Tag: Opening your heart with psalm 27

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Psalm 27: Music and Spirituality

In anticipation of the release of CCAR Press’s forthcoming publication, Opening Your Heart with Psalm 27 by Rabbi Debra Robbins, we invited Cantor Richard Cohn to share an excerpt of the chapter that he wrote.

Music offers us a powerful connection to spiritual practice. Melodies are both fluid—moving through time with flexibility and intention—and grounded—anchored in structures of rhythm, scale, and key. They embody aliveness within a defined structure, mirroring the flow of life itself.

In combination with the harmonies that support them, melodies can convey beauty, form, and emotion. They can touch on areas of comfort, hopefulness, serenity, warmth, and joy (among many others!), even suggesting more than one feeling at the same time. They are received and interpreted differently by each of us, and their resonance can vary from day to day, or even from one repetition to the next. In addition to emotion, form, and beauty, music miraculously transmits something from the formless dimension of spirit into the physical realm of song.

Rabbi Robbins has chosen the last verse of Psalm 27 to be a musical thread in our encounter with the complete text. Why anticipate the conclusion when we’re only starting out? One possible answer is to reflect on the closing words in their relationship to each stage of the journey: How do we move step-by-step toward a strengthening of the heart that lifts us in hope toward an awareness of the holy? Singing (or listening to) a melody corresponds exactly to that process, as we travel from note to note in search of a destination that exists in potential from the very beginning, but that can only be reached by tracing the entire path. As with the psalm itself, repeating the melody again and again can deepen and expand our understanding of the journey.

There are many ways to utilize the recording that accompanies this book. You may wish to begin with mindful listening, perhaps closing your eyes and bringing attention to the sound itself, to the shaping of individual syllables and words, or simply to the unfolding stream of music. You may find yourself starting to hum along, and you can add the words whenever you like. With each repetition, or from day to day, notice what’s new (or old!) in your encounter with the music. If you’d like to sing it on your own, rather than with the recording, see what happens when you try a different tempo or if you sing it more softly or loudly, more contemplatively or emphatically. Before long, you may know the music by heart. It may become an increasingly internal experience, becoming fully integral to your daily practice. If the melody begins to seem a bit less interesting, scale back to singing it only once a day, or sing it an extra time to see if you can bring something fresh to your interpretation.

May this singing practice be heart opening and soul lifting, as you explore the inspiring textures of Psalm 27.

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Cantor Richard Cohn serves as Director of the Debbie Friedman School of Sacred Music at the Hebrew Union College-Jewish Institute of Religion in New York. He’s also served as president of the American Conference of Cantors, and he has been a featured conductor at the North American Jewish Choral Festival.

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Books spirituality

Psalm 27: My ‘Go To’ Spiritual Walkabout Song

Author’s Note: This essay is dedicated to the memory of Angela Gold, z”l, whose neshama and harmonies blessed everyone she met.

I sing to myself. Not the “singing-in-the-shower” variety. Not the “sing-along-with-my-playlist-while-I-clean-the-apartment” variety. It’s the moment of “this-is-the-song-in-my-heart.” A song too big to hold in.

The song is always the same. Over and over. Usually under my breath, but if I think I’m alone in a staircase – which almost exclusively happens as I head to classes at the Pardes Institute of Jewish Studies – I might belt it out, just to hear the echo. I sing:

Here in Israel, especially in Jerusalem, I suspect that anyone who overhears knows what I’m singing: “One thing have I asked of Adonai, how I long for it, that I may dwell in the house of the Adonai all the days of my life, to behold the graciousness of Adonai, and to dwell in the palace.” It’s the fourth verse of Psalm 27, the essence of the Psalm. I sing the Paul Schoenfield rendition.

This spontaneous a cappella vibrates with my faith, a paradoxical faith, at that. On one hand, I believe with a perfect faith that – at any moment, perhaps the very next one – the glory of God’s presence might just appear. Perhaps right there in the stairway, on the next landing. On the other hand, regardless of whether I see it or feel it in the moment, God is right here, right now. Yes, God is here, and I’m still seeking God’s house, knocking at the gates of mercy, seeking the throne of holiness.

This contradiction is the essence of my yearning as I sing the line: knowing that I’m already in God’s presence, and yet knowing that I only can remain there by continually seeking God.

In her forthcoming book from CCAR Press, Opening Your Heart with Psalm 27, Rabbi Debra J. Robbins writes: “Sit in the house of God. It’s the one thing that I really want. But now that I’m here, what do I do?”

Opening Your Heart with Psalm 27: A Spiritual Practice for the Jewish New Year

Opening Your Heart with Psalm 27 is a guide to using Psalm 27 to prepare for the high holidays. Every day from the second day of Elul, through Shemini Atzeret – including Rosh Hashanah, Yom Kippur and Sukkot – traditional Ashkenazi prayer includes the recitation of this psalm.

With this book, Rabbi Robbins has created a guide to prepare spiritually for the Days of Awe by examining phrases from each line of the psalm each of the 50-plus-day period. Nine of the phrases she uses in this intentional spiritual practice, nearly one of every five days, come from 27:4, my walking tune.

Of the words “achat sha’alti” – “one thing I’ve asked” of God – she wonders: “If I can ask only one thing of God, what would it be?” Of the word “u’le’vaker” – “and to dwell” – she notices the connection to the word “boker,” or morning. Am I ready, aware and eager, each morning, to witness God’s presence? About the words “b’veit Adonai” – the house of God – she asks: “This is God’s house. But is God home?” We are invited to explore each phrase with a series of steps, including prayer, meditation, journaling and blessing.

Fifty days of reciting Psalm 27 as part of the High Holiday season is a practice that’s relatively new in the history of Jewish liturgy, beginning about 200 to 300 years ago. Rabbi Robbins has turned that daily recitation into an opportunity for spiritual growth before, during and just after the Days of Awe, the entire holy season from Elul to Shemi Atzeret.

For me, Rabbi Robbins has added new ways to think about – and to sing – my ‘go to’ spiritual walkabout song.

Click here for a guitar rendition of the Schoenfield setting for this verse. Here are settings by Chava Mirel, and Beth Hamon.

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Alden Solovy is a liturgist, author, journalist and teacher. His work has appeared in Mishkan R’Fuah: Where Healing Resides (CCAR Press, 2012),L’chol Z’man v’Eit: For Sacred Moments(CCAR Press, 2015), Mishkan HaNefesh: Machzor for the Days of Awe (CCAR Press, 2015), and Gates of Shabbat, Revised Edition (CCAR Press, 2016). He is the author of This Grateful Heart: Psalms and Prayers for a New Day, published by CCAR Press in 2017, and This Joyous Soul: A New Voice for Ancient Yearnings, now available!