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Books News Passover Pesach Rabbis Reform Judaism

Four Questions about the New Union Haggadah, Revised Edition

In anticipation of the forthcoming publication of The New Union Haggadah, Revised EditionCCAR rabbinic intern Liz Piper-Goldberg interviewed editor Rabbi Howard Berman.

1. In true Passover fashion, why is this haggadah different from all other haggadot? Can you tell us what makes it unique?  Why is this haggadah a good fit for the Jews of 2014?

NUH art sample 1A broad variety of historic minhagim, local traditions and ideologies are reflected in the hundreds of Haggadah versions available today. In the midst of this rich tapestry, the distinctive liturgical and spiritual heritage of American Reform Judaism stands in its own integrity and enduring significance.  Our Movement has always created liturgies to give expression to the special understandings of Jewish belief and life embodied in our liberal spiritual commitment. Characteristically, Reform Judaism – and particularly the Classical Reform understanding – has interpreted the Passover Story from a broad, universalistic perspective- as a paradigm of redemption and liberation for all humanity… to use Rabbi Herbert Bronstein’s wonderful imagery- retained in this new version – “living our story that is told for all people…whose shining conclusion is yet to unfold!”  The traditional Haggadah is far narrower and more particularistic in its vision, and other versions focus on particular ideological themes. Our Reform versions, all of which have built upon the foundation of the original Union Haggadah, embraces a far more inclusive approach, recognizing the enduring inspiration of the Exodus as a model for so many others, while celebrating its unique meaning for us as those who came out of Egypt.

2. What is the history of the original 1923 Union Haggadah? What was unique about that Haggadah at the time?

The 1923 version of the Union Haggadah was in turn a revision of the first edition of 1907. At that point, the pioneer Reformers had shifted the locus of religious life and worship from the home to the synagogue, where the principles of a new, modern, liberal Judaism were proclaimed in the liturgy and expounded from the pulpit. Passover was celebrated in Reform temples with well-attended services on the first and seventh Festival days, highlighted by the majestic liturgy of the Union Prayer Book’s texts expressing the vision of the “universal Passover” of future redemption and liberation of all humanity. However, in the early years of the 20th century, the home Seder had indeed declined in popular observance. The leaders of our Movement were confident that a new version of the Haggadah, which, like the Union Prayer Book itself, would be “at once modern in spirit and rich in traditional elements” would renew the compelling meanings of the Seder and inspire a revival of its celebration.  This goal was indeed fulfilled, and what had been an “anxious” hope was rewarded with the eventual reality today, that the Passover Seder remains the most observed religious tradition among American Reform Jews.

3. What new traditions have been added to this edition?  What did you want to keep the same, and what did you want to change, and why?

NUH art sample 2In the New Union Haggadah, we have attempted to preserve the literary beauty, the direct and accessible text, and the broad, universalistic spirit embodied in the 1923 version. We have rendered the majority of the English text in contemporary, inclusive, gender-neutral language, following the egalitarian values that have guided all of the CCAR’s liturgical developments over the past forty years. In the spirit of Classical Reform, this haggadah is conceived to be used as a forthrightly and primarily English language experience- with all of the major Hebrew texts included in transliteration, and accompanied by versions of the most popular holiday songs and hymns that may be sung in both languages.

We have introduced new elements in the text as well. These include traditional parts of the Haggadah that were consciously eliminated by the editors of the earlier versions. Our predecessors sought to remain true to the vigorously rational spirit of a liberal faith that rejected superstition and parochialism. The original Union Haggadah consequently omitted such well-known dimensions of the ritual as the triumphant enumeration of the Ten Plagues – considered a “vindictive act unworthy of enlightened minds and hearts.” While they provided for the tradition of welcoming of the Prophet Elijah, there was no particular ceremony attached to it – reflecting the ambivalence toward what may have been considered a remnant of ancient myth and fantasy.  We have reinstated the recollection of the plagues, retaining the beautiful and moving interpretation originated by Rabbi Herbert Bronstein in the 1974 A Passover Haggadah. This brilliant and creative rendition links the recitation of the plagues to the symbolism of the ten drops of wine- the diminishing of our joy at our own redemption as we recall the sufferings of our oppressors. We have also been inspired by the concept of echoing the ancient plagues with those of our own time – also a feature of the Bronstein version –offered here in a new form that weaves the two together. Despite the rationalist objections, Elijah remained stubbornly ensconced in the hearts of most Reform Jews. For the ceremony of Opening of the Door for the Prophet, we have reclaimed a little-known supplement created by the Joint Committee on Ceremonies of the CCAR and the Union of American Hebrew Congregations in 1942 – which brilliantly recasts this beloved tradition in the universalistic spirit of Reform Judaism, as an authentic question and answer dialogue between parent and child. In addition, we have incorporated more recent innovations that have broadened the embrace and symbolism of the Seder – the Cup of Miriam and the Orange on the Plate – with explanations that express the heightened awareness and contemporary sensibilities of these popular rituals, in a way that compliments the rest of the text.

4. Which aspects or traditions of the Passover seder are most meaningful to you? How are they expressed in the Union Haggadah?

NUH Page Sample 3Like so many of us, having grown up with the old Union Haggadah, its cadences and distinctive literary style echo in my consciousness as the quintessential sounds and images of Pesach.  The unique phrases of its Magid narrative continue to express the Festival’s timeless, transforming message. Preserving and creatively renewing this tradition for a new generation is the essence of my work with the Society for Classical Reform Judaism, and has guided my efforts in this project.  The Seder’s symbolic progression from remembrance to hope, from oppression to liberation to future redemption, all find profoundly clear and compelling expression for me in the Union Haggadah’s simplicity and flow.

Ultimately, what we “tell our children on this day” encompasses a rich and distinctive heritage that weaves together our identities and experiences as Jews, as Reform Jews, and as American Jews.  The seamless integration of each of these strands of our tradition and faith remain the unique genius of Classical Reform Judaism and the guiding principle of The New Union Haggadah.

Rabbi Howard Berman A. Berman is Founding Rabbi of Central Reform Temple of Boston. He is also Rabbi Emeritus of Chicago Sinai Congregation, and the Executive Director of the Society for Classical Reform Judaism.  

Categories
Books Passover Pesach Prayer Technology

Passover Blog: Using Visual T’filah at Your Seder

Mah Nishtana halaila hazeh?  What makes this seder different from all others? 

For many families and synagogues this year, it will be seeing the haggadah in a new light.  This year, the CCAR Press is excited to offer a Visual Tfilah companion to Sharing the Journey: The  Hagaddah for the Contemporary Family

Dan1Visual Tfilah, grounded in historical Jewish practices and built on modern technologies, mingles text and images on the large screen for all to enjoy. The images help give deeper meaning and connection to the ancient words, and the words up on the screen allow us to lift our eyes, our voices, and our hands. Visual Tfilah has become a popular way to enhance prayer services, and now it can enhance our Pesach seders, as well.

One of my favorite things on Pesach is to open the (printed) haggadah and see wine stains and crumbs from seders past.  It reminds me that in this ever-changing world, some things stay comfortably the same.  Its the same story we retell year after year.  The same rituals.  And yet, Im always excited to see what new materials, readings, and activities the seder leader will bring to the table.  While the story of redemption and freedom never changes, we are always changing, and finding new ways of reconnecting to the same story is essential to keeping the messages relevant and engaging.  The haggadah, after all, at its core, is meant to inspire us to ask questions.

Dan2A few years ago, a number of colleagues and friends participated in Tweet the Exodus.  Not only was it amazing to see the story told in 140 character segments, but some of the tweets contained links to exciting multi-media resources to tell the story.  A particular favorite of mine was a Youtube video of a family caught in their car surrounded by a massive locust swarm. (http://youtu.be/wxHOxCmbs-8). It was terrifying and awe-inspiring, and helped me understand better than anything else what it might have been like to witness this plague.  Can you imagine being able to share some of the other plagues this way? Or what about showing a short clip discussing what scientists have said most recently about the splitting of the Red Sea? You could even show a map tracking the 40 year journey of the Israelites stop by stop. Unfortunately, you cant embed Youtube videos in a printed haggadah.  But you can put them up on a screen.

Dan3And thats what I love about using Visual Tfilah at a seder: you can add new readings, videos, and more to enhance the experience and enrich the story (without creating a handout and adding yet another item to juggle on the table).  You could insert a PollEverywhere (polleverywhere.com) into the Visual Tfilah to ask your participants to vote on their favorite plague or even to pick the closing song.  You could ask participants to record a short skit ahead of time to be shown during the seder.  As long as you have the screen set up, you might even want to Skype in Bubbie who couldnt join you at the seder this year.  In fact, the screen becomes a blank slate for including almost anything you can think of, and the Sharing the Journey Visual Tfilah gives you the framework from which to unleash your creativity.

The nice thing about VT is that it doesnt negate the use of your printed haggadot.  No matter your inclination or comfort level, everyone can be included. Many folks are accustomed to using print haggadot and will be resistant to giving them up.  And anyway, who can deny the fun of being able to flip ahead to count how many pages are left, or even the benefit of being able to linger on a reading or an idea on your own?

Sharing the Journey VT is designed for both large communal seders, as well as smaller in-home seders.  If you dont have your own large built-in screens and projectors, smaller portable ones or even flat screen TVs will work perfectly.  In fact, an iPad and an AppleTV can be the perfect way for the seder leader to lead from her seat.

Sharing the Journey is also available as an ebook for iPads. (ccar.co/journey). One can follow along with the seder, just as in the book, but also find interactive features and embedded audio.  (Please note: we discourage disDan4playing the ebook on a large screen.  It is not designed for this and will be too difficult for seder participants to read.  Conversely, the VT is specifically designed to be projected and read from a distance.)

So while youd never want to spill wine on your iPad, nor get crumbs up on the screen, we hope Visual Tfilah becomes another tradition at your seder table, and a way to help all of us actually return to the table to finish the seder after the meal is served.  Chag sameach!

 
Rabbi Dan Medwin is the
Publishing Technology Manager, CCAR Press.

p.s.: A Seder Leader’s Guide, complete with two CD’s of music, is also available for Sharing the Journey.  In addition, the music can be downloaded from iTunes 

Categories
Books Passover Pesach

Pesach Blog: How I Learned to Stop Worrying and Buy a New Haggadah

My history with haggadot is probably typical but certainly multi-layered.  I grew up with the venerable Union Haggadah.  In rabbinical school I was exposed to its successor, the “Baskin” Haggadah.  I then worked for an HUC administrator in researching various haggadot.  Even in the mid-eighties there were countless varieties, including one for vegans: The Haggadah for the Liberated Lamb.  Around this time David Moss was previewing his soon-to-be famous haggadah, Song of David.  I joked to my fiancée that she could have that instead of an engagement ring.  She took me seriously and we use the haggadah (alas, only one copy) every year.

For my family, after many years of experimenting we settled on the Shalom Hartman haggadah, Seder for a Different Night, and its successor.  They are wonderful resources but quite complicated.  For second night seders at the congregation I have used for many years the Eli Gindi Berhman House Family Haggadah.

Art from Sharing the Journey, by Mark Podwal
Art from Sharing the Journey, by Mark Podwal

In my new congregation – Temple Sholom of Chicago – I have decided to use the new CCAR haggadah, Sharing the Journey by Alan Yoffie, with art by Mark Podwal.  We will also try it out with our family on the first night.  The haggadah appeals to me because of its mix of being user-friendly and having some depth.  I am also excited about incorporating the visual t’filah element, having made my own power points for the seder in the past few years.

In the coming weeks I look forward to reporting how my preparation and execution goes.  Like a prayer book, I know that a haggadah does not a seder make.  But it is a sacred and useful tool, if it meets that elusive balance between being complex but not complicated.

Edwin Goldberg, D.H.L., is the senior rabbi of Temple Sholom of Chicago.

Categories
Books Passover Pesach Reform Judaism

CCAR Haggadot: A Feast of Haggadah Choices

I know, I know, Purim hasn’t even arrived yet, but Passover isn’t too far away and it’s never too early to begin to think about preparations.  One of the first questions that always comes up is which haggadah to use.  Here at the CCAR, we have a long history of publishing haggadot, and today we offer many different options.  Each one offers something a little bit different to meet the needs of your family or community.

It all began in 1892, which marks the beginning of Reform haggadot in North America. That was when the CCAR attempted to publish the first Union Prayer Book, in which a new haggadah was meant to be incorporated. That prayer book was ultimately and infamously rejected by the CCAR, and the haggadah was later published as a stand-alone volume (the subsequent UPB 2, which did pass the approval process, did not include the haggadah).

This early haggadah was an adaptation by Rabbi Isaac Moses of an even earlier Reform haggadah published in Bavaria in German by Rabbi Leopold Stein in 1841.  This original haggadah, as well as its subsequent adaptations and translations, was a contemporary rethinking of Passover for the Jews of the time.  As Dr. Richard Sarason writes, “While a strong affective connection to the seder ritual remains, there is a clear cognitive distancing from its premodern form and some of its content, which is either eliminated entirely or reshaped to conform to contemporary sensibilities. The passages of classical Rabbinic discourse are deleted, as are any angry or vengeful references to the gentiles” (Sarason, “The Haggadah and Reform Judaism” in The New Union Haggadah, CCAR Press, 2014).  Redemption is framed not as something far off in the future to which to yearn, but rather taking place in its audience’s own time as Jews gained political, social, and professional rights.  A revision, with slightly more Hebrew, was published in 1907/08.

Union HaggadahThe beloved gray hardcover known as the Union Haggadah, published in 1923, was a revision of this early 19th century haggadah (the image here is of the paperback facsimile version). This edition contains more Hebrew than the earlier versions, had a fuller version of the Exodus story, and also restored the traditional divisions of the seder.  But it still shared the original sensibility, looking not toward a future time of redemption but celebrating the freedom and liberty available to Jews in North America.  Generations of Reform Jews were raised on this version of the haggadah, as well as the revised version published following World War II. It was also appreciated for its gorgeous black and white artwork and elegant design, as well as the musical notation provided.  The CCAR Press has made a paperback version of this haggadah available.

PASSHAGG COVIn 1974 CCAR published A Passsover Haggadah, known familiarly as “the Baskin” though it should be known as the Bronstein-Baskin, created as it was under the editorial leadership of Rabbi Herbert Bronstein. This was the first full color haggadah from the Reform Movement, incorporating the striking art of Leonard Baskin.  A Passover Haggadah became an instant bestseller, as ubiquitous in Reform homes as The Union Haggadah once was.  This haggadah incorporates many supplementary readings and songs, drawing on the post-Holocaust Jewish experience as well as acknowledging the existence of and relationship with Israel.  It uses a much fuller Hebrew text than the  previous haggadot, a beautiful poetic style of English, adds back in much of the rabbinic commentary edited out in various editions of The Union Haggadah, and draws on many contemporary sources including Hebrew poetry.  This is an excellent haggadah for those who want a rich seder experience, with a tremendous amount of material to build upon.

Open Door-COVER-NEWThe Open Door, edited by Rabbi Sue Levi Elwell and published in 2002, reflects further changes in the North American Jewish community.  This haggadah, with beautiful art by Ruth Weisberg, incorporates voices of those previously marginalized or left out, including women’s voice, GLBT voices, and those from non-Ashkenazi Jewish communities.  This haggadah is a great addition to any collection, offering new perspectives on familiar texts and opening the door for all those who want to enter.

STJCoverIn 2012 CCAR Press added another haggadah to our offerings.  Sharing the Journey: The Haggadah for the Contemporary Family, edited by Alan Yoffie with gorgeous full color artwork by Mark Podwal, offers a welcoming and accessible approach to Passover.  This haggadah is especially a good fit for those who don’t know a lot about Passover rituals or practices but wants to get started, or those with non-Jewish family members and friends around the table.  All are warmly welcomed and included in the shared experience of moving from slavery to redemption, with Sharing the Journey follows the traditional steps of the seder in a joyous, streamlined, non-intimidating way.  All Hebrew is fully transliterated and gender inclusive. There are discussion questions and explanations throughout. This Haggadah is also a great choice for congregational seders, which could be accompanied by the forthcoming Visual T’filah version. A separate Leader’s Guide is available, including a 2 CD set, and the album is also available on iTunes, both with words and without, for singing along too.  There is also an iPad version of Sharing the Journey, and it will shortly be available as Visual T’filah, a terrific resource for congregational seders.  In addition, a selection of Podwal’s signed giclee prints of images from the book are available and make special very special gifts.

CCAR-UnionOur latest haggadah is a completely revised edition of the 1923 Union Haggadah.  This edition, The New Union Haggadah, is being created in consultation with the Society for Classical Reform Judaism, with Rabbi Howard Berman as consulting editor and Rabbi Ben Zeidman as development editor.  This revision features beautiful updates of the original artwork, as well as some new full color art based on Passover images from stained glasses windows found in Reform synagogues across North America.  For those who still feel connected to the 1923 edition but want something slightly more contemporary, this is a perfect choice.  This edition preserves the beauty and elegance of the original, with its focus on the shared Jewish and American moral values and emphasis on liberty for all, while now offering full transliteration, gender inclusive language, and updates to the original such as Miriam’s cup and the option of an orange on the seder plate.  In addition, we are also offering a large print edition.

CHLDHAGG COVAnd then there’s A Children’s Haggadah,  by Howard Bogot and Robert Orkand, with illustrations by Devis Grebu.  This child-friendly haggadah features a vibrant fold-out section of the whole seder plate.   Designed especially for young people, this haggadah is a great choice for home seders with lots of young children, as well as for schools or community family seders.

There are many haggadot to choose from.  We’re proud to be able to offer a range of different options.  And of course there’s always the tradition of collecting many different haggadot, all the better to pick and choose the parts you like from each. Have fun making your choice, and chag sameach!

Rabbi Hara Person is the Publisher and Director of CCAR Press

 

Categories
News Rabbis Reform Judaism

Ham is Not Kosher: The Creationism Debate

Two weeks ago there was a nearly three-hour debate in the greater Cincinnati area. It went relatively unpublicized, but it was quite a site to be seen. Bill Nye the Science Guy went to Petersburg, Kentucky to debate Ken Ham, founder of the Creation Museum. If you want to watch the debate on YouTube, it will be an invigorating and infuriating two hours and forty-five minutes, but enjoy.

The debate was over the question, “Is Creationism a viable model of origins in today’s modern, scientific era?” In short, the debate went as follows: Bill Nye tried to rationally answer the question presented, and Ken Ham tried to redefine the terms used in the question. Ham spent his time presenting the theory that scientists had hijacked the word “science.” He suggested that there are two types of science: observational and historical. He further suggested that lumping both types into one realm is a disservice to Creationism, because Creationism is a historical science, while “Bill Nye and his friends” are focused on observational science. Condescension aside, Ham says that since Nye’s field is based on observation (what we can see, hear, feel, touch, etc. right now), it does not have the right to assume what happened in the past. Historical science is based in Creationism on the knowledge of what happened as we were told by God in the Bible, while in “science taught in our public schools” is based on “the ideas of man such as Darwin.” He makes it difficult to have a debate because instead of answering the question he creates more issues. He says, basically, “You can’t call my science anything but viable because I’m redefining science to force Creationism into validity.” He never answers the questions his definitions create, such as, “Isn’t reading the biblical account also an observation?”

I have been to the Creation Museum in Petersburg. The modus operandi of the museum is identical to how Ken Ham tried to debate this month. They present a series of events from the Bible and show how the biblical account “debunks” evolutionist theories. I blogged about our experience several years ago, but this is what I clearly remember: they try to use facts that we observe in today’s world to “prove” the truths found in the Bible.

Take Noah’s story, for example. The Creation Museum suggests that the immense pressure from the entire world being covered in water for forty days created layers of strata under the surface of the earth. The pressure also created the animals trapped under the sediment to be fossilized faster than they normally would have been, which tricked the “scientists” into thinking that each layer represents a different era. Bill Nye, during the debate, asks why the fossils trapped in each layer are constant to each layer. In other words, why didn’t any animals try to swim up in the flood?

There are two major problems with Ham’s presentation. First, he conflates truth with fact. Facts are about collecting data. Truths are beliefs. On a crisp February morning here in Southern California, my wife Natalie might tell me, “It is so cold today!” I might respond with, “It is 54 degrees outside this morning.” Natalie is speaking the truth, and I am speaking a fact. You cannot even determine by my response whether I agree or disagree with her truth. My response, therefore, is inadequate because it does not serve the purpose of the conversation she started with me.

Our Holy texts are not concerned with facts. The Torah does not serve our purposes if it is a historical account of the world from the beginning of time to the conquest of Canaan. If it is only about the past, it loses meaning. The Torah is about us, now, today. We call it Torat chayim because its ideas are ever-pertinent to the things we face in our daily lives. It is a compendium of truth, not facts.

The second problem with his presentation is that he focuses so heavily on children. Before the debate even begins the museum shows a commercial about how children get free admission in February. Inside the museum the animatronic displays and focus on dinosaurs and dragons are clearly geared toward wooing youngsters in to the museum. It is almost scary to see that Ham actively works to get the most impressionable minds to buy in to his truth, and even scarier that he presents it as fact.

Rabbi David N. Young is the rabbi for Congregation B’nai Tzedek of Fountain Valley, CA. He spends all of his non-congregational time with his wife, Cantor Natalie Young, and their children Gabriel, Alexander, and Isabella. They also have a fish that their daughter named “Rabbi Litwak.”

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Books High Holy Days Machzor

Machzor Blog: Rediscovering the Sh’ma

When I pray, words wash over me.  The ideas they carry fill my brain.  The images they convey float through my mind.  The feelings they evoke dance in my heart.  But I don’t even notice the letters that comprise them — the shapes and the lines — because I’ve been trained to fuse them into words, and to treat the words only as springboards to ideas, images, and feelings.  I rarely pay attention to the letters themselves; they simply dissolve as my eyes pour over them.

What a jolt, then, to turn to Page 14a in the draft of the Yom Kippur Evening Service in Mishkan HaNefesh, the new CCAR machzor currently being piloted. That’s where I re-discovered the Sh’ma.  Just as in Mishkan T’filah, the lettering of the Sh’ma gets special treatment.  It’s the largest in the book and the font is distinct, at once elegant and archaic.  It unfurls like a parchment buried for millennia, unseen by human eyes until just now, by me.  It demands my attention.

shema

 

The font evokes the calligraphy of a caravan-leader’s map, with its curvaceous lines and serifs.  At the same time, it’s modern, clean, and strong.  The lines swoop to the left, creating the feeling of forward movement.  The black of the top line is darker than the second, mimicking the volumes with which we sing them.

The unique font of the Sh’ma helps me see how Hebrew letters are constructed from fundamental strokes.  It shows me the ‘yud’ in the ‘vav,’ and the ‘vav’ in the ‘tav’ and ‘chav sofit.’  ‘Hay’ contains a ‘reish,’ and there’s an ‘ayin’ in the ‘sin.’   

Some letters in this shema are pictograms for me.  The ‘lamed’ looks like a tulip, celebrating spring.  The ‘shin’ reminds me of a Viking vessel, crashing through the ocean.  In the ‘sin,’ my husband sees God’s “hand” holding the world.  The ‘reish’ is a cat, rresting on a mantel, purring contentedly.  The ‘mem’ is the same cat, stretching after her nap, meowing energetically.  The ‘mem sofit’ is the bearded face of an Assyrian trader.

Torah is written in black fire on white fire.  That image, from the Zohar, asks us to pay attention to the negative space created by a letter, not only its form.  Negative space is the space that surrounds and penetrates a subject.  It provides boundaries and contrast.  When we notice it, we come to understand that Torah is shaped by what’s missing as well as what’s there.  The negative space in this font is bulbous, bounded by curving lines.  It’s as if blocks of black have been burrowed into by critters.  The lacunae look like little cul-de-sacs, adding to the sense of travel.

No matter how it’s printed, the Sh’ma unifies all Jews, bringing us together like the tassels of a tallis.  When we recite it, divisions of time and place disappear.  We are all One.  This font, at once ancient and timeless, invites me to see with the eyes of the ancestors and to contemplate the hearts of our descendants.  It reminds me to broaden my scope.

I’m excited for my congregants to encounter the Sh’ma afresh in Mishkan HaNefesh.  As the Sh’ma is supposed to do, it calls us to pay attention.

Rabbi Dean Shapiro serves Temple Emanuel in Tempe, AZ

For more information on Mishkan HaNefesh or on piloting, please write to machzor@ccarnet.org

Categories
General CCAR Rabbis Reform Judaism

Mazel Tov, You Failed!

My kids used to love the Disney movie, “Meet the Robinsons.” The scene I love in this movie is where young inventor Will Robinson, at dinner with his future family, destroys a ketchup-and-mustard-gun, squirting them all over the table, walls, and people. He gets very embarrassed, and looks completely dejected until the condiment-coated cousins start singing about how well he failed.  They explain that their father is a great inventor, and he teaches them that in order to make any progress they have to “Keep Moving Forward,” and every time they fail they know they are a bit closer to their goal.

To put the same thought in the words of Michael Jordan, “It’s not about how many times you fall, it’s about how many times you get back up again.”

There is a story from the Babylonian Talmud (Taanit 25a), that tells of Chanina Ben Dosa and his wife while they are suffering great financial stress. In order to get through this hard time, Chanina, a known miracle-receiver, is asked by his wife to pray for a miracle. A hand comes down holding a golden leg from the table at which he will sit in olam habah (the world to come).  That night he dreams of how wife and himself in olam habah, forever condemned to wobble at an unbalanced table.  He tells her of the dream and he immediately replaces the golden leg, promising her that he will find other means to earn money rather than jeopardize their share of the world to come.

Like Michael Jordan and Will Robinson, Chanina Ben Dosa is able to get up and try something new, even after an idea that he thought was brilliant, fails.  This is our task as well. We often can trick ourselves into believing that the magical solutions we think of are the best way to fix our community’s issues. Sometimes we have brilliant, miraculous successes, and sometimes we can jeopardize our future with the mistakes we make. If we have the fortitude to get up, make amends, and dust ourselves off, our congregations will thrive as we keep moving forward.

Rabbi David N. Young is the rabbi for Congregation B’nai Tzedek of Fountain Valley, CA. He spends all of his non-congregational time with his wife, Cantor Natalie Young, and their children Gabriel, Alexander, and Isabella. They also have a fish that their daughter named “Rabbi Litwak.”

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CCAR on the Road Israel News

CCAR Delegation in Ramallah: Learning, Listening and Questioning

Our CCAR delegation had the unusual but rewarding opportunity to travel to Ramallah, the capital of the Palestinian Authority, to talk with Palestinian business and political leaders.  Each rabbi in our group took away something different from the day. I’ll begin with my own general impressions and then fill in the details. What I took away was: 1) we do indeed have partners for both economic and political engagement; 2) Palestinians are thinking creatively about building a sustainable economy in their emerging state and have been working successfully in mutual engagement with Israelis in universities and other settings; 3) Restrictions imposed by the Israeli occupation such as freedom of movement of both goods and people are severely hampering economic development; and 4) Women are an emerging and strong force in the Palestinian work place.

Our leaders who arranged the meetings were Felice and Michael Friedson, founders of Media Line.  They first took us to meet with Kamel Husseini, the Managing Director of The Portland Trust.  Founded in London in 2003, the Trust is a “British non-profit ‘action tank’ whose mission is to promote peace and stability between Israelis and Palestinians through economic development.” Husseini is an ideal director for such a trust. For much of his life he has reached out to Jews and Israelis, moved by our shared humanity.  Husseini wrote a moving article about Hadassah Hospital as a model of humanity that we would all do well to emulate.  He spoke from personal knowledge, having taken his mother there for oncology treatments for 12 years.

The goal of Kamel Husseini and the Portland Trust in Ramallah is to work on 5 areas of economic development (tourism, energy, construction, information technology, and agriculture) that are realistic given the restrictions of the Palestinian reality under occupation.  It would not be realistic, for example, to work on manufacturing, since that requires access to resources and control of imports and exports through borders that are not available at this time.  His hope is that by focusing on things they can do, they can help prepare the Palestinian economy for a time when there is an independent state.  He is very eager to work with Israelis both now and in the future on economic projecCaryn Broitman 2ts.

Our next meeting took place at the beautiful new coffee house in Ramallah called Zamn.  The second of an Starbucks type chain, Zamn was started by the impressive and articulate entrepreneur and business woman, Huda el Jack. El Jack, who moved to the West Bank from the United States in 2003, went to business school at Tel Aviv University.  She wanted to go to a university where Palestinians and Israelis were together.  Watching the students work together, she learned learned that it is “amazing what Israelis and Palestinians can do together when they are free”. El Jack wanted to make a difference in the economy and she certainly has.  The food and coffee at Zamn were delicious.  She wanted to make sure we understood, however, that she was able to do what she did in spite of the situation (occupation).  “Don’t think there are a lot of opportunities here.”  Taking advantage of her education abroad, however, she is creating opportunities for others.

While enjoying our lunches we were given the unexpected opportunity of hearing senior Palestinian official, Nabil Shaath.  Shaat is a close advisor to Mahmoud Abbas and has been one of the key negotiators over the years.  Shaath expressed great respect for John Kerry and his efforts, however was dissatisfied with the direction of the negotiations.  While Palestinians, in his view, would overwhelmingly favor a plan of two states with 2 capitals and open trade between the two countries, what is being offered, in his view, is a state that is neither contiguous nor independent, and would not alleviate the restrictions of movement that he and other Palestinians suffer now.  He expressed the frustration that Secretary Kerry seemed to be negotiating with Bibi Netanyahu and Naftali Bennett, rather than with Netanyahu and Abbas.

Finally, we visited the planned city of Rawabi, not far from Ramallah.  We were greeted by a woman, one of their engineers, who told us that there are 23 neighborhoods planned, 2 of them already completed with their 650 apartments already sold.  The city will include a hospital, many schools, an amphitheater, mosques and churches, a convention center and much more.  The building is on an almost unimaginable scale.  Its visionary, Bashar Al-Masri spoke to us of his desire to make a difference in the Palestinian economy.  He passionately explained that he does not want Palestine to be a state dependent on donations of other nations.  He wants to help build a self-sustaining economy of his emerging country.  Rawabi has become the number 1 private sector employer of Palestinians.  And while it is an expression of Palestinians’ independent spirit, it also is a model of engagement with Israelis and Jews around the world, who have come to both learn from and offer their help and experience.  While restrictions of movement and road building due to the occupation has been a major obstacle, Masri is still optimistic, and has received support from many in the Israeli public who can hopefully influence government officials to allow him the access to water and roads that the project requires.

We were all grateful to Felice, Michael and the CCAR for a day packed with opportunities for learning, listening and questioning.

 Rabbi Caryn Broitman is the rabbi of Martha’s Vineyard Hebrew Center.

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CCAR on the Road Israel

CCAR Start Up Israel Trip: Learn What Makes the Impossible Possible

Walking through the late afternoon in Maktesh Ramon, breathing in air that is simultaneously warm and cool the way air in the desert in the late afternoon tends to be (but not at all the way the air in New Jersey tends to be), I overheard a colleague say: “if I’m not enjoying it, I’m doing the wrong thing”. I wasn’t really part of his conversation, more wandering alongside lost in my own moment, so I’m not entirely sure what “it” was. But whatever he meant, he got me thinking.

It is easy to throw around sentences like that one when you are on vacation and the only decision to be made is which of two equally gorgeous hikes to take through the desert. We can love either. But what about loving to do what we’re about the rest of the time: when the sun is not setting over the crater and the sky turning to colors we’ll never see in Princeton, or Joliet or wherever.

I don’t know well the rabbi who was speaking but from what I can tell he certainly seems passionate about the work of his rabbinate. And another rabbi on our trip told me today that she actually was prepared to hate the form her rabbinate had taken until she discovered that she loved her work with the people with whom she engaged day by day. The CEO of Friends by Nature, Nir, got involved in the Ethiopian community when in his post army wanderings he fell in love with an area, met the people there and loved those people even more than the surroundings themselves. He has dedicated his life to that love. Miri Eisen started our day talking to us about the geopolitical reality of Israel given the world in which it exists. She is a woman whose passion for the people of Israel, her love for them and the need to protect them is evident in all she says. In other words, what struck me today was the power of love.

When you love what you do and who you do it with, the impossible sometimes becomes less so. I know we don’t live our lives on vacation where loving what you’re about is easy. I understand that there are plenty of things that all the love in the world is not going to make possible. But I came here to Israel with the CCAR Start Up Israel trip to learn what makes the impossible possible. A MARAM colleague who met with us for lunch and is building in Caesaria one of the newest congregations in Israel — a place where she herself declared there could never be a reform community — told us that she didn’t let herself focus on what couldn’t be. She focused on what she knew in her heart there needed to be. And she shared that love with others. Guess what? They had 100 plus people at the high holidays last year.

My questions then: how do we make the impossible happen? And what’s love got to do with it?

Rabbi Carolyn Bricklin-Small serves Congregation Beth Chaim in Princeton Junction, NJ.
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CCAR on the Road Israel

Discovering Israeli Patience during the Start-Up Israel Tour

People keep saying that Israelis don’t have any patience. Maybe not for the inconveniences of daily life, but everyday of this Start-Up Israel tour convinces me more and more that In the long run Israelis are tenaciously patient. Consider Daniel and Anat Kornmehl who began raising goats in 1994. It took them three years to find the right home to make cheese and sell it at their restaurant. They find their home in the Negev but are still waiting for a long-term lease from the government so they can build permanent housing.

High-tech entrepreneur David Guedalia, along with a variety of colleagues, including brother Jacob, has developed at least a half-dozen software products. Now the group is part of Qualcomm. The group, based in Beit Shemesh, credits its success as a startup to working with people from a variety of cultures; their background in the army — which taught a strong reliance on each other, improvisation and the ability to take risks; and letting the best innovators take the lead with others carrying out their vision.

In Be’er Sheva’s old city, we met university students who are taking a cue from their grandparents to create a new Zionism for the 21st century. These 20 students make up just one of the 14 villages of Ayalim dedicated to improving the lives of residents of socio- or economically challenged areas. In Be’er Sheva, the students are focused on providing residents mostly in their 20s with cultural activities, including music and art. But the students want to do more. Once they are done with school, many plan to settle in the area because they love it and they want to be part of helping the community continue to improve. Ayalim’s Deborah Waller said the area has already been rejuvenated as business activity has increased.

As the day drew to a close we neared our final destination of Jerusalem but stopped first to enjoy the patient work of Tzora Vineyards where we tasted a variety of delicious wines. We then concluded our day with a “Shehechiyanu” at the Haas Promenade overlooking Jerusalem — the golden city Israelis have been patiently guarding with their lives to keep and protect every day of the past 65 years.

Sara Goodman is a hospice chaplain in Los Angeles, CA.