year,
Looking forward, looking backward,
So much accomplished,
So much neglected,
Gains and losses,
Joys and sorrows,
Victories and defeats.
A life.
My life.

You,
God of Old,
You are Steadfast Witness,
Source and Shelter.
I bend my heart to You,
Recalling all of Your gifts.

God,
For consolation in my grief,
For sunlight and midnight,
For hope in my celebrations,
For warmth and for shelter,
For current and tide,
For family and for friends,
For the flow of beauty and grace,
I bend my life back to You,
As the New Year descends,
In love and in service,
My offering
To Your holy name.

—
Alden Solovy is a liturgist based in Jerusalem. He is the author of This Grateful Heart: Psalms and Prayers for a New Day, This Joyous Soul: A New Voice for Ancient Yearnings, This Precious Life: Encountering the Divine in Poetry and Prayer, These Words: Poetic Midrash on the Language of Torah, and Enter These Gates: Meditations for the Days of Awe, all published by CCAR Press.

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Books CCAR Press High Holy Days Poetry

Vulnerability During the Days of Awe: Alden Solovy on ‘Enter These Gates’

Alden Solovy is the author of Enter These Gates: Meditations for the Days of Awe, now available from CCAR Press. In this excerpt from the introduction, he reflects on the meaning of the High Holy Days and how his book can deepen our experiences of this season.

What a strange thing we do each year at the High Holy Days: We put our own humanity on trial. We take an accounting of our souls precisely at the moment we celebrate the creation of the world and lift up the sovereignty of God. We take accounting of our own souls because the world needs us each at our best, because part of perfecting God’s world is healing ourselves. Even though we know that the world will offer us moments of challenge—like September 11 and October 7—we choose to look deeply at our lives again and again, year after year.

The High Holy Days can lift us on words of Torah and prayer to the heights of our best selves. The days also call forth the deepest moments of our vulnerability and pain. Our memories—joyous and painful—meet our hopes for the future. These are the days of our most intimate self- assessment. By design, our liturgy brings out our sorrows, our fears, and our vulnerabilities. Yet the intent—far from punishment or retribution—is to lift us toward our best selves. Repentance. Prayer. Charity. Confession. Forgiveness. We ask a lot of ourselves and our liturgy. Our liturgy and our tradition ask a lot from us.

These challenges led to the genesis of my new book, Enter These Gates: Meditations for the Days of Awe. The volume has two purposes. The first is to serve as a source of new meditations for private use, a path to deepening our individual experiences of the Days of Awe. The second is as a new liturgical supplement to Mishkan HaNefesh: Machzor for the Days of Awe, which has been in use for more than a decade. Central to this book is the goal of helping clergy and congregations bring refreshed vigor and new voices into High Holy Day worship. Enter These Gates can also be used in conjunction with Mishkan HaLev: Prayers for S’lichot and the Month of Elul.

This volume offers more than one hundred new readings based on the core thematic elements of the High Holy Day liturgy. Some of the works are traditional in form and language, recognizable as riffs on particular prayers. Other prayer poems offered here blend traditional themes with storytelling, music-like interlude, or liturgical reframing.

My hopes are that:

▪ Rabbis and other clergy incorporate some of this work into High Holy Day worship, including S’lichot and Tashlich.

▪ Congregations place copies of Enter These Gates in their pews and prayer bookshelves so that congregants and participants can encounter this work in private prayer during services.

▪ Individuals use this volume during the month of Elul and the Days of Awe as part of their own personal journeys of High Holy Day preparation.

▪ Educators use this volume for supplemental prayer in religious school worship in the weeks leading up to the High Holy Days, as well as for teaching High Holy Day themes.

▪ Rabbis, clergy, and educators use Enter These Gates to teach about the High Holy Days in adult education and conversion classes.

The introduction to Mishkan HaNefesh asks, “Opening a prayer book on the High Holy Days, what do we hope to find?” If a machzor (High Holy Day prayer book) is successful, it goes on to say, “It leads us on a path across rough terrain.” Soul searching. Introspection. Mortality. Our shortcomings. Our beliefs. “It tests our spiritual stamina, and we do well to make use of imagination and memory.”

Although Enter These Gates is a book of prayers and meditations for the High Holy Days, don’t be fooled. It is really a mirror. A dream. A doorway. It is a book of imagination and memory, a book of challenges and warnings, a book of hopes and aspirations. It is a descent into fire and an ascent into secrets that rise to heaven.

Bless you on your journey.

Alden Solovy is a liturgist based in Jerusalem. He is the author of This Grateful Heart: Psalms and Prayers for a New Day, This Joyous Soul: A New Voice for Ancient Yearnings, This Precious Life: Encountering the Divine in Poetry and Prayer, These Words: Poetic Midrash on the Language of Torah, and Enter These Gates: Meditations for the Days of Awe, all published by CCAR Press.

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Books CCAR Press

Expressing the Life of the Spirit: Rabbi Karyn Kedar on ‘Amen’

Rabbi Karyn D. Kedar is the author of Amen: Seeking Presence with Prayer, Poetry, and Mindfulness Practice, published by CCAR Press. In this interview, she shares the inspiration and process of writing the book, and how it can be part of a mindfulness practice.

What inspired you to write Amen: Seeking Presence with Prayer, Poetry, and Mindfulness Practice?

I have always had an active inner life—curious about the spirit, wondering about the magical beauty in the natural world, observing how people interact, and contemplating the connection between it all. As the years went on, I became a lifelong student of the spirit. Amen is the poetic and prayerful expression of my inner life, turning the inner monologue into a dialogue with students, readers, and seekers.

How did you approach the writing process?

I am what is called an iterative or discovery writer. That is to say, I do not write from an outline. Rather, I begin my writing practice by quieting down; most often sitting quietly, reading poetry, or philosophical thought. I light candles and make my writing space serene and beautiful. And then magic happens. The muse stirs, and without hesitation, I follow her lead. But there are many days where writing is simply hard work, one word at a time. One sentence. A practice that demands the determination not to walk away and simply push through. Either way, for me, writing is part compulsion and part practice and all parts love.

Amen is your second book with CCAR Press. How does it differ from your first book, Omer: A Counting?

The counting of the Omer is a spiritual practice that lasts seven weeks. The book offers original writing and secular writing, which walks us through seven spiritual principles— decide, discern, choose, hope, imagine, courage, and pray—that, when practiced, can help us move from spiritual construction to personal freedom. Amen has two sections. The first section has prayers and poems that give voice to the inner life. The second section offers techniques for spiritual practice.

How do you recommend that readers use Amen? How can they incorporate it into a mindfulness practice?

I invite you to read as I write—in a nonlinear manner. Find a quiet moment, a peaceful corner, and randomly open the book. Let the prayer find you. Linger with the words, the images. Ask why this piece found you. What is its message in this moment? Or, use it as a reference. If you need a poem about peace, look it up; if you’re going to a meeting and need an opening prayer, it’s in the book. Let the poems be your companion as you search for the words to describe the life of the spirit.

Rabbi Karyn D. Kedar is an author, poet, spiritual counselor, inspirational speaker, and rabbi emerita at Congregation B’nai Jehoshua Beth Elohim in Deerfield, IL. She is the author of Omer: A Counting and Amen: Seeking Presence with Prayer, Poetry, and Mindfulness Practice, both from CCAR Press.

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Books CCAR Press

Building a Bridge Between Israeli and American Jews: Rabbi Dalia Marx on ‘From Time to Time’

Rabbi Dalia Marx, PhD, is the author of From Time to Time: Journeys in the Jewish Calendar from CCAR Press. In this interview, she discusses bringing her Hebrew book to an American audience, the importance of time in Judaism, and shares a playlist of songs featured in the volume.

From Time to Time has now been published in several languages. What does it mean to you to bring this book to English-speaking audiences?

It is a great privilege to open a gate to the largest Jewish community outside the State of Israel. I am very committed to Jewish communities around the world. I’ve spent around twenty-three years teaching North American rabbis-to-be at Hebrew Union College–Jewish Institute of Religion. I have had many opportunities to visit North American communities and other English-speaking communities. So this is a great privilege to build bridges between Israel and English-speaking countries—not only to build bridges but to be bridges. I think this is one of the things From Time to Time is trying to do—to build a bridge and be a bridge between Israel and beyond.

This book is divided into month-based chapters. Can you share a bit about what readers will find in each chapter?

The book is divided by each Hebrew month. Every month there is a beautiful “medal” that the graphic designer made. It is a little bit like a riddle because later in the chapter we explore the different graphic images in the medal. Then there is some brief information about the month like the zodiac, the tribe of the month according to Jewish tradition, and the stone of the month. Then we have a kavanah, a meditation for the month. Next comes a song of the month—either a traditional, classical, or modern poem or song. Then we have iyunim. We kept the Hebrew terms because they fit so well. They are short considerations and conversations about what happens in the month. I tried to be concise, comprehensive, and to bring things that are not necessarily known to many people from different fields of Jewish life—different ethnic groups, eras, and different voices—especially marginalized voices. Each chapter ends with a prayer or prayers of the month with modern applications.

Why do you feel understanding the Jewish calendar is essential for fully comprehending Judaism?

I think the way we as Jews and human beings understand our existence, our reality, our relationship with other people, and the world and our communities is through time and by time. I think this is especially true for Jewish time. This is something we all share together—Jews in the four corners of the world—in Israel, North America, other places. The more you feel time, understand time, explore Jewish time, the more you immerse more fully and meaningfully with our Jewish identity and being.

That was my task with this book—to enhance the comprehension and celebration of the Jewish calendar. And to my great satisfaction, I hear more and more about people who are planning a Rosh Chodesh group or plan an adult education course based on the month, or make the book the text for Introduction to Judaism, sisterhood groups, and confirmation classes. I think it is wonderful that they choose this as a resource for exploring and enhancing Jewish life—among other books, of course.

How do you suggest that readers incorporate From Time to Time into their Jewish practices?

I know some people read the book cover to cover, but I think most people read it when the time calls. That is to say, before the holidays and festivals or at the beginning of the month. And different people have different practices, and it is very moving to hear how people use it. Some people leave the book on their bedside table, or they read it as their Rosh Chodesh practice. Some families leave it on their dining room table and read parts of it on Friday night. Some leave it on their coffee table and they open it occasionally. It can be used for different occasions and different times. I hope people will really be inspired by it.

This is not an encyclopedia—it is not aiming to be fully comprehensive. On the contrary, it invites us to continue exploring, considering, and learning from it and enhancing our knowledge. Audrey Honig, an HUC–JIR rabbinical student, created an absolutely fabulous study guide for the book. It follows each month, has questions for consideration and learning, and also includes activities to be done. The study guide makes the book much more than a traditional volume bound between two covers—it’s something to contemplate, explore, and then apply to one’s life. There is even a Spotify playlist with all of the Israeli music referenced in the book!

Rabbi Dalia Marx, PhD, is the Rabbi Aaron D. Panken Professor of Liturgy at Hebrew Union College–Jewish Institute of Religion (HUC-JIR) in Jerusalem. She is the chief editor of T’filat HaAdam, the Israeli Reform prayer book (MaRaM, 2020). From Time to Time: Journeys in the Jewish Calendar was first published in Israel in 2018 as Bazman and has been translated into German, Spanish, and now English.

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Books CCAR Press Prayer Rituals

A Year of Spiritual Practice: Rabbi Debra Robbins on ‘New Each Day’

Rabbi Debra J. Robbins is the author of New Each Day: A Spiritual Practice for Reading Psalms, recently published by CCAR Press. In this interview, she discusses how this book differs from her first volume focused on Psalm 27, the musical accompaniments written to complement the daily psalms, and how readers can engage with psalms in their own lives.

What inspired you to write New Each Day?

The readers of Opening Your Heart with Psalm 27 inspired and encouraged me to write New Each Day. It was so gratifying that people found the daily practice of reading Psalm 27 over a seven-week period so meaningful that they wanted to continue their connections to psalms and their spiritual experiences throughout the year. I felt Shir Shel Yom, the daily psalms of our tradition, might be meaningful.

What was the most challenging part of creating this book?

There were two challenging experiences in working on this book. First, it was important to make the introduction new and fresh while maintaining the core of the spiritual practice laid out in the first book. I was able to address this challenge by learning a lot more about other authors’ writing practices, and I was able to enrich the introduction by doing research about how the seven psalms were selected and understood across history. The second challenging experience was how hard some psalms are to understand and confront over and over again. I found this especially with Psalm 94 for Wednesday. I just kept reading it, writing about it, and trying to find inspiration in it for my life and our world.

Cantor Richard Cohn wrote and recorded nigunim to complement the written text of New Each Day. How does music contribute to the book’s spiritual practice?

As Richard and I write about in the book and as we’ve taught, music helps our minds and hearts encounter sacred texts in new and inspiring ways. The suite of nigunim build upon each other and come to manifest qualities of each day in the cycle. As he writes in the Composer’s Commentary, “the seven nigunim are offered as a scaffolding…the meaning or significance…will emerge organically…”

New Each Day is your second volume with CCAR Press; both focus on a psalm practice. How does this new book differ from Opening Your Heart with Psalm 27?

New Each Day is different from Opening Your Heart primarily because it provides an opportunity to read and write, and sit and sing, with eight different psalms (seven for the days of the week and for the start of each month) instead of only one psalm over seven weeks. The spiritual practice is the same, but the organizing structure is a bit more complex to navigate. I think we developed tools to help the reader easily make their way through each month. The Opening Your Heart app has a variety of musical settings for verses of Psalm 27, as well as prompts for writing, and photographs to accompany each Reflection for Focus. I hope someday we might have these resources for New Each Day as they have been very popular with readers.

How do you recommend that readers use New Each Day?

There are many ways to use New Each Day. It was designed to be used for daily practice, following the flow of the designated psalms throughout the week and then back again, with each new month punctuated with Psalm 104, and a thematic Reflection for Focus. It can also be used monthly, using only the Psalm 104 section, or it can be used as an anthology to explore and reflect on a range of emotional, spiritual, and intellectual ideas, all raised by the ancient psalms and deeply resonant with our modern world. I look forward to hearing more from readers about how they are using the book!

Rabbi Debra J. Robbins serves Temple Emanu-El in Dallas, Texas. She is the author of Opening Your Heart with Psalm 27: A Spiritual Practice for the Jewish New Year and New Each Day: A Spiritual Practice for Reading Psalms, both from CCAR Press.

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Books CCAR Press Passover

Reclaiming a Place for Women at the Seder Table

Rabbi Dalia Marx, PhD, is the author of From Time to Time: Journeys in the Jewish Calendar, now available from CCAR Press. In this excerpt, she discusses the importance of acknowledging the crucial role that women play in the Passover story and elsewhere in Jewish tradition.

Many women sense that elements of Jewish tradition leave them mute and unrepresented. We cannot deny the exclusion of women from the public realm over the course of far too many generations, but if we take a close look at the events that form the basis of the Passover holiday, we will find that strong, active, and optimistic women occupy a central place in the narrative. This is an important precedent for women in our time who are looking for their place in Jewish tradition. The story of the redemption from Egypt began and was made possible by dint of the actions of dedicated women who refused to give in to despair.

The Hebrew women refused to knuckle under to Pharaoh’s murderous order and continued to bring life into this world. Jochebed, Moses’s mother, is one of them; she gave birth and protected her son from Pharaoh’s decree. Her daughter, Miriam, hid the newborn in a basket of reeds and set him floating on the Nile. The midwives who attended Jochebed also chose the path of rebellion and showed mercy to the Hebrew babies. Who were those midwives? Pharaoh called them “the Hebrew midwives” (Exodus 1:15). It is possible to read this and understand they are “Hebrew midwives,” but it is also possible to read the phrase as “the midwives of the Hebrews,” meaning that they themselves were not Hebrews but bravely cooperated with the women of the enslaved nation to keep the newborn boys alive.

Pharaoh’s daughter herself refused to take part in her father’s murderous plans. When she saw the helpless baby brought to her by the Nile, her human compassion overruled her social and class attachments. A midrash calls Pharaoh’s daughter “Bityah” (see Babylonian Talmud, M’gillah 13a), and she has been regarded by the Jewish tradition as a righteous woman and even a Jew-by-choice. Miriam then ensured that Jochebed, her mother, would be the one to nurse Moses in Pharaoh’s house, so that he would imbibe—both literally and figuratively—his first human experiences in the arms of the people Israel.

Reading Jewish sources with a fresh eye makes it possible for women to demand their rightful place. This is not a mere act of intellectual sophistication, nor is it bending the texts to one’s own will. Just the act of reading the sources anew is liberating. It gives expression to multiple pure voices that have been suppressed and silenced—and after all, liberation is one of the central themes of Passover. Many people are now attempting not only to make the place of women equal to that of men at the seder table, but also to find special ways to highlight their function and role in the story of the nation and the family.

Rabbi Dalia Marx, PhD, is the Rabbi Aaron D. Panken Professor of Liturgy at Hebrew Union College–Jewish Institute of Religion (HUC-JIR) in Jerusalem. She is the chief editor of T’filat HaAdam, the Israeli Reform prayer book (MaRaM, 2020). From Time to Time: Journeys in the Jewish Calendar was first published in Israel in 2018 as Bazman and has been translated into German, Spanish, and now English.

Categories
Books CCAR Press Torah

Challah as Chavruta: Rabbi Vanessa Harper on ‘Loaves of Torah’

Rabbi Vanessa M. Harper is the author of Loaves of Torah: Exploring the Jewish Year through Challah, recently published by CCAR Press. In this interview, she explains the importance of challah in Jewish tradition, her creative process, and why it’s important to embrace alternative ways of engaging in Torah study.

What is the significance of challah in Judaism?

Challah is no ordinary bread. It is rich with religious and spiritual resonance, as well as powerful sensory memories that are often connected to community and culture, making it one of the few loci on which the increasing number of Jews who identify as cultural or non-religious—as well as religious and/or spiritually-oriented Jews of all denominations—are able to come together with equal levels of enjoyment, access, and license to innovate.

Religiously, challah connects back to the biblical practice of tithing (still in effect today for those who perform hafrashat challah with their dough; see Numbers 15:17–21) and to the sacrificial altar (many challah shapes are inspired by the twelve lechem panim described in Leviticus 24:5–9). On a spiritual level, making and shaping challah dough also offers a microcosmic connection to Creation. Culturally, challah has taken on many different flavors and shapes over the centuries, but it has always been a beloved feature of the Shabbat and holiday table. It’s a beautiful and delicious form of identification, as well as physical and spiritual nourishment!

Why did you choose challah as your artistic medium?

It might be more accurate to say that challah chose me. This project started as an experiment, and it turned out that challah dough happened to be a medium that ignited my creativity. One thing I love about working with dough is that it is a medium with boundaries—it’s not as versatile as clay, for instance, and you have to learn how to work with it—and that it is alive, and thus has some input into the final product, based on how it rises, etc. In that way, it’s very much like studying with a chavruta (study partner).

When planning one of your challot, how do you choose the symbol or image you want to bring to life?

I always start by reading the parashah, or studying texts on the holiday or month for which I’m shaping. I try to go in with my mind open to any words, images, or concepts that stand out to me, and I take a very broad idea to the kitchen counter. The interpretation usually starts to take shape as I’m actually working with the dough. I don’t always know exactly how it’s going to turn out, and sometimes the best shapes emerge when I go into shaping without any ideas in mind at all.

Why is it important to incorporate creative techniques when studying Torah?

Studies show that when we are actively using our hands, we activate different pathways in our brain, and we make connections we may not have otherwise made. I know that I certainly think differently and see through different lenses when I’m shaping dough than I do when writing a sermon or preparing a traditional text study, and so for me one of the great personal benefits of this practice is that it expands my understanding of Torah. For many people who do not process or express themselves best in traditional formats like reading, writing, and speaking, incorporating creative approaches to Torah study opens up an ability to approach the text at all, or to express a novel interpretation of its wisdom—one which might not have surfaced if the opportunity to work in another kind of expressive language wasn’t made available.

What are some lessons you hope readers take away from Loaves of Torah?

A person’s Torah is only revealed when we create space for the language which their soul speaks to flourish, and my deepest hope is that Loaves of Torah creates some of that space for new Torah to be revealed by inviting more languages and more voices into our Jewish learning and living spaces. This book is, at its heart, an invitation to engage with Torah in a way that is playful and personal, modern and multifaceted, and through that engagement, I hope you’ll find a lens that helps you make Torah your own.

Rabbi Vanessa M. Harper is Senior Director of Adult Jewish Living at Temple Beth Elohim in Wellesley, Massachusetts, and Reform Rabbi in Residence at Gann Academy. She is the author of Loaves of Torah: Exploring the Jewish Year through Challah (CCAR Press, 2023).

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Books CCAR Press Responsa

Claiming the Halachic Tradition: Rabbi Mark Washofsky on ‘Reading Reform Responsa’

Rabbi Mark Washofsky, PhD, is the author of Reading Reform Responsa: Jewish Tradition, Reform Rabbis, and Today’s Issues, now available from CCAR Press. In this excerpt from the preface, he explains the book’s structure and introduces his argument for why responsa—and the halachah they reference—are essential to Reform Jewish life.

I want to invite you to join me in reading some of the most fascinating texts that rabbis have ever written. They are responsa, answers to questions about Jewish religious practice submitted to them by individuals and communities. More specifically, they are Reform responsa, composed by Reform rabbis for an audience of progressive Jewish readers.

Fascinating? Okay, I’ll admit it: I’m prejudiced. Much of my academic career as a student of the literature of Jewish law (halachah) has involved the study of the genre known as rabbinical responsa (sh’eilot ut’shuvot, “questions and answers”), documents dating from the eighth century CE to our own day. And as a member of the Responsa Committee of the Central Conference of American Rabbis from 1985 to 2017, I have taken part in composing many Reform responsa. I have lived for decades with responsa as both a reader and a writer, so it’s little wonder that I’m partial to them. Nor should it be surprising that I want you to share my enthusiasm… which goes a long way toward explaining the existence of this book.

But why should you share my enthusiasm? That’s a big question, too big for this preface. Think of the book itself as an extended answer. The introduction explains what responsa are and their significance in the history of Judaism. It discusses the nature and history of the genre in general and of Reform responsa in particular. And it offers suggestions as to why Reform rabbis write responsa, why those responsa legitimately claim importance, and why they deserve to be read carefully and critically. The chapters that follow guide us through the reading of Reform responsa on ten subjects that I hope you will find interesting and that provide good examples of how these texts work and how they seek to accomplish the goals that their authors set for them. In the conclusion, I make some inferences and observations about the role that responsa play in Reform Jewish thought and life.

What I can and should do in this preface is to name some of the convictions that have brought me to write this book and that will no doubt be evident throughout its pages. First, responsa are an essential literary tool—maybe the most important such tool—through which rabbis (including Reform rabbis) create Torah and create community. Responsa create Torah because they answer new questions, those that the existing texts of halachah do not explicitly address, or hard questions, which the texts do not resolve in any clear and agreed upon way. Responsa create community because they are essays in persuasion. Responsa writers do more than simply declare their decisions. They argue for those decisions, with the goal of persuading their intended readers to adopt that argument as their own, to form a community around this particular understanding of the message of Torah on the question at hand. Second, Reform responsa resemble traditional responsa in that they are halachic texts, drawing their support from the literature of the Jewish legal tradition. The very existence of a genre called “Reform responsa,” by far the largest body of writing on issues of Reform religious practice, demonstrates the continuing relevance of halachah to Reform Jewish life. And third, Reform responsa differ from traditional responsa. Written by Reform rabbis and speaking to an audience of Reform Jews, they embody a uniquely Reform Jewish discourse, our own way of understanding the halachic tradition and of making meaning within our community. Reform responsa assert our own claim upon the halachic tradition, our refusal to grant to others the exclusive right to interpret that tradition and to say what it means.

Order Reading Reform Responsa here.

Rabbi Mark Washofsky, PhD, is an emeritus professor of Jewish Law and Practice at Hebrew Union College–Jewish Institute of Religion in Cincinnati. He served as chair of the Responsa Committee of the Central Conference of American Rabbis from 1996 to 2017. He is currently the chair of the Solomon B. Freehof Institute of Progressive Halakhah. His publications include Jewish Living: A Guide to Contemporary Reform Practice, Reform Responsa for the Twenty-First Century (CCAR Press, 2010), and Reading Reform Responsa: Jewish Tradition, Reform Rabbis, and Today’s Issues (CCAR Press, 2024).

Categories
Books CCAR Press Reform Judaism

How Disruption Shaped Jewish History: Rabbi Stanley Davids and Dr. Leah Hochman on ‘Re-forming Judaism’

Rabbi Stanley M. Davids and Leah Hochman, PhD, are coeditors of Re-forming Judaism: Moments of Disruption in Jewish Thought, recently published by CCAR Press. In this interview, they discuss the book’s development, the unique topics addressed by contributors, and the future of Judaism.

What was the inspiration behind Re-forming Judaism?  

Rabbi Stanley Davids: I am proud of my place within Reform Judaism, but I remain amazed and frustrated that so many of our people, lay and professional alike, don’t really understand how we fit within the flow of Jewish history. It is in the very DNA of Judaism to be able to encounter the shifts and changes in religious thought and within the lands where we live—and to dramatically reposition Judaism. The status quo was always a potential death knell; flexibility, creativity, and devotion to our core values allowed us to rise above both physical and intellectual rubble and to move our mission forward. When I found a true partner in Leah Hochman, I knew that we could craft a message that would have significant value and resonance.

Dr. Leah Hochman: Stan has long been interested in the multiple paths by which Jews and Judaism have come to be where and how they are. The book is his brainchild; he put together an exploratory committee of really smart people to think through some of the ways Jews tell the story of intellectual growth (and decline). Using disruptions in Jewish religious thought as a framework brought the project together. Nothing in history happens in a straight line; Judaism’s (and Jews’) ability to pivot, re-form, respond, and grow has ensured its vibrancy and continuance.

What was the editing process like? Did you learn anything new from working on this book?

SD: Our wonderful collection of authors represented widely diverse fields of expertise. They had a true passion for their subject matter. The editing process was at times quite grueling. We had to reduce the chapters to an acceptable size. We had to point out where many of our potential readers would not have the skill set to understand technical allusions. We knew that we were creating a book that did not have to be read chapter by chapter, but still, the chapters had to be in conversation with each other. I treasure what I learned—and the inspiration that I gained—from each chapter and from each author.

LH: We were extraordinarily lucky that so many talented thinkers were not only interested in the project, but were generous with their participation in its completion. Stan and I, along with the deeply committed CCAR Press editorial team, met several times to think through the organization of the book, who might contribute, and how to ensure a balance of topics, authors, and themes. The entire process occurred during the COVID shutdowns—pre-vaccine to post-Omicron—and was marked by disruptions of illness, personal loss, and changes in the CCAR office. I learned that Stan is a fierce champion of what matters and that persistence requires a whole lot of effort. It was a long haul, but thankfully, also an enormously fruitful one.

Are there any disruptions discussed in the book that readers may find surprising?

SD: I can speak only for myself, not for our readers. Surprising? So many. How the Torah emerged as a massive response to disruption. How Pauline Christianity helped shape post-Churban (destruction of the Second Temple) Judaism. How the world of Sephardim confronted very different disruptions—and thus shaped a culture quite different from the world of the Ashkenazim. How an understanding of the dynamics of gender and of synagogue music was dramatically enhanced by our own camp movements. And how adaptations to previous disruptions must be carefully studied so that we can navigate tomorrow’s world.

LH: I think all of them are surprising! I have learned an enormous amount from each of these chapters—they zero in on precise moments of growth and adaptation and unpack those moments to showcase how ingeniously our forebearers have created and preserved a sense of Jewish purpose and intentionality. Stephen Smith’s article on Holocaust witness testimony might be the most immediately surprising, but honestly, there is something for everyone in these essays.

Why is it important that we, as Jews, understand the various disruptions that have gotten us to this point in our history?

SD: Disruptions keep on coming. Sometimes they are products of natural disasters. Sometimes they are products of radical internal challenges to how we interface with the non-Jewish world. Sometimes they are the product of radical shifts in how the Western world understands the meaning and purpose of existence. Sometimes they arise as responses to horrible wars and to brutal assaults against us. We cannot understand who we are and where we are going if we cannot understand how we got “here” from “there.”

LH: We are currently living in a time period of deep concretization of story—such and such happened, in so and so way, and that’s that. And we are deepening the trenches between multiple versions of similar stories. I think it’s crucial for all of us to remember that we have choices in how we respond to the disruptions of today and that we can learn a lot from a careful and thoughtful look at our pasts.


What disruptions are we experiencing today?

LH: What a question! It feels ineffective to call the October 7 massacre, and the ongoing war in Gaza, a disruption. We had barely understood our losses from the pandemic and the full nature of the threats to individual autonomy in the US, when American Jewry needed to shift its focus to the crises in Israel and the exponential rise in antisemitism here. The twenty-first century has been wildly disruptive in virtually every way.

SD: October 7 is a disruption that will reshape Israeli understandings of themselves, American Jewish understandings of ourselves, and what Israel will mean to us tomorrow. The political climate in America represents a massive shift in Jewish comfort in this, our home. We are being forced to confront a resurgent antisemitism, along with a sense that we are being marginalized from groups and communities that once were our greatest allies. Denominationalism is rapidly diminishing as a key factor differentiating one Jewish community from another. The role and purpose of synagogues and the notion of a discipline of worship are fading. Cross-generational commitment to what once was considered normative is weakening. And here’s the key point: history teaches us that we have no idea as to what major disruptions lie just beyond the corner. We dare not confront such uncertainties unprepared. This book is both a warning and an enormous source of hope.

Rabbi Stanley M. Davids is rabbi emeritus of Temple Emanu-El of Greater Atlanta. Leah Hochman, PhD, directs the Louchheim School for Judaic Studies at the University of Southern California and is an associate professor at Hebrew Union College–Jewish Institute of Religion. Rabbi Davids and Dr. Hochman are coeditors of Reforming Judaism: Moments of Disruption in Jewish Thought (CCAR Press, 2023).