Category: Books

Categories
Books CCAR Press Death

Regaining Grounding after Loss: Rabbi Lisa Grant and Cantor Lisa Segal on ‘The Year of Mourning’

Rabbi Lisa D. Grant and Cantor Lisa B. Segal discuss the motivation behind their new book The Year of Mourning: A Jewish Journey, the complementary digital app, and what they hope readers and users will gain from the project.

What inspired the creation of The Year of Mourning?

Rabbi Grant: During the months following my mother’s death I formed a “Kaddish club” at my synagogue where I invited other mourners to join with me in sharing memories of their loved ones, in studying Jewish sources related to mourning, in singing and praying together, and in being a supportive community to one another as we journeyed through our process of grief. The Year of Mourning grew out of these experiences and includes many of the same components that were part of those in-person gatherings.

The book and app are composed of seven units. Can you describe these sections and how they correspond to various parts of the mourning experience? 

The material is organized around seven themes that are common experiences of mourning (pain, brokenness, sadness, comfort resilience, acceptance, gratitude). Each theme includes seven units, which begin with a song, which can be listened to on the app version. This is followed by a question that sets an intention for exploring the materials to follow. Then there is a brief text to study with guiding questions, followed by a contemporary poem. Each unit concludes with the Mourner’s Kaddish, which also can be heard on the app. Just as mourning does not follow a predictable path, we invite mourners to use the materials in ways they find most meaningful.  

What makes the app different from the book? How can the two be used in tandem?

The book and the app are identical in terms of their content, but the app allows the user to carry it with you in your phone, and to access the materials in a variety of different modalities: reading, journaling, and listening to the music.

One of the major advantages of the app is the beautiful recordings that can be listened to as part of each given unit: one can explore a theme, or a kavanah or sacred source, and listen to the music connected to them. Alternatively, any of the musical selections can be listened to by pressing the Music icon, at any time or in any order. In addition, for those unfamiliar with reciting the Mourner’s Kaddish, we also provide a recording to follow and to gain literacy and grounding in that experience.

To help you move through weeks of mourning, you can set daily reminders in the Settings menu and a notification will appear with a quote. As with the music, you can always just scroll through those quotes. There is also a handy option in the app to write reflections in a journal that can be saved or edited as you go along.

Music is a key part of The Year of Mourning. What role can music play for someone experiencing bereavement?

While our traditions offer so many deep and comforting texts and rituals created to hold us in our losses, for many mourners, music holds a special place. Music can touch our hearts and souls in ways that transcend words. Often, in the journey of mourning, we find ourselves unable to articulate or express a feeling or emotion, and music has the potential to touch those recesses to comfort us or help us express the inexpressible. There is an intentional repetition of a number of the songs as expressions of different emotions and themes, recognizing the fluidity of the way music can speak to us within varied emotional states. We hope that the musical choices we made for the app—in both text and style—connect to and enhance the units’ themes, kavanot, poetry, and sacred sources.

What are your hopes for this project’s impact? 

We hope that rabbis and cantors will recommend these resources to mourners in their communities who are looking for sources of support, wisdom, and comfort during this time of grief. These resources are intended to help individuals regain their grounding after the death of a loved one, by making deeper connections to memories and to the richness of Jewish wisdom and tradition.

The Year of Mourning: A Jewish Journey is available in print and as an Apple and Android app. Rabbi Grant and Cantor Segal can visit communities to teach on the topic; please email bookevents@ccarpress.org for details.

Rabbi Lisa D. Grant, PhD, is Director of the New York Rabbinical School program, Eleanor Sinsheimer Distinguished Service Professor in Jewish Education, and Coordinator of Special Seminary projects at the Hebrew Union College–Jewish Institute of Religion.

Cantor Lisa B. Segal serves as cantor and is a founding member of congregation Kolot Chayeinu/Voices of Our Lives in Park Slope, Brooklyn.

Categories
Books CCAR Press

The Art of Storytelling: Rabbi Zoë Klein on ‘Candle, Feather, Wooden Spoon’

Congregational rabbi and acclaimed author Rabbi Zoë Klein discusses writing Candle, Feather, Wooden Spoon: New Jewish Stories, the unique nature of short stories, and how illustrations interact with text.

What inspired the creation of Candle, Feather, Wooden Spoon: New Jewish Stories?
Each of the stories in the book has a unique origin and source of inspiration, but the collection as a whole was inspired by all the short story anthologies I’ve loved. The first such collection I was given was when I turned eight, Rootabaga Stories by Carl Sanburg. From there, I remember the terrifying Yellow Fairy Book keeping me up at night with its spells and blood puddings, and as I got older, such collections as Great Tales of Jewish Fantasy and Occult by Joachim Neugroschel, A Palace of Pearls: The Stories of Rabbi Nachman of Bratslav by Howard Schwartz, Beautiful as the Moon, Radiant as the Stars: Jewish Women in Yiddish Stories by Sandra Bark, Rachel the Clever by Josepha Sherman, Collected Stories by Cynthia Ozick, and For the Relief of Unbearable Urges by Nathan Englander all captivated me. And each week, preparing to teach Torah by reading countless commentaries and divrei Torah is itself a lifelong study of powerful short stories!

Can you share a bit about your writing process?  
For me, the smallest part of the writing process is the act of typing out the words. A large part of the process is research, and an even larger part is staring into space while the thoughts churn. Behind every story is a thick file of notes, musings, articles, essays and ideas. I spend a lot of time in the research stage, studying and collecting details. To write “The Magic Word” I listened to dozens of linguistics podcast episodes. I study and research until the characters start to create themselves. I have trouble doing what many writers do, which is finding an hour or two a day to write. I need six to eight hours to fully immerse into each new world. So I write on my day off, or when there is a quiet weekend, when I can nest up and delve.

This book is structured in three parts. What can readers expect from each section?
The eight stories in the first part, Candle, are anchored in Jewish text and tradition. Some take place during Biblical times and others are reminiscent of fanciful Chasidic stories. The eight stories in the second part, Feather, take place in the modern world. The characters may remind you of people you know or of yourself. These stories wrestle with relevant issues, many through adventure and quest. The six stories in the last part, Wooden Spoon, each take us on a deeper more mystical journey, presenting inklings of new theologies. But I do encourage readers to skip around and bounce from section to section in whatever order you like!

You are also the artist behind the book’s illustrations. What role do they play in the reading experience?
Each illustration brings to life a detail of a story, but none of them are of the protagonists. For example, the half-melted snowman illustration for the title story is just a tiny detail in that story. But when the details of a story feel dimensional and alive, hopefully, the rest follows. The characters become fleshed out in readers’ imaginations. The playful drawings give that imagination a little tickle.

How does Candle, Feather, Wooden Spoon differ from your previous books?
Candle, Feather, Wooden Spoon, as a collection of short stories, is vastly different from Drawing in the Dust, a novel. Short stories are an economy of words, and so there isn’t the luxury that a novel has of long descriptive passages and thoroughly explored internal monologues. Rather, a lighter brushstroke is necessary to convey a sense of place. Plot twists and character arcs need to have a smaller turning radius while still feeling natural.

Which of the stories are especially meaningful to you?
This is such a hard question! I feel like my answer would be different depending on the time of day, the weather, and the zeitgeist of the moment. But if I had to answer at this particular moment, I would say “Shalom Bayit” is especially meaningful. I don’t feel as if I wrote that story. Isaac and Mateo, the main characters, don’t feel fictional. In fact, when I read it I feel grateful to them for coming to me. Their story seems so real that I can picture them stepping off the page and changing the world. “JEW” is also deeply meaningful to me, as I’ve always been fascinated by the word “Jew,” how it’s been maligned throughout history, and how it is redeemed. I love “Lace Theory” for how it presents a new metaphor for our interconnectedness. “The Flying Insect Café” is so dang fun. “Shades and the Rock on the Grave” is a favorite of mine. And I have this little love affair with “The Goat Keeper” story, which I have been writing and returning to for decades.

Rabbi Klein is available to visit communities for speaker events and book clubs. For more information, please email bookevents@ccarpress.org.

Rabbi Zoë Klein has served Temple Isaiah in Los Angeles, California, since 2000. She pursued the rabbinate out of a passion for ancient texts, mythology, liturgy, and poetry. Rabbi Klein is the author of the novel Drawing in the Dust; the children’s story The Goblins of Knottingham: A History of Challah; The Scroll of Anatiya; and the collection of short stories Candle, Feather, Wooden Spoon (CCAR Press, 2023).

Categories
Books CCAR Press Poetry Torah

The Challenges of Writing Modern Midrash: Alden Solovy on ‘These Words’

Liturgist and poet Alden Solovy discusses the inspiration behind These Words: Poetic Midrash on the Language of Torah, his writing process, and his hopes for the book’s impact.

What inspired These Words?

The language of Torah, its richness and nuance, begs not only for exploration, but for celebration in poetry. Throughout Jewish history, Torah has been our single greatest writing prompt for scholars, mystics, poets, musicians—all of us.

This is your fourth CCAR Press volume. How does it differ from your other works?

The previous volumes provide poetic liturgy. This book combines expository writing with poetic interpretation of Torah. I explore seventy words of Torah with deep dive essays into each word, followed by a poetic midrash inspired by that research.

What was the most challenging part of writing this volume?

Switching back and forth between left-brain Torah study and right-brain poetic interpretation was a constant challenge. What challenged me most, however, was the research. Each word is a universe, spectacular in depth and meaning. I felt compelled to keep learning and learning about each word.

How did you select the words in the book?

My selection process was more art than science. I began with a set of 120 words that interested me, supplemented by words suggested by friends. From there, the words themselves guided me to add, remove, or replace them, prompted by my explorations.

How did writing this book impact you?

Writing These Words was a profound and transcendent experience. I experienced what I can only describe as a “Torah trance” mind state. Intense. Beautiful. Challenging. Frightening. After the book was completed, I then faced my first post-writing melancholy. Later, rereading the book in print, I found an unprecedented joy and elation having written a volume of modern Torah midrash—I didn’t know that was in me. 

How do you hope These Words will impact readers?

Wouldn’t it be beautiful if reading this book inspired others into their own journeys of exploring words of Torah? I hope the book will be used in Torah study, for writing sermons, as part of interfaith dialogue, and as a source of readings used in worship. Most of all, I hope the book inspires more poetry rooted directly in learning Torah.

Alden is available to visit communities for speaker events and book clubs. For more information, please email bookevents@ccarpress.org.

Alden Solovy is a liturgist based in Jerusalem. His books include This Grateful Heart: Psalms and Prayers for a New Day, This Joyous Soul: A New Voice for Ancient Yearnings, This Precious Life: Encountering the Divine with Poetry and Prayer, and These Words: Poetic Midrash on the Language of Torah, all published by CCAR Press. Read more of his writing at tobendlight.com.

Categories
Books CCAR Press

Stories and the Power of Transformation: Rabbi Zoë Klein on ‘Candle, Feather, Wooden Spoon’

Rabbi Zoë Klein is the author of Candle, Feather, Wooden Spoon: New Jewish Stories, now available for pre-order from CCAR Press. In this excerpt from the introduction, she discusses what inspired the collection and how readers can make the book their own.

On the night before Passover, it is traditional for families to hide pieces of bread in a ritual called b’dikat chameitz (searching for leaven). Children search for crumbs with a candle and use a feather to sweep them onto a wooden spoon, all of which are then put in a paper bag. The paper bag with the items inside is burned the following morning, signifying that the home is ready for the holiday to begin.

I have always loved the candle, feather, and wooden spoon. While not on par with the royal flush of seder plate sacred symbols (shank bone, bitter herbs, charoset, parsley, and egg), in their own gentle way, they indicate that we are ready to begin this story of freedom. For me, they represent the process of storytelling. First comes the light of an idea, then the quill with which to write it down, and at last it is ready to be spooned out and shared.

I also love that all three objects are fairly mundane. Candles are common. You can find feathers amid fallen leaves and weeds. And there is probably a wooden spoon floating around everyone’s cookware. Judaism is about elevating the mundane to the sacred, helping us transform mindless action into mindful intention. Stories have the same power of transformation. The famous Jewish story of a person scattering feathers from a pillow and then fruitlessly trying to gather them all back together becomes the simple but effective tool to transmit the important value about speaking kindly and not spreading rumors.

This collection’s first part, “Candle: Stories That Shine New Light on Tradition,” explores Jewish texts and teachings from new vantage points. The second part, “Feather: Modern Stories That Take Flight,” explores identity and relationship through a modern Jewish lens. The characters in these stories may remind you of people you know or yourself. The final part, “Wooden Spoon: Stories That Stir Food for Thought,” mixes story with philosophy in an attempt to taste the transcendent.

The stories in this collection are intended to be shared, interpreted, and discussed. In the same way that musicians use their artistry and unique style to make a known melody their own, you are encouraged to adopt and adapt these stories, add your voice, and make them yours. Judaism has an extraordinary oral tradition evolving from generation to generation, with each new storyteller adding flavor, color, and texture.

You are a storyteller, with your own voice and experience to add.

At the end of each story in this collection, there are a number of questions designed to encourage self-reflection, conversation, and engagement. So take a candle (or a reading light!), a feather, and a wooden spoon and search these pages for morsels, parables, and words of Torah. And keep telling your stories.

Rabbi Zoë Klein serves Temple Isaiah in Los Angeles, California. Rabbi Klein is the author of Drawing in the Dust: A Novel (Gallery Books, 2009), The Goblins of Knottingham: A History of Challah (Apples & Honey, 2017), The Scroll of Anatiya (Wipf and Stock, 2009), and the collection of short stories Candle, Feather, Wooden Spoon (CCAR Press, 2023). Her poems and prayers are used in houses of worship around the world.

Categories
Books CCAR Press Torah

Reclaiming Prophetic Judaism: Rabbi Barbara AB Symons on Her New Book, ‘Prophetic Voices: Renewing and Reimagining Haftarah’

Rabbi Barbara AB Symons, editor of Prophetic Voices: Renewing and Reimagining Haftarah, discusses the origins of the volume, the process of creating it, and what she hopes it will bring to the haftarah canon.

What was the inspiration for Prophetic Voices?  

In synagogues, as a faculty member at URJ camps, and at the URJ Biennial, I came to the realization that we were not hearing from the prophets. My own rabbinic education also lacked such focus, even though we in the Reform Movement spoke of “Prophetic Judaism.” It was an issue beyond Jewish literacy; it was an issue of not being called to action. At a conference run by the Religious Action Center in 2018, the final (brilliant!) session was an offer to take the microphone, share an idea about social justice, and invite others to join you for an hour to work on it. Over the following year and a half, on and off, our small group continued to work on it, and that eventually led to my proposal to CCAR Press.

Was there something new you personally learned while working on the book? 

Many things! I learned about the history of the haftarah cycle and how the term “Prophetic Judaism” came to be. I was reminded how the haftarah has the flexibility to connect to any part of the Torah portion, which is an invitation for creativity. I learned how much insight contributors can share in a mere 250 words, and I was exposed to many of the alternative texts for the first time. 

What was the most challenging part of editing this volume? 

With 179 contributors, there were a lot of emails! Because of the skills of the CCAR Press team, who were the professionals, the most challenging part for me ended up being helping potential contributors understand what this book was seeking to accomplish.

How did you determine which additional Jewish American holidays would receive haftarah readings?   

We had an open call and gave the examples of Independence Day, Martin Luther King Jr. Day, Breast Cancer Awareness Month, Pride Month, Domestic Violence Awareness Month, Juneteenth, and Mother’s/Father’s Day. Forty-two holidays ultimately appeared in my inbox, characterized by authenticity, passion, insight, and vulnerability.

How do you hope readers will use Prophetic Voices? 

I hope that it will bring the prophets and prophet-like voices beyond the bimah and the sanctuary into our daily lives. Each interpretation ends with a call to action. Some are direct, some are indirect, and some are questions, but overall the idea is to reclaim Prophetic Judaism as a verb.

The subtitle for this book mentions “renewing and reimagining” the haftarah cycle. What do you mean by that?  

“Renewing” refers to better understanding and finding relevance and inspiration from the prophets of the traditional haftarah cycle (such as Isaiah, Jeremiah, Ezekiel, and Amos). “Reimagining” refers to allowing haftarah, which means “conclusion,” to go beyond the N’vi-im (Prophets) section of the Hebrew Bible to texts that deserve to be “between the blessings.” Those texts include verses from the K’tuvim (Writings)—such as Job and Psalms—and expand into Jewish texts from the Talmud, poetry across the ages, music lyrics, fiction pieces, official government declarations, speeches, and more. These not only conclude the Torah reading but punctuate it. Furthermore, the book offers three new haftarah cycles: the Omer cycle, the Elul cycle, and the Winter cycle (from Thanksgiving to Chanukah).

Rabbi Barbara AB Symons is the rabbi of Temple David in Monroeville, PA, and the editor of Prophetic Voices: Renewing and Reimagining Haftarah (CCAR Press, 2023). Rabbi Symons and select contributors are available to visit communities for speaker events and lifelong learning classes. For more information, please email bookevents@ccarpress.org.

Categories
Books CCAR Press Poetry Torah

From Imposter to Midrashist: Writing ‘These Words’

These Words: Poetic Midrash on the Language of Torah was driven by imposter syndrome. Who am I, after all, to write a book teaching about the deeper meanings of the language of Torah? I’m not a rabbi. I’m not a Torah scholar. I have no Jewish day school foundation. I’m not a linguist or etymologist. I’m a poet-liturgist-lyricist. I write poems, songs, and prayers. Why, oh why, did I suggest this?!

So, I threw myself into the task of learning about individual words of Torah, often spending eight, ten, twelve hours a day in books, online, and engaging in conversations about Torah, Hebrew, Talmud, midrash, and the Sages, old and new. At times, the learning took me well beyond any text I’d previously encountered. The deeper I dug, and the further afield it took me, the harder I felt I needed to work.

Days became weeks. Weeks became months. Hundreds of hours learning Torah became thousands. Some evenings I’d dream about the words. Some mornings I’d wake with a poetic midrash spilling out of me. At times the learning led me to a poem. At times a new poem led me to a word of Torah. I entered some sort of Torah trance, which was thrilling and frightening.

When it was done—a first draft suitable for submission, anyway—I set it aside for a week in order to read it with “fresh eyes” before sending it to CCAR Press. The poems were beyond anything I’d ever written. And the divrei Torah on each Hebrew word looked completely foreign to me. How did I write that? Clearly, the work of learning how to study Torah at the Pardes Institute of Jewish Studies paid off.

In retrospect, the fact that CCAR Chief Executive Rabbi Hara Person, CCAR Press Director Rafael Chaiken, and the chair of the CCAR Press Council, Rabbi Donald Goor, trusted me to write this book is beyond my comprehension. Perhaps, if one day my work warrants a retrospective, some journalist may say something like, “Although his previous work was regarded and beloved, These Words was when he truly discovered his poetic voice.”

These Words: Poetic Midrash on the Language of Torah is available for pre-order at thesewords.ccarpress.org.

Alden Solovy is a liturgist based in Jerusalem. His books include This Grateful Heart: Psalms and Prayers for a New Day, This Joyous Soul: A New Voice for Ancient Yearnings, and This Precious Life: Encountering the Divine with Poetry and Prayer, all published by CCAR Press. Read more of his writing at tobendlight.com.

Categories
Books CCAR Press Social Justice

Unpacking the Bible’s Simple Truths: Rabbi Dr. Shmuly Yanklowitz on ‘The Book of Proverbs’

Rabbi Dr. Shmuly Yanklowitz is the author of The Book of Proverbs: A Social Justice Commentary, new from CCAR Press. In this Q&A, he discusses why he chose to write about Proverbs and what readers can learn from the book.

You previously published two social justice commentaries with CCAR Press, on Pirkei Avot and Jonah. Why did you choose Proverbs as the text for your third commentary?  

I believe the Book of Proverbs is one of the most overlooked books in the Tanach. And yet, its simplicity can speak to the complexities of our moment. In the twenty-first century, our identities, relationships, and choices are often more complicated than ever. As we grow in our complexity, it is imperative to remember the moral foundations on which our lives are built. For me, in this generation, Proverbs is about getting back to basics and returning to simple truths.

Many Jews might ask, “What even is the Book of Proverbs?” Contained in the Writings, the final section of the Hebrew Bible, Proverbs is a work of ancient but timeless wisdom traditionally attributed to King Solomon. Dealing more with morals and ethics than the Divine, it can be of immense value to believers and non-believers alike. When I teach Torah, I try to pass on a version of the tradition that encompasses both the study of ideas and the translation of those ideas into real-world action. The Book of Proverbs offers us an excellent bridge between those ideals.

Proverbs is a very different text from Jonah and Pirkei Avot. Did your writing approach differ for this volume? 

Absolutely. These three books are very similar in that they are all interested in translating ancient holy texts into relevant moral replies. But they are so different. Pirkei Avot is rabbinic, the Book of Jonah is a narrative, and Proverbs is from the wisdom literature. In the first two, I viewed my role as simplifying the complicated. But here, I viewed my role as complicating the simple. Proverbs distills our Jewish values down to their very essence and it reinforces our commitment to the integrity of a Jewish path. The texts can inspire us and challenge us to do more and live differently.

Did writing this book change any of your perspectives? 

My main ideas did not change, but the book has the potential to transform us in subtler ways. For example, in a society that feels unforgiving and has us convinced that one mistake by ourselves or others makes us irredeemable, Proverbs reminds us that “Seven times the righteous one falls and gets up” (24:16). I paused to think about resilience, forgiveness, and redemption at a time when our society is struggling with extreme binaries.

Which proverb did you find most meaningful?

The book reinforces the notion that Judaism is about spiritual and ethical work and learning to grow in responsibility. Instead of providing indisputable answers, Proverbs often supplies us with contradictory lessons. For example, Proverbs 26:4 teaches: “Do not answer a fool in accord with his folly, else you will become like him.” This is a useful lesson in the age of online mudslinging. Yet the very next verse tells us the complete opposite: “Answer a fool in accord with his folly, else he will think himself wise.” The reader is trusted to work out the application on their own. In an era where so many feel they have it all figured out, how do we engage, resist, or walk away from those we view to be destructive?

What do you want readers to take away from the book?

In a world that tangles and muddles our ideas of what our lives should be, the Book of Proverbs helps us return to the foundational questions regarding our relationships with good and evil, life and death, joy and sorrow. Our culture rewards our being compliant and undisruptive, but Proverbs drives us to take moral and spiritual action with clarity and courage. It challenges us to make distinctions between laziness and productivity, foolishness and wisdom, cruelty and justice. By studying this text, we confront the fact that we are constantly making decisions (consciously or not) about what kinds of people and Jews we are going to be. In today’s rapidly changing and exhaustingly overwhelming world, we can experience a great deal of fear and worry. We need to weather these storms together and hold each other closer. Only together, with grace and humility, can we courageously evolve. In the end, more than wanting readers to master the Proverbs from the Bible, I’d like to see them inspired to write their own proverbs that can help guide their lives.

Rabbi Dr. Shmuly Yanklowitz is a global activist and the author of twenty-two books on Jewish spirituality, social justice, and ethics. His many works include the CCAR Press titles Pirkei Avot: A Social Justice Commentary (2018), The Book of Jonah: A Social Justice Commentary (2020), and The Book of Proverbs: A Social Justice Commentary (2022). The books are available separately or in a discounted bundle.

Categories
Books CCAR Press

CCAR Press Interview: Rabbi Benjamin David on ‘Seven Days, Many Voices: Insights into the Biblical Story of Creation’

Rabbi Benjamin P. David of Reform Congregation Keneseth Israel in Elkins Park, Pennsylvania, shares insights on editing Seven Days, Many Voices: Insights into the Biblical Story of Creation.

What was the inspiration for Seven Days, Many Voices?
There is so much material in the Creation story that speaks to our world at present. Within the Creation story, after all, are questions around gender, climate, faith, relationships—so many of the issues we think about often these days. I wanted to give us a new and provocative lens to consider and reconsider how the six days of creation might speak to us today.

Was there something new you personally learned while working on the book? 
I learned so much from wonderful authors and colleagues, who opened my eyes to issues related to Israel, memory, Shabbat, and much more.

What was the most challenging part of editing this volume? 
It takes a lot of work to pull together rabbis, cantors, educators, and others given the busyness of our lives. I learned to be both very patient and very persistent.

What do you want readers to take away from the book?  
I want readers to be proud that the Reform Movement creates space for broad and creative Torah commentary. To rethink the Creation story and pull new meaning from it has us acknowledge that the Torah really is timeless and speaks to every generation. I also believe that reexamining our origins sheds greater light on not only where we come from, but why we are here and what our role is as Jews and members of the human family.

Rabbi Benjamin P. David serves Reform Congregation Keneseth Israel in Elkins Park, Pennsylvania. Rabbi David is available to teach on topics in Seven Days, Many Voices: Insights into the Biblical Story of Creation. Email bookevents@ccarpress.org for more information.

Categories
Books CCAR Press Social Justice

Why Study the Book of Proverbs?

Rabbi Dr. Shmuly Yanklowitz is the author of The Book of Proverbs: A Social Justice Commentary, new from CCAR Press. In this excerpt from the introduction, he discusses what we can learn from Proverbs.

The Rabbis taught that most of the Israelites did not leave Egypt during the Exodus. Indeed, for some—perhaps most—people, the familiar state of “slavery” is much more comfortable than unknown “freedom.” Today, our world changes faster than ever before in human history. There is a lot of fear of change, fear of loss. We need to weather these storms together and hold each other closer. Only together, with grace and humility, can we courageously evolve. As spiritual seekers, we have unique opportunities each day to continue to reflect on the ancient wisdom of our tradition and how it can be made relevant to our moment.

Spirituality is not simply “fun” or “meaningful.” There is far too much at stake. If we do not elevate our spiritual consciousness, we will destroy ourselves. More than a political revolution, we need a global spiritual awakening to the oneness and the interconnectedness of all life! How will we get there? What intellectual and spiritual resources will help us all move forward? Which of those resources will be brand-new and which ones will be ancient?

The Book of Proverbs—a book of ancient wisdom—is one of the most profound works found within the Hebrew Bible, but one that is not often explored in a truly spiritual, accessible, and relevant way. The language of the book is often vague, and its words and lessons are often open-ended and shrouded with literary ambiguity, qualities that make it hard to digest for the contemporary reader. Still, the wisdom that is contained within the Book of Proverbs is timeless, and readers have much to gain by learning from its ancient precepts.

Those of us who live in a world of paradox might find the Book of Proverbs—known as Sefer Mishlei in Hebrew—to seem a bit binary and simplistic. However, the book pushes us to remember that actually much of life is quite binary! We are confronted with good and evil, life and death, joy and sorrow. The challenge is to see which moments require us to view situations with nuance and embrace paradox—and which moments require our fervent and robust moral and spiritual action. In the latter moments, we should not try to find intellectual excuses, but rather respond with clarity and courage. In the Book of Proverbs, we find the productive and the lazy, the wise and the foolish, the just and the unjust—and we know where we want to find ourselves on that map!

The Book of Proverbs is the second book of K’tuvim (“Writings,” the third section of the Hebrew Bible) and consists of only thirty-one chapters. As part of the biblical “wisdom literature,” the book discusses moral values and proper conduct. The collection is divided according to its different authors.1 In fact, one might divide the book into seven different books merged into one, similar to a contemporary anthology consisting of seven chapters written by different authors. Other books in the Hebrew Bible of the same wisdom literature genre include Ecclesiastes and Job.2

Due to the lack of references to the Divine, the content of the Book of Proverbs is accessible to a broad readership, believers and nonbelievers alike. Proverbs is not a typical biblical book. God is mentioned here and there, but the content of the book is mostly focused on human learnings and wisdom. As one might say today, the book is “spiritual but not religious.” It appears to have been written not for an intellectual elite interested in theology, but as a moral guide for all people. It is not an exclusively “Jewish” book, but speaks to universal concerns. It does not address the needs, interests, and challenges of a specific community, but rather seeks to provide guidance for an individual—any individual.

Learn more and order the book at proverbs.ccarpress.org. A free study guide by CCAR Press Rabbinic Intern Ada Luisa Sinacore is available.

1. “The proverbs of Solomon son of David, king of Israel” (Proverbs 1–9); “The proverbs of Solomon” (Proverbs 10:1–22:16); “The words of the sages” (Proverbs 22:17–24:22); “These also are by the sages” (Proverbs 24:23–34); “These too are proverbs of Solomon, which the officials of King Hezekiah of Judah copied” (Proverbs 25–29); “The words of Agur” (Proverbs 30); “The words of Lemuel, king of Massa, with which his mother admonished him” (Proverbs 31). It is important to note, however, that it is possible to view these other authors as nicknames for Solomon.

2. Two other books are generally included in the genre of the wisdom literature that were excluded from the Tanach but included in the Apocrypha: Wisdom of Solomon and Wisdom of Ben Sira (or Ecclesiasticus).

Rabbi Dr. Shmuly Yanklowitz is a global activist and the author of twenty-two books on Jewish spirituality, social justice, and ethics. His many works include the CCAR Press titles Pirkei Avot: A Social Justice Commentary (2018) and The Book of Jonah: A Social Justice Commentary (2020).