In an age of video and universal sensory stimulation, podcasts are a strange niche. They require us to only listen, and as the success of so many of them has shown, there is an audience that wants to only listen. One of the greatest images of the Golden Age of America is the family gathering around the radio to listen – to the news, to the Lone Ranger, maybe even to a surprisingly realistic broadcast of War of the Worlds, with which Orson Welles displayed the true power of the spoken word, sending the population who was unaware of the fiction of the radioplay into a frantic tizzy at the news that aliens had invaded. Listening, as everyone with even the slightest understanding of Judaism knows, is one of the key components of our tradition. “Shema Yisrael Adonai Eloheinu, Adonai Echad,” “Listen, Israel, Adonai is our God, Adonai is One.” “We will do, and we will listen,” said the Israelites in acceptance of God’s covenant in Exodus 27:4, effectively founding Judaism.
It is therefore unsurprising that so many people most renowned for their podcasts are Jews: Sarah Koenig of Serial, Robert Krulwich of Radiolab, and the seemingly omnipresent Ira Glass of This American Life, just to name a few. This connection was not lost on us when we set out to make what has become Nü Rabbi, but it certainly added to our confusion as to why (at the time) there were no Progressive Jewish podcasts with similar structure. So, we set out to make one.
Initially, we thought we’d interview the rabbinic luminaries of our Reform world about hard-hitting topics. And then we tried to book those interviews. Needless to say it didn’t work out so well. But while trying to practice our interview and microphone skills on our classmates, we discovered something all the more precious: The voices and opinions of the up-and-coming rabbinical and cantorial students at our school. And thus was born Nü Rabbi – a play on “New Rabbi” and the oft-heard phrase “Nu, Rebbe?” when a particularly insistent question is asked of a Rabbi. In effect, what we have ended up creating is the beginning of a Mishna for our day and age. The Tannaim are ourselves and our classmates – discussing, windingly and in many different manners, some of the most pressing issues of our day. Our first issue was, just like in the Mishna, prayer.
“Mahu t’filah?”– what is prayer– we asked ourselves and our colleagues, and the beautiful Torah spilled forth. But this was only the beginning of our journey. We then had to learn the editing software, to commission music and art, to figure out how to make it all flow together into something imminently listenable. As of now, we think we did a pretty good job. Four of our classmates (Stephanie Crawley, Dan Slipakoff, Harriet Dunkerley, and Samantha Frank) and a recent ordinee of JTS (Rabbi Jessica Minnen) all contributed the Torah of their hearts, and the combined product, the stitching together of all of them with the help of the connecting thread of Quincy Ledbetter’s wonderful music, is a rich aural page of mishna. Listen for yourself, and let us know what you think!
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Andy Kahn and Josh Mikutis are both rabbinical students (’18) at HUC-JIR in New York, and are both three-time recipients of the Be Wise Grant in Jewish Entrepreneurship. This coming year, Andy will be the organizing rabbinic intern at East End Temple, and Josh will be working at the 92nd Street Y.
