Author: Isaac Brynjegard-Bialik

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Technology

From Star Trek to Paper T’filah: “Live Long and Prosper”

Logical. Unemotional. Alien. As Mr. Spock on the original Star Trek television series, Leonard Nimoy found himself trying to bring depth and detail to a character that hadn’t yet been fully fleshed out; it was up to Nimoy to contribute much of what made Spock who he was—including the famous “Vulcan salute.”

Nimoy said that one day on the set, Star Trek creator Gene Roddenberry asked him to come up with a greeting to use when meeting the Vulcan matriarch, and into his head popped an image of the chazan in his childhood shul giving the “priestly benediction.” And with that, this ancient Jewish hand gesture was introduced to the world.

It’s the blessing by which Aaron blessed the people, the blessing that kohanim still say over worshippers in synagogues today, and it’s the blessing that my wife says over our children every Shabbat (and yes, she does the thing with her hands). “May God bless you and keep you,” she recites. “May God deal kindly with you, and be gracious to you. May God’s face shine upon you, and grant you peace.”

I’ve always connected to the Vulcan salute and the words that accompany it (“Live Long and Prosper”). Perhaps it’s because it seemed so obviously (to me) Jewish, and yet slipped under the radar of my non-Jewish friends. Whatever the reason, I used it to structure my papercut, “Live Long and Prosper,” which I made with cut-up Star Trek comic books.

Yeah, cut-up comic books. For those of you who missed my last post, that’s what I do: I incorporate cut-up comic books into my work, drawing parallels between comic book mythologies and religious traditions. So within the delicate cutaway panels of my “Live Long and Prosper” papercut can be found images of Nimoy as Spock giving the Vulcan salute, the U.S.S. Enterprise, and the beauty of comic book outer space. I also included parts of a chumash that had been headed for the g’nizah for ritual burial: words of the priestly blessing in Hebrew and English, side-by-side with the Spock and his crewmates.

The image is a representation of blessing and strength, and I’ve made it the starting point for the Paper T’filah Visual T’filah I designed for the CCAR. It’s my intention to anchor this visual liturgy in an image both immediately familiar, for multiple reasons–a mix of reverence and amusement, and a statement of intent: this service will boldly go where no one has gone before … and I hope you’ll go there with me.

My wife and I have made “Paper T’filah” an element of the “Paper Midrash” residencies that we lead around the country: worship and study and papercutting workshops that bring together contemporary art, pop culture, and scholarship. The reaction has been overwhelmingly positive, and I couldn’t be more proud to have brought something new to their worship experience.

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Isaac Brynjegard-Bialik is a Jewish artist living in Southern California. He cuts up comic books and reassembles them into work made of clean lines and patterns, sinuous shapes and sharp edges, large fields of color and small intimate spaces.

Click here to view a sample of Paper T’filah by Visual T’filah. It is now available for purchase on the CCAR Press website. For more information on how you can bring Paper Midrash to your community, email Isaac or visit his website.

Categories
Technology

“Paper Midrash”: The Connections between Comic Narratives and Jewish Liturgy

As a kid, I knew better than to sneak comic books into services, but as an adult, that’s exactly what I’m doing–with the Visual T’filah I designed for the CCAR.

As an artist, I am constantly engaged in a conversation with the texts of our tradition. I’m a papercutter, and my work is visual biblical commentary; I call it “paper midrash.” I always begin with text—often biblical and other traditional sources, but also the words of poets and musicians. My work is influenced by elements of the natural world and how we understand our connection to the Divine: the burning bush, the parting of the Red Sea, the revelation at Sinai.

I incorporate cut-up comic books into my work, drawing parallels between comic book mythologies and religious traditions, to delve into the stories that make us human. In my Paper T’filah series I explore connections between comic narratives and contemporary Jewish liturgy.

It’s a good fit. Comic superheroes exist outside of the “natural” world, be they visitors from other planets or people whose powers stem from strange scientific accidents, and their struggles can be seen as a metaphor for the human experience. Their stories are woven into my explorations of prayer.

So my Barchu—which marks the beginning of the formal prayer service, the moment when we stop being just a group of individuals and become a community praying together—is made with comic book superhero teams. Yotzeir, which praises God as the Creator of light, is filled with comic book heroes whose powers are tied to light and color, such as the mutant musician hero Dazzler. V’ahavta is a prayer about teaching children the value and meaning of our tradition, and my papercut of that prayer is filled with younger heroes like the Teen Titans and the Legion of Superheroes. G’ulah leverages the Green Lantern “Blackest Night” storyline as a parallel to our story of slavery and freedom, and you can find Aquaman and the Sub-Mariner comics tucked into the parted waves of my Mi Chamochah.

The progression from papercut series to Visual T’filah was a bit challenging. Rather than just put pictures of my papercuts next to the prayers, I instead strove to combine my images with the words of our liturgy to provide an alternative or additional way to understand the prayers. I digitally cut and pasted and shaped the papercuts to work within the Visual T’filah format, creating something that is at once connected to the original papercut series and also something completely different: a projected illustrated siddur.

My wife Shawna and I have made Paper T’filah an element of the “Paper Midrash” residencies that we lead around the country: worship and study and papercutting workshops that bring together contemporary art, pop culture, and scholarship. The reaction has been overwhelmingly positive, and I couldn’t be more proud to have brought something new to their worship experience.

—

Isaac Brynjegard-Bialik is a Jewish artist living in Southern California. He cuts up comic books and reassembles them into work made of clean lines and patterns, sinuous shapes and sharp edges, large fields of color and small intimate spaces.

Paper T’filah by Visual T’filah is now available for purchase on the CCAR Press website. For more information on how you can bring Paper Midrash to your community, email Isaac or visit his website.